PLANE—SITE has released a new film showcasing the work and ideas of Bogotá-based architect Giancarlo Mazzanti, founder of El Equipo de Mazzanti. In this video interview, Mazzanti elaborates on his experimental approach to design research and explores several of his spaces for learning. His firm is behind numerous schools and educational centers, designed to encourage playful and exploratory movement and social relations. As the video explore, Mazzanti creates scenarios for play in daily life.
El Equipo de Mazzanti, led by Giancarlo Mazzanti, has developed a line of toys inspired by their playful Bosque de la Esperanza sports center on the outskirts of Bogotá, Colombia. The first edition of the “We Play You Play” toy series inspired by the firm’s most recognizable architectural and social projects, the Bosque de la Esperanza toy set embodies Mazzanti’s ethos of “using the playful as a design tool.”
With more than 15 years of experience in architectural design, the Mazzanti team developed a special interest in using play as a method of involving and encouraging social behavior within the communities impacted by their designs. The Bosque de la Esperanza set therefore contains 16 modular pieces and 30 connectors, with complex geometries igniting a cognitive element, and creative challenge.
Architect Mayerlly Cuta along with the architect and visual artist Carlos Alberto Hernández founded Urban Sketchers Bogotá," a worldwide movement of drawing that promotes the practice of drawing in Bogota streets, capturing real-time life in the city.
From October 24 to November 9, an exhibition was held in homage to architect Rogelio Salmona. According to Cuta, they sought to commemorate the architect 11 years after his death by drawing his present works in the city of Bogotá. "As managers, we began to draw and promote his works. Later converting them into an exhibition. The Colombian Society of Architects and the Rogelio Salmona Foundation joined the project, leading to the Drawing to Salmona Call. This call brought together more than 100 people and collected more than 300 drawings that came from different cities in the country and the world."
If you're an architecture aficionado, the Colombian capital of Bogota should be high on your list. The city's architecture contains bits and pieces from throughout the country's history, from colonial structures to classical designs from the time of the Republic.
If you're a first time visitor to Bogotá —or a native tourist in your own city— we recommend this architecture guide for the top 10 locations to capture the city's best works.
Bogota's modernization between 1940 and 1970 is featured in a wide array of books, magazines, and photo albums, as well as in the city's own public and private archives. Every one of these sources reveals a deliberate, as well as critical, approximation of how modern architecture reconfigured the city's center and brought together the new buildings and urban space with the already existing cityscape.
When analyzing the impact of photography from the street, it's impossible not to talk about Leo Matiz, Armando Matiz, and Hernán Díaz. These three photographers have captured the personalities, events, and urban life of Bogotá. Here, we've compiled some of their most noted works featuring the streets, plazas, crosswalks, and landmarks of Bogotá. Through their photography, modern heritage finds a place on the stage of collective memory, where architecture and urban spaces are the stars.
In this edition of Bogotá in 10 photographs, we will come to know the legacy of Leo Matiz:
Colombian graphic designer and creative director Camilo Monzón's Instagram account is not your average catalog of Bogotá's iconic architecture.
Camilo explains that his particular way of capturing the city arose while he tried out his drone. "I realized that the tiles from nearby buildings showed me an unedited side of Bogotá that should be revealed and shown to everyone," he said in a conversation with ArchDaily en Español. "I think of it as rediscovering the city."
Tackling the widespread issue of climate change, Universidad EAN (UEAN) in Bogotá, Colombia illustrates the same construction philosophy taught to the students in their new building under the title of ‘Project Legacy.' As the next generation fill the seats of the new auditorium they will be party to the very thinking that went behind the building, solidifying their knowledge as they get to experience it first-hand.
The architects, William McDonough + Partners, are no stranger to the cradle-to-cradle ethos that inspires their sustainable approach. The philosophy models the human industry on the processes within nature to maximise usage of materials for as long as possible – recovering and regenerating products. These perpetual cycles are a long-term solution to the dominant system that uses the cheapest materials in manufacturing.
w2880.jpg?1532277837 "Cortesía de Juan Manuel Hoyos Mora")
