Stanley Kubrick has been called many things: pretentious, unpretentious, alienated, ambiguous, audacious, empty, disturbing, outrageous, devilish, soulless, patient, unflinching, impersonal, arrogant, calculated, paranoid, aloof, visionary, genius, tyrant, misogynist, cineaste, original, and in the immortal words of Kirk Douglas, a “talented shit.”
It’s interesting to note then, when asked about his film, 2001: A Space Odyssey (1968), Stanley Kubrick himself said, “It's not a message that I ever intend to convey in words.” The film itself is a “nonverbal experience.” There are no words – or dialogue – for more than two-thirds of the film. Stanley Kubrick is a visual storyteller; in his films, words are secondary.
Before starting down the arduous path of the life of a designer, those who have been there before you will insist on one thing: you must be passionate about what you do. Music brought Nathanael Balon to California, where he ended touring with his neighbor Sonny Moore (you probably know him as Skrillex). But 40 days into his second world tour he woke up wishing he were doing something else. Nathanael dreamed of building.
His desire to "build beautiful things" culminated in the creation of WoodSmithe, a company that designs and constructs retail environments, window displays and trade-show booths. Get a glimpse into Nathanael's courageous move in the short video above and read on to find out about a group of people who have made bold decisions to follow their dreams.
By bestowing the most prestigious of the UIA's awards on Pei, whose “life and work spans the history of modern architecture over five continents for more than sixty years," the UIA recognizes "his unique style, his timeless rigor, and his spiritual connection to history, time and space.”
Pei will receive the UIA Gold Medal at the awards ceremony at the UIA World Congress of Architecture in Durban, South Africa on August 6th 2014.
An expert on the Middle Eastern construction industry has said that architects working in Qatar are worried about the future of their projects, following the allegations sparked by a Sunday Times report last week of corruption during the country's 2022 World Cup bid. With many people calling for Qatar to be stripped of the event or for the bidding process to be re-run, there is a chance that Qatar might have to pull the plug on many of its major projects.
“Who threw this tantrum?” This question sums up how Charles Moore’s peers reacted when they saw his Lovejoy Fountain project for the first time. Moore was always a bit unconventional by contemporary standards – he designed what others would not dare, creating a body of work that alludes to everything from Italian baroque forms to Mexican folk art colors to Japanese wood construction. Originally published as Why Charles Moore (Still) Matters on Metropolis Magazine, check out Alexandra Lange’s thoughtful piece on the influential architect after the break.
“Stop work. It looks like a prison.” That was the telegram from the developers in response to Moore Lyndon Turnbull Whitaker’s (MLTW) first design for the Sea Ranch, which celebrates its 50th anniversary this year. Architects Charles Moore, Donlyn Lyndon, William Turnbull, and Richard Whitaker, working with landscape architect Lawrence Halprin, had used sugar cubes to model the 24-foot module for each of the condominium’s original ten units. And that boxy choice, combined with the simplest of windows and vertical redwood siding, produced something more penitentiary than vacation (it’s sited on a choice stretch of Sonoma coast).
For small firms, design competitions can often feel like a Catch22 - enter and lose precious time and resources (usually for nothing) or avoid them - at the risk of losing out on the "big break." Now a new class at Harvard's Graduate School of Design takes on just this quandary, as well as the many other practical, theoretical, and moral implications of architectural competitions for the profession. Learn more at this article at the Harvard Gazette.
Do you get excited when you discover a game-changing command on AutoCAD? Don't worry, us too - which is why we're recommending five AutoCAD YouTube tutorials selected by Line//Shape//Space. To learn something new (like importing point cloud data or searching for text within your drawings), or just to brush up on your skills, click here.
We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. The following chapter discusses our society’s phobia against natural, local forms - our “ecophobia” - and the need for the architecture discipline to counter this fear by adopting a more scientifically-rigorous, intellectual structure. If you missed them, make sure to read the previous installments here.
The 21st century has begun with a continuation, and perhaps intensification, of the worst prejudices seen in the twentieth. Those prejudices include a disdain of traditional cultures, and all that links a human being to his/her local history.
Similarly, most building and planning today follow unwritten rules that have no empirical foundation, being based strictly upon visual/ideological constructs from the early twentieth century. Contemporary design avoids any criterion of quality that draws upon evolved precedent and tradition from a prior era, and thinks that this refusal is a great virtue. In this way, architects and urbanists end up obeying simplistic criteria for design, rejecting any sense of beauty that links human beings with their land, tradition, and culture.
The term “ecophobia” refers to an unreasonable but deeply conditioned reaction against natural forms. It has also been used in clinical psychology to denote a phobia against one’s dwelling, but that specific use now appears to be antiquated. However, we believe that these two terms “ecophobia” and “oikophobia” may in many cases be used interchangeably. (Linguistically, the common Greek root for “house” can be written either as ecos or oikos).
http://www.archdaily.com/512714/unified-architectural-theory-chapter-5Nikos A. Salingaros & Kenneth G. Masden II