You’re going to wish you saw this Instagram worthy art installation. Gateways (@Landofceramics) at the central fountain in Granary Square, King’s Cross closed this week. It was designed to celebrate the DesignJunction event (September 21-24) an interior design show by and for the industry, set in challenging industrial sites as part of the greater London Design Festival.
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Bauhaus Houses, Eritrea's Capital and Ahmedabad's Walled City Among 20 Cultural Sites Added to UNESCO's World Heritage List
UNESCO’s World Heritage Committee, currently holding its forty-first annual session in the Polish city of Krakow, inscribed twenty new cultural sites on its World Heritage List, including the historic city of Ahmedabad in India, archaeological sites in Cambodia and Brazil, and a “cultural landscape” in South Africa. The Committee also added extensions to two sites already on the list: Strasbourg in France, and the Bauhaus in Germany. On the other hand, the historic center of Vienna was inscribed on the List of World Heritage in Danger as the Committee examined the state of conservation of one-hundred-and-fifty-four of its listed sites.
The Istanbul Foundation for Culture and Arts have announced that Jan Boelen has been appointed as Curator of the 4th Istanbul Design Biennale. This follows the 3rd—Are We Human?—which opened in September 2016 and was curated by Mark Wigley and Beatriz Colomina with a powerful, wide-reaching exploration of design and architecture in relation "the design of the species."
The American/Turkish architecture firm Eray Carbajo has unveiled Urban Rural, a new typology of urban living set to become a benchmark for future development in Istanbul, Turkey. The vision behind Urban Rural is for a hybrid model of living, combining close proximity to urban centers with the lush landscape of rural life. Challenging the status quo of typical residential typologies, the scheme will consist of modular hexagonal units with triangular gardens, forming an active façade designed to become a future landmark for the city.
With Are We Human—the exhibition of the 3rd Istanbul Design Biennial, which ran for one month at the end of 2016—curators Beatriz Colomina and Mark Wigley were researching the fundamental notion of ‘design’. Their historic, cultural and conceptual exploration attempted to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This pushed the notion of design and the biennale as a format beyond their established definitions.
Sinan Günay and Nurhayat Oz of Superspace have won second prize in the MetsäWood competition, The City Above the City, which called for architects to design wooden extensions to city centers. With their project, Colliding Lines and Lives, the team designed a series wooden housing modules to be appended to a fourth-century Roman aqueduct archway in Istanbul.
Fairy chimneys, also known as hoodoos or tent rocks, are spooky looking spires of rock that range from the height of an average person to over 40 meters. While recently on assignment creating one of his time-lapse videos for Turkish Airlines, photographer and filmmaker Rob Whitworth captured the fairy chimneys found in the Cappadocia region of Turkey in all their eerie charm.
As the month-long 3rd Istanbul Design Biennial draws near, the Istanbul Foundation for Culture and Arts (İKSV) have revealed a full list of projects and participants. Curated by Beatriz Colomina and Mark Wigley, the biennial—which is titled Are We Human? The Design of the Species: 2 seconds, 2 days, 2 years, 200 years, 200,000 years—will revolve around one pressing provocation: that design itself needs to be redesigned.
The 3rd Istanbul Design Biennial, which will officially open on the 22nd October 2016 and last for four weeks, will ask the question: Are We Human? Encompassing a wide range of ideas related to The Design of the Species, from timeframes of 2 Seconds to 2 Days, 2 Years, 200 Years and 200,000 Years, the international show will revolve around one pressing provocation: that design itself needs to be redesigned. It will do so by exploring the intimate relationship between the concepts of "design" and "humanity."
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