Kéré Architecture has unveiled first images of its proposal for the Benin National Assembly. Located in Porto-Novo, in the Republic of Benin, the Parliament House has been commissioned by the Ministry of Living Environment and Sustainable Development, and has been in the design phase from 2018 till 2020. Portraying the values of democracy and the cultural identity of the citizens, the project is set for construction in March 2021.
The 2017 Serpentine Pavilion, designed by Diébédo Francis Kéré (Kéré Architecture), was unveiled today in London. Conceived as a micro cosmos—"a community structure within Kensington Gardens"—the pavilion has been designed to consciously fuse cultural references from Kéré's home town of Gando in Burkino Faso, with "experimental construction techniques." The architect hopes that the pavilion, as a social condenser, "will become a beacon of light, a symbol of storytelling and togetherness."
.jpg?1497967188 "Serpentine Pavilion 2017, designed by Francis Kéré. Serpentine Gallery, London (23 June – 8 October 2017) © Kéré Architecture. Image © Iwan Baan")
The Serpentine Galleries have announced that the 2017 Serpentine Pavilion will be designed by Diébédo Francis Kéré (Kéré Architecture), an African architect based between Berlin, Germany, and his home town of Gando in Burkino Faso. The design for the proposal, which will be built this summer in London's Kensington Gardens, comprises an expansive roof supported by a steel frame, mimicking the canopy of a tree. According to Kéré, the design for the roof stems from a tree that serves as the central meeting point for life in Gando. In line with the criteria for the selection of the Serpentine Pavilion architect Kéré has yet to have realised a permanent building in England.
Surpassing the limitations of static imagery, filmmaker Daniele Marucci creates videos that bridge the filmic and architectonic for a richer and more immersive understanding of buildings and their environments. Marucci works with photographer Enrico Cano to share intimate portraits of buildings that slow down our experience by drawing attention to their subtleties. In such practice, we are given the freedom to survey the architecture but also to let our mind wander, to daydream. Often working in remote locations, the frenetic speed of the city is forgotten when a new intensity takes hold.
