The Cube, a nomadic, stateless and cosmopolitan piece of architecture designed by Park Associati, is a pavilion designed to host a small, temporary restaurant. Originating from Electrolux’s concept of an itinerant restaurant, The Cube has been conceived and organized by the Belgian event agency Absolute Blue with the logo and texture design by Studio FM Milano. Their architectural project has been conceived as a module that can be assembled and disassembled relatively easily. The structure, which will be on exhibit in London until September 30, is suitable for all climatic conditions, even the most extreme, while always providing the maximum in living comfort with its refined aesthetics and use of high-quality materials. More images and architects’ description after the break.
Architects love LEGOs, this is a well-known fact. So what could be better than a real-life bridge made out of the colorful toys themselves?
Unfortunately, of course, the LEGOs are actually an optical illusion designed by street artist Martin Heuwold…
The design for a new 7,500 sqm Deinze Town Hall & Administrative Center, designed by Tony Fretton Architects, sets the administrative accommodation in a 5-storey reconfigurable loft building and the council chamber as a projecting double height room, with the public entrance foyer below. Commissioned by the City of Deinze following an international competition held in 2009, the building accommodates Deinze’s municipal departments, offices for the mayor and aldermen together with a new council chamber. The project is set to begin construction in early 2013. More images and architects’ description after the break.
World Monuments Fund (WMF) is inviting nominations for the 2012 World Monuments Fund/Knoll Modernism Prize. The prize will be awarded to a design professional or firm in recognition of innovative design solutions that preserved or saved a modern landmark at…
The various feelings of enjoyment or of displeasure rest not so much upon the nature of the external things that arouse them as upon each person’s own disposition to be moved by these to pleasure or pain.
Immanuel Kant, Observations on the Feeling of the Beautiful and Sublime (1764)
Levitated Mass, Michael Heizer’s new installation at the Los Angeles County Museum of Art, is a complicated piece for being what it is: a rock. It’s a very large rock. A megalith, to be precise.
To me, “megalith” conjures something prehistoric, the specter of dinosaurs and the great extinction event that swept them off the Earth. Flowing lava. Desolate pre-human landscapes. Those opening scenes from Stanley Kubric’s 2001: A Space Odyssey. These are things Mr. Heizer, the darling artist of the architecture world, is master of with his land art.
But, there is something wrong with this rock.
The UK’s largest arts centre, occupying an 21-acre site that sits in the midst of London’s most vibrant cultural quarter on the South Bank of the Thames, has announced the shortlist of architects competing to head the refurbishment and renewal of the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex. According to a statement released by the Southbank Centre, the project plans to bring the performance spaces and galleries in the complex up to the standard of the recently transformed Royal Festival Hall and will address current urgent problems including poor access to and the upgrading of the stages and galleries; sub-standard back stage areas; and worn out services.
The eight shortlisted practices are:
The architectural scene in Kerala, India is in its volatile best and hence the right time to breed path breaking design concepts in new age residential design. In this directionless period, the ‘residence NEXT’ workshop, put on by Indian Institute…
After WWII, the East End of Long Island played host to a variety of architectural styles. From modernism, through post-modernism, and deconstructionism, architects experimented with social ideas and aesthetic expressions which culminated in “small” houses scattered about the Island’s natural backdrop. Now, with the advent of the mega-mansion and the desire for “bigger”, it is becoming increasingly difficult to preserve such iconic and progressive architectural projects.
More about the film after the break.