Following an open call, a selection committee coordinated by the Istanbul Foundation for Culture and Arts (İKSV) has revealed Vardiya (The Shift) as the theme of the Turkish Pavilion at the 2018 Venice Architecture Biennale. Curated by Kerem Piker, the exhibition will propose "a spatial organisation for meeting, encountering, and architectural production."
The Israeli Ministry of Culture have revealed In Statu Quo: Architecture of Negotiation as the theme of the Israeli Pavilion at the 2018 Venice Architecture Biennale. In the exhibition architects Ifat Finkelman, Deborah Pinto Fdeda, Oren Sagiv, and curator Tania Coen-Uzzielli, will examine "the complex mechanism of the 'Status Quo' within shared holy places in Israel-Palestine, which functions as an informal—if controversial and fragile—system of coexistence between rivals."
On October 15th four languages, three countries, and three astounding architectural projects will be brought together through a series of events and workshops to celebrate the 20th anniversary of the Guggenheim Museum Bilbao. The Solomon R. Guggenheim Foundation seeks to commemorate the event with a full day program of activities entitled Drawing the Guggenheim. Visitors can explore and sketch the museums during a variety of public drawing exercises, architectural tours, films and family events at each of the Guggenheim locations.
David Chipperfield has been selected to lead a multi-million dollar restoration of Venice’s Procuratie Vecchie, a monumental building located on one edge of the city’s most famous square, Piazza San Marco, reports the Telegraph.
The city’s longest building, stretching 500 feet along the square, Procuratie Vecchie will be transformed into a venue of art exhibitions and seminars, as well a the home of a philanthropic institution with the mission of supporting vulnerable groups of people such as refugees. Its completion will mark the first time in 500 years that the public will be able to access the building.
Designed for the V-A-C Foundation, Venice-Based Israeli architect Omri Revesz’s adjustable Street Cinema rests lightly next to a canal in Venice, Italy, expanding, contracting, opening, and closing as its program changes.
Acting as a social gathering point during the day and an open-air cinema at night, the structure was open for the 74th Venice Film Festival as part of the V-A-C’s Venice Art Biennale 2017 exhibition Space Force Construction – a reflection on the centenary of the Soviet Revolution.
The British Council have revealed Island as the theme of the British Pavilion at the 2018 Venice Architecture Biennale. In the exhibition, Adam Caruso, Peter St. John (Caruso St. John), and Marcus Taylor will engage "with current political themes," and was submitted by means of an open call with reference to Shakespeare’s The Tempest:
Be not afeard; the isle is full of noises; Sounds and sweet airs, that give delight and hurt not.
Het Nieuwe Instituut (HNI) have announced WORK, BODY, LEISURE as the theme of the Dutch Pavilion at the 2018 Venice Architecture Biennale. Envisioned as "a collaborative research endeavor by a national and international network," Marina Otero Verzier—head of the Research Department at HNI and a member of the After Belonging Agency, curatorial team behind the 2016 Oslo Architecture Triennale—will act as the creative mediator of a series of collaborative contributions, pooling the expertise of "architects, designers, knowledge institutions, and the private sector."
In 2018, Germany will be reunified for 28 years, the precise amount of time that the inner German border wall—which was active from between 1961 and 1989—stood between "East" and "West". With this in mind, the German State have announced "Unbuilding Walls" as the theme of the German Pavilion at the 2018 Venice Architecture Biennale. Curated by GRAFT with Marianne Birthler, the exhibition will be designed to "respond to current debates on nations, protectionism, and division."
Following an open competition, the Australian Institute of Architects have announced "repair" as the theme of the Australian Pavilion at the 2018 Venice Architecture Biennale. Baracco+Wright Architects, collaborating with artist Linda Tegg, will oversee the cultivation of "thousands of temperate grassland species" within the pavilion, alongside "large-scale architectural projections." According to the AIA, "visitors will enter a physical dialogue between architecture and endangered plant community, reminding us what is at stake when we occupy land."
Following an open competition, the Estonian Architecture Center have announced "Weak Monument" as the theme of the Estonian Pavilion at the 2018 Venice Architecture Biennale. Laura Linsi, Roland Reemaa, and Tadeáš Říha will develop a project which views the "architectural environment as a layered and historically continuous system," focusing the exhibition on "projects from the recent and more distant past."
This short essay, written by the author and critic Jonathan Glancey, coincides with the launch of the inaugural Architecture Drawing Prize – a competition curated by the World Architecture Festival, the Sir John Soane's Museum, and Make. The deadline for the award is the 18th September 2017 and successful entries will be exhibited in both London and Berlin.
For John Ruskin, Venetian Gothic design in the guise of polychromatic gasworks in Brentford, ornate factory chimneys in Croydon, glistering gin palaces in Bloomsbury and even the well-meaning Reform Club in Manchester was nothing short of anathema. Even at their risible best, these flamboyant Victorian buildings were idle travesties of the influential 19th Century critic’s beloved Ca’ d’Oro and Palazzo Ducale adorning the Grand Canal.
Sketch for Syria, a project initiated by by Marco Ballarin and Jacopo Galli at IUAV, Venice, has brought together 150 architects from 26 nations in a large-scale effort to "imagine, trace and share possible scenarios" for Syria, following the recent devastation of the lives of its citizens and a significant amount of its architectural heritage.
In response to the United Nations' (UN-ESCWA) drafting of an agenda on July 14th, 2016 to consider ways of reconstructing the country, this drawing project has attracted contributions from the likes of Álvaro Siza, Philippe Rahm, Peter Wilson, and Francisco Aires Mateus.
At a meeting convened today at the Biennale's headquarters at Ca’ Giustinian in Venice, Italy, Grafton Architects—Yvonne Farrell and Shelley McNamara—revealed the theme and outline for the 2018 Venice Architecture Biennale, which they have titled Freespace. According to the Directors, the forthcoming Biennale will celebrate "generosity and thoughtfulness," and "a desire to engage."
We believe that everyone has the right to benefit from architecture. The role of architecture is to give shelter to our bodies, but also to lift our spirits. A beautiful wall forming a street edge gives pleasure to the passer-by, even if they never go inside.
Freespace will "reveal diversity, specificity, and continuity in architecture. Together," they proposed, "we can reveal the capacity of architecture to connect with history, time, place, and people. These qualities sustain the fundamental capacity of architecture to nurture and support a meaningful impact between people and place." In their closing statement, Farrell and McNamara chose to quote an Ancient Greek proverb: a society grows great when old men plant trees whose shade they know they will never sit in.
We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.
GSAPP Conversations is a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.
Aerial Futures, Grounded Visions: Shaping the Airport Terminal of Tomorrow was a two-day symposium held in October 2016 as part of the European Cultural Center's collateral event at the 2016 Venice Biennale. It encouraged discussion about the future of air travel from the perspectives of architecture, design, technology, culture and user experience. The event featured presentations and discussions by the likes of airport architect Curtis Fentress, Nelly Ben Yahoun, Donald Albrecht, Director of the Museum of the City of New York; Anna Gasco, post-doctoral researcher at the ETH-Future Cities Laboratory in Singapore; Jonathan Ledgard, co-founder of the Droneport Project; and Ashok Raiji, Principal at Arup New York.
