The American/Turkish architecture firm Eray Carbajo has unveiled Urban Rural, a new typology of urban living set to become a benchmark for future development in Istanbul, Turkey. The vision behind Urban Rural is for a hybrid model of living, combining close proximity to urban centers with the lush landscape of rural life. Challenging the status quo of typical residential typologies, the scheme will consist of modular hexagonal units with triangular gardens, forming an active façade designed to become a future landmark for the city.
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With Are We Human—the exhibition of the 3rd Istanbul Design Biennial, which ran for one month at the end of 2016—curators Beatriz Colomina and Mark Wigley were researching the fundamental notion of ‘design’. Their historic, cultural and conceptual exploration attempted to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This pushed the notion of design and the biennale as a format beyond their established definitions.
Sinan Günay and Nurhayat Oz of Superspace have won second prize in the MetsäWood competition, The City Above the City, which called for architects to design wooden extensions to city centers. With their project, Colliding Lines and Lives, the team designed a series wooden housing modules to be appended to a fourth-century Roman aqueduct archway in Istanbul.
Fairy chimneys, also known as hoodoos or tent rocks, are spooky looking spires of rock that range from the height of an average person to over 40 meters. While recently on assignment creating one of his time-lapse videos for Turkish Airlines, photographer and filmmaker Rob Whitworth captured the fairy chimneys found in the Cappadocia region of Turkey in all their eerie charm.
As the month-long 3rd Istanbul Design Biennial draws near, the Istanbul Foundation for Culture and Arts (İKSV) have revealed a full list of projects and participants. Curated by Beatriz Colomina and Mark Wigley, the biennial—which is titled Are We Human? The Design of the Species: 2 seconds, 2 days, 2 years, 200 years, 200,000 years—will revolve around one pressing provocation: that design itself needs to be redesigned.
The 3rd Istanbul Design Biennial, which will officially open on the 22nd October 2016 and last for four weeks, will ask the question: Are We Human? Encompassing a wide range of ideas related to The Design of the Species, from timeframes of 2 Seconds to 2 Days, 2 Years, 200 Years and 200,000 Years, the international show will revolve around one pressing provocation: that design itself needs to be redesigned. It will do so by exploring the intimate relationship between the concepts of "design" and "humanity."
Turkey’s Pavilion at the Biennale to Explore Cultural Similarities Between Istanbul and Venice Arsenals
The Pavilion of Turkey at the 2016 Venice Biennale will feature an exhibition titled Darzanà: Two Arsenals, One Vessel, which links the cultural heritage between the language and architecture of dockyards in Istanbul and Venice. Curated by a team of Turkish architects, the display will present “a last vessel," that has been built using waste materials found at the Haliç dockyards in Istanbul, and transported to the Biennale.
Located along the shore of the Golden Horn in Fatih, Turkey, the Bulgarian Church of St. Stephen is no ordinary basilica. Unlike most churches of its time, St. Stephen’s is constructed entirely out of cast iron, explains Atlas Obscura in their article "Bulgarian Iron Church." This method of construction was cost-effective and efficient for the time, but never became popular.
Melike Altınışık Architects has won first mention in a competition to design the Kızılırmak Bridge located in Sivas, Turkey. The competition, which was hosted by Sivas Municipality, called for ideas to design a bridge to support pedestrian movement, vehicular transportation, and cycling activities. The proposal aimed to create an “avant-garde looking design approach to obtain coherency between plan and sections, and harmonize the bridge with its topography.”
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