Turkey: The Latest Architecture and News

Bee Breeders have announced the winners of the Nemrut Volcano Eyes Competition, where participants were tasked with designing a visitor observation platform on top of Nemrut, a dormant volcano in eastern Turkey. With the unique natural environment, including a caldera and a pair of lakes, the observation platform is intended to provide unobstructed views of the extraordinary landscape. The jury encouraged submissions that were cost-effective, environmentally-responsible, and energy-efficient.

Below are the winners of the competition: 

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“Today, design has become a form of inquiry, power, and agency,” say Jan Boelen and Deniz Ova, curator and director of the 2018 Istanbul Design Biennial. “It has become vaster than the world itself, permeating all layers of everyday life.” Their curatorial statement for the 4^th Istanbul Design Biennial, which opens later this year themed with the title “A School of Schools,” seeks to explore how design education, and education in general, can evolve and adapt in a new age of artificial intelligence.

The team is determined that the Biennial should not read as a two-year scheduled event, but should “reinvent itself and become a productive, process-orientated platform for education and design to research, experiment, and learn in.” The team is undoubtedly well equipped for the challenge.

AFL Architects have released details of their proposed stadium design for Turkey’s bid to host the UEFA Euro 2024 soccer tournament. The Ataturk Stadium seeks to become the new home of Turkish football, featuring a closer relationship between spectators and the game, enhanced acoustics, and world-class hospitality.

The scheme involves extensive renovation and adaption of the existing Olympic stadium structure and forms a crucial part of Turkey’s bid for the Euro 2024 tournament, which was submitted in April 2018. In collaboration with the Turkish Football Federation (TFF), AFL has examined the readiness of seven stadia, and the major upgrade and design of three stadia.

As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Turkish Pavilion. Below, the participants describe their contribution in their own words.

Curated by Kerem Piker and coordinated by Istanbul Foundation for Culture and Arts (İKSV), the Pavilion of Turkey will present Vardiya (the Shift) at the 16th International Architecture Exhibition of la Biennale di Venezia, taking place from May 26th to November 25th, 2018. Co-sponsored by Schüco Turkey and VitrA, the Pavilion of Turkey is located at Sale d’Armi, Arsenale, one of the main venues of the Biennale.

Conceived in response to the theme of Freespace, the title of the Biennale Architettura 2018, Vardiya offers a programme of public events with the Pavilion of Turkey, providing an open space for encounter, exhibition and production.

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An airplane that skidded off the runway in Trabzon, Turkey, earlier this month (with no injuries) may soon be repurposed into a library for the city.

Five days after the plane was removed from its cliffside perch, Trabzon Mayor Orhan Fevzi Gümrükçüoğlu has reached out to the general manager of airline involved in the incident, Pegasus Airlines, to ask if they will donate the plane as a gift with the condition that it will be used as a library space, explaining that “keeping it here will also erase the bad memories attached to the plane.”

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Beoffice and HSY Architects’ competition-winning proposal for Bandırma Onyedi Eylül University Campus in Turkey represents a generation of knowledge that will flourish and support Bandırma’s innovation in industry and economy. The university will take an integrated approach to the region, blurring the boundary between campus and city with interactive spaces that can open up for flexible use.

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A School of Schools, the theme for the 4th Istanbul Design Biennial, will "use, test, and revise a variety of educational strategies to reflect on the role of design, knowledge, and global connectedness" in Istanbul and around the world. Two calls for ideas—one for "schools" and one for "learners"—have been opened to interested parties.

Following an open call, a selection committee coordinated by the Istanbul Foundation for Culture and Arts (İKSV) has revealed Vardiya (The Shift) as the theme of the Turkish Pavilion at the 2018 Venice Architecture Biennale. Curated by Kerem Piker, the exhibition will propose "a spatial organisation for meeting, encountering, and architectural production."

You’re going to wish you saw this Instagram worthy art installation. Gateways (@Landofceramics) at the central fountain in Granary Square, King’s Cross closed this week. It was designed to celebrate the DesignJunction event (September 21-24) an interior design show by and for the industry, set in challenging industrial sites as part of the greater London Design Festival.

UNESCO’s World Heritage Committee, currently holding its forty-first annual session in the Polish city of Krakow, inscribed twenty new cultural sites on its World Heritage List, including the historic city of Ahmedabad in India, archaeological sites in Cambodia and Brazil, and a “cultural landscape” in South Africa. The Committee also added extensions to two sites already on the list: Strasbourg in France, and the Bauhaus in Germany. On the other hand, the historic center of Vienna was inscribed on the List of World Heritage in Danger as the Committee examined the state of conservation of one-hundred-and-fifty-four of its listed sites.

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The Istanbul Foundation for Culture and Arts have announced that Jan Boelen has been appointed as Curator of the 4th Istanbul Design Biennale. This follows the 3rd—Are We Human?—which opened in September 2016 and was curated by Mark Wigley and Beatriz Colomina with a powerful, wide-reaching exploration of design and architecture in relation "the design of the species."

For over ten thousand years, cities have maintained an industrial infrastructure to transform local materials into basic necessities, such as clothing, food, and shelter. Even in the present day, with advances in science, construction, and commercial technology, a need still exists for structures dedicated to industrial-scale production, storage and distribution. However, in this more advanced, environmentally-conscious age, a challenge has emerged to create industrial complexes which are ecologically sensitive, responsible and sustainable.

Against this environmental backdrop, Istanbul-based GAD Architecture have unveiled Media City, a multimedia-based industrial complex to serve Istanbul’s future airport, projected to be the world’s largest upon completion. Recognized with a Future Project Award by the Architectural Review, Media City will incorporate industrial buildings in an urban setting inspired by QR codes, where artistic and cultural values co-exist with a celebration of environmental and technological progress.

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The American/Turkish architecture firm Eray Carbajo has unveiled Urban Rural, a new typology of urban living set to become a benchmark for future development in Istanbul, Turkey. The vision behind Urban Rural is for a hybrid model of living, combining close proximity to urban centers with the lush landscape of rural life. Challenging the status quo of typical residential typologies, the scheme will consist of modular hexagonal units with triangular gardens, forming an active façade designed to become a future landmark for the city.

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Kengo Kuma & Associates has unveiled their design for the Odunpazari Modern Art Museum, currently under construction in Eskisehir, Turkey, a city well-regarded for its university and young, lively population. Borrowing from the scale and materiality of traditional Ottoman wooden houses, the museum seeks to become a new cultural venue that both stands out and integrates into the existing streetscape.

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In Istanbul, a city with few existing green spaces, studio DROR is proposing something radical – a park filled with innovative interventions as a way to encourage collective experience and gathering. Envisioned as “a love story between people and nature,” the Parkorman forest park will give people a chance to swing through the forest, play in giant ball pits, relax by reflecting pools, and even bounce several stories above the ground on canopy-level trampolines.

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Emphasizing a diverse combination of ecological, infrastructural and urban programs in their envisioned design, Istanbul and Madrid-based design practice Openact Architecture has been named the winner of the Bandirma Park Competition, which invited ideas to “introduce Bandirma to the world."

Titled ‘A Path of the Fields’, the winning proposal presents a layered approach to the revitalisation of a former military and industrial brownfield in the industrial Turkish city of Bandirma.

The area is defined by Openact as both “an open, interactive, collective and productive focal point locally and regionally” and “an idea factory in the city of factories”, allowing for the exchange of ideas between the public and professionals. By centering the park around a Design and Research Institute, the intent is to create an environment that will strengthen Bandirma’s socio-economic standing, and offer a new hub for the city’s future, while seamlessly integrating into the natural ecological identity.

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With Are We Human—the exhibition of the 3rd Istanbul Design Biennial, which ran for one month at the end of 2016—curators Beatriz Colomina and Mark Wigley were researching the fundamental notion of ‘design’. Their historic, cultural and conceptual exploration attempted to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This pushed the notion of design and the biennale as a format beyond their established definitions.

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