Adaptive Reuse: The Latest Architecture and News

Based between Tehran, Iran, and New York City, ASA North has emerged as an example of an architectural practice based on malleability and adaptability. Chosen by ArchDaily as part of our 2023 New Practices, ASA North stands at the forefront of melting the boundaries between architecture and art. ArchDaily had the chance to interview Ahmadreza Schricker, its founder delving into the evolution of his life, career, and practice.

Ahmadreza Schricker is an architect whose journey was shaped by his work with Herzog & de Meuron and his time with the well-renowned OMA. His studio ASA North, is well known for its award-winning adaptive reuse of the Argo Contemporary Art Museum & Cultural Center, a former distillery that was awarded at the 2020-2022 Aga Khan cycle. It is a testament to the work ASA North does, bridging gaps between past and future, traditional and contemporary. The interview also goes beyond ASA North, looking into its sister company, ASA South. Based in the virtual world, ASA South challenges conventional boundaries and reimagines architectural practice in the digital age.

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In 2020, Ahmadreza Schricker (ASA North) completed the Argo Contemporary Art Museum & Cultural Center design. Previously a 1920s beer distillery in the heart of Tehran, it has now been converted into a contemporary art center and is now the new home of the Pejman Foundation. ASA North is a studio based in Tehran that was chosen by ArchDaily as part of the 2023 New Practices. ArchDaily selects those practicing within the broadest definition of architecture and its exercise to share their innovative, fresh, and forward-thinking mission with the community. In the summer of 2023, the foundation hosted an exhibition featuring selected works from ASA North while documenting the transformation of the Argo Factory. The exhibition explored the studio’s practice, developing a commentary on their projects and their self-awareness.

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When you’ve made a mess, it’s often easier to hold up your hands and start again from scratch. But while it might be a harder way to do it, adaptive reuse – when architecture takes something old and broken and brings it back to life – can have benefits all around.

When planning much-needed social and cultural buildings for public use, instead of using new, virgin materials (or even recycled materials that need to be collected, stripped, reformatted, and transported), there are plenty of pre-made sites already in place. All we have to do is see them.

These adaptive reuse projects take disused buildings, forgotten projects, and unloved environments and transform them into something new, bringing life, positivity, and purpose.

The Ahmedabad Municipal Corporation (AMC) has just announced its plan to demolish India's Sardar Vallabhbhai Patel (SVP) Stadium. The structure was initially designed by Charles Correa and engineer Mahenda Raj in the 1960s. A testament to “the progressive ideals and experimental spirit that characterized India’s post-independence period,” this iconic modernist structure has hosted ample cultural events for the city.

The structure was originally built to host international and domestic cricket matches. In the 1950s, the Cricket Club of Ahmedabad was granted 67,000 sqm of land to construct a Cricket Stadium. It was the country’s first “turf ground,” hosting the first cricket match in India. For the cricket community in the country, the SVP represents a venue that has nurtured and honed young cricketers from all over the state, and it has been graced by several of India's legendary players in both test and one-day cricket matches.

Milan’s iconic Giuseppe Meazza Stadium, also known as San Siro, has been saved from demolition after a decision of the Regional Commission for the Cultural Heritage of Lombardy has determined that the stadium holds cultural significance. The stadium, home ground to f AC Milan and Inter Milan football teams, was set to be replaced by a new stadium, named “The Cathedral”, designed by American architecture studio Populous. The office continues to work with Inter Milan football club to develop a new stadium proposal in the Rozzano neighborhood, according to reporting in the La Gazzetta dello Sport.

Neri&Hu presented “Liminality”, a multimedia exhibition selected by Lesley Lokko, at the International Architecture Exhibition in Venice. The exhibition took place in the Dangerous Liaisons section of La Biennale di Venezia at the Arsenale. In response to Lokko’s curatorial statement, Neri&Hu’s display explored the concept of liminality, the “zone” between design practice and theoretical exploration. The display consisted of three adaptive reuse projects that represent the practice’s research in “Reflective Nostalgia, Recasting Vernacular, and Ruinophilia/Future Artifact.”

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Rebuild Foundation, run by Artist Theaster Gates, is converting the St. Laurence Elementary School into a new 40,000 sq foot arts hub on Chicago’s South Side. The formerly vacant elementary school in Chicago’s local St. Laurence neighborhood has been reimagined to redeem indoor and outdoor spaces, making it a cultural hub. Set to open in 2024, the building's adaptive reuse expanded the program and the landmark into a place of exploration, entrepreneurship, and creative education.

The former animal laboratories of the Charité in Lichterfelde, also known as the Mäusebunker building, have now been placed under monument protection, saving it from the threat of demolition that has been slated since 2010. The brutalist structure was designed by architects Gerd and Magdalena Hänska and built from 1971, and put into operation in 1982. While its strong image, combined with its function as a laboratory for animal tests, resulted in the general public’s distaste for it, the Brutalist building slowly gained acceptance and even a cult status among brutalist fans.

Architecture is a continually evolving form of human expression influenced by cultural and contextual factors. While many of the problems we face today aren't directly linked to architecture, it has the ability to provide or facilitate solutions to these challenges. This has been evident throughout history, as societal issues have played a significant role in shaping our built environments. For instance, during the Victorian era, the infamous "Great Stink" led to the modernization of London's drainage system and urban layout. Similarly, the 2008 recession gave rise to the sharing economy and coworking spaces. Nowadays, the climate crisis is transforming the way we conceive architecture, seeking to reduce the carbon footprint of buildings and cities to achieve the Paris Agreement objectives. Given this backdrop, what challenges should we expect in the future?

This article was originally published on Common Edge.

Cities need to prepare for a wave of declining houses of worship. While faith institutions, at least the Christian ones, have been asking WWJD (What would Jesus do?), municipalities need to get them to ask another question: WWJJD (What would Jane Jacobs do?). Doing so might lead to a new model for true community houses of worship.

Subscriptions are quickly becoming an integral part of everyday life. For example, streaming platforms have completely replaced the need to own video cassettes, while ride-sharing services partially cover the need to own a private car. Subscriptions have been largely understood as digital services, but a new trend suggests that the same concept could be transferred to physical objects in the near future. Instead of owning a fridge, a washing machine, or even light bulbs, one could acquire a subscription to ensure the freshness of produce, clean clothes, and a well-lit home.

The concept is known as the “subscription-based economy,” a variant of the “circular economy” notion. It postulates that instead of owning some of the objects used every day, one could subscribe to a service to gain access to the same benefits, but without the need to own, maintain or dispose of the object in question. Consumers no longer buy products; they buy access to services. Sometimes, it would mean simply leasing the object instead of purchasing it, but the model goes one step further. It inscribes a shift of responsibility and mentality. Because consumers no longer own the objects, the responsibility to reuse and recycle falls to the producers, who are now in charge of the entire life cycle of the objects they create.

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CHYBIK + KRISTOF architecture studio has been announced as the competition winners for a new cultural landmark that will transform and re-activate public space in Ústí nad Orlicí, Czech Republic. This former textile factory will be converted into a multifunctional cultural hub available to the public. The newly revitalized building will contribute to the existing cultural infrastructure, located near the main square of the city.

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Heatherwick Studio has unveiled a new project to transform an old desalinization plant into the centerpiece of a new cultural district on the waterfront of Jeddah, Saudi Arabia. The industrial structure is set to be reconfigured to become The Museum, large complex offering production spaces, studios, and ateliers for artists and makers. Its program also includes exhibition spaces that can accommodate large-scale commissions to help visitors to learn and feel inspired by the next generation of artists.