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"I have a lot of big plans for the gallery, but every idea is an experiment; I don't necessarily want to enforce what it will be, but rather find out what it wants to be." This is how Thomas Ermacora described his vision of the Lime Wharf Gallery, a largely hidden series of spaces squeezed between Vyner Street and Regents Canal in the middle of Hackney's burgeoning creative quarter.
Ermacora hopes the gallery will become an "accelerator of change through culture", bringing arts, technology and social enterprise together for projects which generate optimism for the future. All of these traits made Lime Wharf Gallery the perfect space to present "Future Fitting." This evening of talks, orchestrated by Ermacora and Lucy Bullivant (editor of the new webzine Urbanista), focused on urban design that has the foresight and flexibility to deal with the needs of the future.
Read about the ideas presented at the Future Fitting event after the break...
Identifying connectivity as the key to prosperity within the 21st century, London Mayor Boris Johnson acknowledged the wider economic and regeneration potential of a new hub airport at a City Hall meeting today.
In his speech, Johnson recommended three optimal locations for the new airport: the Isle of Grain in north Kent; Stansted; or on an artificial island in the middle of the Thames estuary. These three suggestions come as a result of a year-long, independently peer-reviewed investigation by the Transport for London, which confirmed the inability of London’s current major airport, Heathrow, to meet demands by expanding.
More on London’s future hub airport after the break...
Southwark planners have recommended an ambitious proposal by international practice Kohn Pedersen Fox (KPF) and engineer Adams Kara Taylor (AKT II) to add 11 floors to an existing 30-story tower in London. The “incredibly complicated” feat, which would be the world’s first of its kind, would extend Richard Seifert’s 1972 King’s Reach Tower on the South Bank by 44 meters, more than a third its original height.
The Southbank Centre and Feilden Clegg Bradley have taken their designs back to the drawing board, deciding to delay their planning application in order to resolve the mounting issues surrounding the proposal.
The designs to update the brutalist cultural centre have divided people from the start; however, the tide of opinion seems to have definitively shifted away from the design due to a sustained campaign by skateboarders (who make use of the undercroft) and now criticism from the neighboring National Theatre and the UK design council CABE.
Read more about the controversy surrounding the Southbank Centre after the break...
The Design Museum in London has confirmed that Zaha Hadid has purchased their original building, which they've called home since 1989, just over a year after placing a bid with a private backer. According to the Architects' Journal, Hadid will use the building to house her practice's archive as well as serve as an occasional exhibition space. "The building will give an opportunity to consolidate our archive in a single location,” she said, “and also engage in a collective dialogue by exhibiting the research and innovation of global collaborations in art, architecture and design.”
The Crystal Palace was a glass and cast iron structure built in London, England, for the Great Exhibition of 1851. The building was designed by Sir Joseph Paxton, an architect and gardener, and revealed breakthroughs in architecture, construction and design. More on the Crystal Palace after the break...
The All England Lawn Tennis Club has just unveiled this design proposal for the Wimbledon Master Plan developed by Grimshaw Architects, with top UK landscape architecture firm, Grant Associates. Marking the first step in a consultation process, the vision reflects and reinforces the long history of The Championships while further enhancing Wimbledon’s position as the premier Grand Slam tennis event. More images and architects' description after the break.
Rogers Stirk Harbour & Partners’ Leadenhall Building became the tallest building in the City of London when it topped out on June 18th. The 50 story tower opposite Lloyd’s of London rises to a height of 224.5 meters 802 feet), its slender form creating its own distinctive profile within an emerging cluster London. The building’s tapering profile is prompted by a requirement to respect views of St Paul’s Cathedral, in particular from Fleet Street. The building comprises a number of distinct architectural elements that provide clarity to the composition both as a whole and as a legible expression of its constituent parts. These elements include the primary stability structure, the ladder frame, the office floor plates, the northern support core, the external envelope and the public realm.
More images and video of The Leadenhall Building after the break...
Focusing on key projects and using previously unseen archival material, drawings and personal items, the 'Richard Rogers RA: Inside Out' exhibition will explore Roger's career, from the influence of his Italian family to his impact on how we experience cities today. From July 18-October 13 at the Royal Academy of Arts in London, visitors will gain an unprecedented insight into this leader of modern design. This blend of political, social and ethical concerns, as well as popular culture, technology, art and urbanism is manifest not only in his architecture, but also in his roles as a speaker, writer, politician and activist. For more information, please visit here.
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Dennis_Gilbert.jpg?1372779209 "© Dennis Gilbert")
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Dennis_Gilbert.jpg?1372779245 "© Dennis Gilbert")
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