“We should admit nature as an immense multitude of forms, including each part of us, who are part of everything”, says Ailton Krenak, renowned indigenous leader, in his book Ideas to Postpone the End of the World. The culture of native peoples does not understand humanity and the environment as things that are separate or superior to each other, but rather as parts of a whole. Through this particular understanding of the universe, these peoples are led to a sensitive appropriation of the territory, with structuring beliefs that are also reflected in their architecture, raising the very concept of sustainability to another level, since nature is not seen as a resource to be used, it is thought of as part of the community.
Cloud Center Under Construction. Image Courtesy of MAD
Nearly to be completed and opened in 2023, MAD Architects reveals the construction details that made it possible for the Aranya "Cloud Center" to appear floating above the rolling landscape surrounding it. Located in Qinhuangdao, 160 miles away from the east of Beijing, China, the 2,500-square meters Center will be a public art space for the vibrant artistic seaside community that, from the outside, will mark the center of a sculptural landscape that MAD had conceptualized as a "white stone garden."
“Hope for Architecture” is the calling of Clay Chapman and described by him as “a building initiative to address the challenges of an uncertain future.” In truth, “Hope for Architecture” is a masonry and timber technology, reinvented and adapted from antiquity for this moment. Clay and his young family moved to Carleton Landing, Oklahoma fifteen years ago to fulfill a mission: creating a community and explore that technology.
Architecture is born from materials. Between structure, light, movement, and comfort, materials profoundly shape our experiences. But materials also change over time, new ones are created, and a wide range of assemblies and construction techniques are introduced. Increasingly, architects and designers are looking into the possibilities of composite materials made with natural elements.
In the field of design and construction, the question of gender is a point of conflict: who has the possibility of building? What are the alternatives for us architecture professionals? These are the questions that Taller General (re)think about. It is from these questions that Femingas, a participatory construction conference with a gender perspective, arose. These are manifested as an alternative to the construction of "mingas", days of joint work between the members of a community to achieve a common good.
Looking ahead to the future of our built environment, a one-size-fits-all approach simply won’t do. Issues like rising sea levels, temperatures, and water scarcity in urban communities need localized solutions that take into account questions of sustainability, culture, and public health. Having investigated vernacular infrastructure across indigenous communities for her book Lo-TEK. Design by Radical Indigenism, designer Julia Watson is an expert in local, nature-based technologies that are inherently adaptable and resilient. We talk to her about the future of our cities, building materials, and her latest project for Our Time on Earth – a five year, world-touring exhibition that just opened at London's Barbican Centre to investigate how radical, collaborative ideas for the way we live can get us to a much improved place by 2040.
Flooring can either make or break a space. With the proper design, it can enhance a room’s design, mark a good first impression and positively impact user experience. However, because floors must withstand damaging conditions such as exposure to moisture and heat, constant foot traffic and heavy furniture movement, it is only natural for them to degrade over time. As a result, renovating floors is crucial to maintain interiors in a good state, especially those with a lot of use.
While selecting a new material to replace the old surface, building owners, architects and designers must consider many key factors, such as comfort, durability and aesthetics. But when it comes to buildings where daily functions are carried out and thus cannot be closed for long periods of time – like supermarkets, offices and restaurants –, speed of installation often becomes the top priority. Ultimately, as the old saying goes, “time is money.”
When browsing the 3D printing tag on ArchDaily, it is clear that this technology has developed at an incredibly fast pace. If in the early years we observed the concept as a distant possibility for the future or with small-scale examples, in recent years we have observed entire printed buildings and increasingly complex volumes being produced. Developed by reading a computer file, the fabrication is carried out through additive manufacturing with concrete - or other construction materials - and presents numerous difficulties in providing an efficient process that enables the constructive technique to become widespread. The pavilion printed by the Huizenprinters consortium, for example, illustrates this process well.
Contemporary challenges and developments in technology inevitably trigger changes in the way we design and build our cities. SUMMARY, one of ArchDaily's Best New Practices of 2021, is a Portuguese architecture studio focused on the development of prefabricated and modular building systems. Striking a balance between pragmatism and experimentalism, the firm develops prefabricated solutions in order to respond to a driving challenge of contemporary architecture—to speed up and simplify the construction process. Founded in 2015 by the architect Samuel Gonçalves, a graduate of the School of Architecture of the University of Porto, the studio has presented at prominent events such as the 2016 Venice Biennale. We talked with Samuel about the firm's practical experience in prefabrication and modulation, as well as their experiments and forays into research.
In most countries around the world, value is placed on older buildings. There’s something about the history, originality, and charm of an older home that causes their value to sometimes be higher than newly constructed projects. But in Japan, the opposite is almost always the preference. Newly-built homes are the crux of a housing market where homes are almost never sold and the obsession with razing and rebuilding is as much a cultural thing as it is a safety concern, bringing 30-year-old homes to a valueless market.
Metal façades give buildings an air of sophistication and modernity. They also bring a cleanness to the façade, due to their precise fabrication and well-resolved connections between other materials and building elements. There are currently multiple product options available for coatings, offering extensive colour options, including metallics, with different levels of durability (natural aging and corrosion). One of the main issues when approaching metal façades is the risk of corrosion, which can create points of weakness in the material and interfere with the aesthetics of the building. So, with this in mind, what do architects need to focus on to ensure that building envelopes age gracefully, while maintaining aesthetics and performance over time?
Cladding systems have important functions in buildings. They can confer thermal insulation, protect internal spaces from the weather and–just as important–give the building a "face", improving its appearance and clearly identifying the element of design. "Cladding" refers to the components that are linked to the structure of a building to form non-structural external surfaces. While in the past wooden cladding was the only option, there are currently multiple possibilities of materials, colors, weights, textures, anchoring systems, and many other variables available. Below, we outline some of the main materials used for façade cladding, and the projects that use them in a remarkable way:
Cortesia de S'Winter Station - Ryerson University – Department of Architectural Science
The construction industry has experienced severe changes in recent decades. Historically, it counted on abundant labor and a false notion that natural resources were infinite, but nowadays the sector has struggled to find innovations that will allow it to become more sustainable, especially considering its enormous impact and importance in the world. In addition, the recent Covid-19 pandemic changed several factors and dynamics, demanding creativity from designers to overcome challenges. In some cases, the design process itself became subject to changes. The S'Winter Station project, developed by students and teachers of Ryerson University's Department of Architectural Science, is one of these examples which relied on existing visualization and manufacturing technology for its completion.
Cube / HENN Dresden University of Technology. Courtesy of Iurii Vakaliuk
Seen as one of the great promises for the future of construction, carbon concrete mixes strength, lightness and flexibility. In addition, at a time marked by a serious environmental crisis that puts the construction methods of the industry in check, carbon concrete emerges as an alternative that approaches the guidelines of sustainability.
Whether blending in or standing out, embodying transparency or solidity, expressing coarseness or softness, a façade is the medium through which we engage with architecture. It tells a story and can often set the tone for the rest of the interior. But apart from defining a purely visual experience, a building’s envelope must also be practical, durable and have the ability to properly manage natural lighting and ventilation needs. After all, by being the point of contact with the outside, it is responsible for mitigating sounds and providing protection from climatic conditions, such as wind, rain, heat and humidity. Therefore, when designing a facade, it is important to consider a balance between performance and a beautiful aesthetic. Of course, many materials successfully meet these criteria. But when it comes to creating a comforting, light-filled ambiance while ensuring resistance, ease of installation and versatility, the properties of translucent polycarbonate panels seem to be unparalleled.
One of the first elements used by humans to build shelters, wood is a versatile material that, along with technological advances, remains a protagonist in the construction industry, being used in different ways and moments in a work.
As with any industry, most skills are acquired through years of hands-on working and problem solving, and not just what's taught at school. For fresh architecture graduates, engaging with general contractors, engineers, and builders during their first site visits might feel overwhelming, especially since they are exploring the practical side of the practice.
Among the many things acquired on site are the terminologies used by construction workers that may not have been necessarily taught at school. And while an architecture dictionary might seem like the most suitable solution, carrying around a book with over 25,000 terms such as Cyril M Harris' Dictionary of Architecture and Construction wouldn't be the most convenient on a construction site. This is why we have put together list of 50 construction terms and concepts that every architect will come across at least once during their practice.
Among the many difficulties that the construction industry currently faces, confronting the climate emergency continues to be one of the main challenges. In fact, considering that the sector is responsible for around 40% of global greenhouse gas emissions, aiming towards net-zero, carbon-neutral architecture should and must be the top priority. Although there is a long way to go for most buildings to cancel out the amount of carbon dioxide they produce, the concept is quickly gaining traction and will certainly become the new norm as we look into the not-too-distant future. As a result, the following question arises: how can architects, designers and other actors involved in the industry contribute to sustainable design and net-zero architecture?
