Daniel Libeskind and David Adjaye, along with four other shortlisted teams, are competing to design the National Holocaust Monument in Canada. Planned to be built in a prominent site in the heart of Ottawa, near the Canadian War Museum, the $4.5 million monument is expected for completion in 2015.
The jury, made up of internationally renowned art and design professionals, a representative from the National Holocaust Monument Development Council and a Holocaust survivor, chose the following six teams as finalists:
The TU Delft Library, in The Netherlands, helped to place Mecanoo in the international scene. The library was designed 15 years ago, and to celebrate, Mecanoo released this great video revisiting the now iconic building. Enjoy!
By now, we have all heard the mantra. In twenty years time, the world's cities will have grown from three to five billion people, forty percent of these urban dwellers will be living at or below the poverty line facing the constant threat of homelessness - scary statistics and even scarier implications.
ECOnnect, a Holland-based design firm, envisions a solution for these future housing shortages, one that could build a one-million-inhabitant city per week for the next twenty years for $10,000 per family. Peter Stoutjesdijk, architect at ECOnnect, created the concept after widespread devastation in Haiti caused by a massive earthquake left of hundreds of thousands of people homeless depending on tents for temporary relief.
http://www.archdaily.com/445418/puzzle-piece-homes-a-solution-for-rapidly-growing-populationsJose Luis Gabriel Cruz
In this fascinating article on the Slate design blog, J Bryan Lowder takes on a commonly held myth: that brutalist buildings on college campuses were designed to prevent student riots. From the egalitarian design ethos of brutalism to the fact that many of these buildings were around before the widespread student uprisings of the late 1960s, he finds no support for the theory - however he does end with a possible reason why these buildings are now regarded with such suspicion. You can read the full article here.
A few weeks ago the RIBA doled out the 18th Stirling Prize to London-based architects Witherford Watson Mann. The decision was a good one. It was good for WWM and good for the profession – a youngish practice being recognized for a small but beautiful piece of work.
The scheme’s application of brickwork and joinery removes the work from the expediencies of modern construction technology and building products, which almost exclusively characterize the contemporary built environment. It genuinely feels like a project made at a different point in history, the result of the quite particular interests of three minds, Stephen Witherford, Chris Watson and William Mann. It is direct and personal. It reminds me of Stirling’s work..
And not just for its powerful draftsmanship, plan and restricted palette of materials, but for its intimacy. An intimacy that is apparent in much of Stirling’s oeuvre. I do not refer to the production of intimate spaces per se but the formulation of an architecture that is authored not by a factory but a few minds.
The latest Stirling prompted me to look back, and reconsider the work of Stirling himself.
Where does architecture and the automobile industry meet? Many architects, including Le Corbusier, have tried to understand how building construction can be more like car manufacturing, with mass-produced parts that can be easily assembled on site. Ford recently explored the idea at their Design with a Purpose: Built Tough panel discussion held at New York's Center for Architecture. Click here to read The New York Times' coverage of the discussion, and check out ArchDaily editor-in-chief's thoughts on cars and architecture here.
CyArk, a non-for-profit 3D laser scanning organization, is scanning the world's greatest monuments, hoping to preserve over 500 cultural heritage sites around the globe, The Independent reports. The portable laser system creates such a detailed, digital blueprint of structures and ruins that each building can then be reproduced in 3D, with a margin of error of only two millimeters. So far, the statues of Easter Island, the Tower of London, Mount Rushmore, the Tower of Pisa have been preserved. Check out more about the technology in Ben Kacyra's TED Talk.