Design justice is grounded in personal experience and built through everyday actions. Wandile Mthiyane is an architectural designer that embodies this idea, an activist that grew up in Durban, South Africa during the Apartheid. From an early age he was drawn to building and design, a background directly tied to his childhood. He realized he wanted to build a better future by working to undo the architectural effects of institutionalized racial segregation. Today, Wandile has become recognized for creating social impact, including his work to transform his hometown of Durban.
Designer Paul Wellington, based in Milwaukee, United States, is the author of Black Built: History and Architecture in the Black Community, a book that documents more than 40 works of architecture around the country by Black architects that have had a direct impact on communities of color. He’s now working on a new book that will focus on Black women architects in a field dominated by white males. I spoke with Wellington about the new book, what he learned through his research on Black architects and their work, and the future of increasing the ranks of Black architects in the U.S.
https://www.archdaily.com/949665/hidden-figures-the-historic-contributions-of-black-architects-in-the-united-statesMichael J. Crosbie
A little less than two years after the onset of a global pandemic, inclusion in the architecture profession is unfortunately still a limited conversation. A 2020 survey by the UK’s Architects' Journal revealed a sobering amount of obstacles for Black architects in the UK, and in the United States, prominent Black practitioners such as Mabel O. Wilson of Studio & have questioned the Eurocentric nature of a large amount of architectural study.
Commended for his impactful contributions to architecture, design, and the community, Sir David Adjaye has been awarded with the inaugural Charlotte Perriand Award, an honor created by The Créateurs Design Awards that recognizes excellence and integrity in the design industry, and inspires future generations in honor of the late female trailblazer. The Ghanian-British 2021 RIBA Gold Medalist and founder of Adjaye Associates was selected for his achievements that "go beyond becoming city landmarks", and his holistic and impactful approach in developing residential, commercial, and cultural typologies.
This year both organizations have defined themes related to improving the quality of life and reducing the effects of the climate crisis by taking action in the built environment. While the International Union of Architects' 2021 World Architecture Day theme is "Clean Environment for a Healthy World", UN-Habitat's World Habitat Day has announced "Accelerating Urban Action for a Carbon-Free World" as their topic.
Courtesy of Harvard University Graduate School of Design, Studio Barnes
Germane Barnes has won the 2021 Wheelwright Prize from Harvard University Graduate School of Design. The $100,000 prize will fund two years of travel and research for Barnes’s proposal Anatomical Transformations in Classical Architecture, an examination of classical Roman and Italian architecture through the lens of non-white constructors. Barnes will study how spaces have been transformed through the material contributions of the African Diaspora while creating new possibilities within investigations of Blackness.
Architect John S. Chase with his sons Anthony (left) and John, Jr. (right). The trio stand in front of the Chase Residence, built in 1959. Image Courtesy of John and Drucie Chase Collection, African American Library at the Gregory School, Houston Public Library
The following text is excerpted fromJohn S. Chase — The Chase Residence(Tower Books, 2020) by architect and University of Texas professor David Heymann and historian and Rice University lecturer Stephen Fox. Richly illustrated with archival materials and new drawings, the book is the first devoted to Chase, who was the first Black licensed architect in Texas. The study is divided into two parts, with Heymann examining the personal, social, and architectural significance of Chase’s own Houston house and Fox describing Chase’s architectural career.
This excerpt draws on Heymann’s analysis and highlights the first incarnation of the Chase Residence (Chase substantially altered its architecture in 1968). It places great emphasis on the house’s remarkable courtyard, a modernist innovation, and a singular statement about domestic living at the time. New section, elevation, and perspective drawings prepared for the book help illustrate the ingenuity of the house’s configuration. Finally, the excerpt was selected in part to honor Drucie (Rucker) Chase, who passed away in January of 2021.
Reconstructions: Architecture and Blackness in America. Image Courtesy of The Museum of Modern Art, Robert Gerhardt
The Museum of Modern Art has launched Reconstructions: Architecture and Blackness in America, the fourth installment of the Issues in Contemporary Architecture series. Investigating the intersections of architecture, Blackness and anti–Black racism in the American context, the exhibition and accompanying publication examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.
Last year, as the pandemic kept many housebound, artist and architectural historian Esther Choi found herself fielding a lot of requests from BIPOC students and young professionals looking for advice. She noticed several of the same concerns cropping up, specifically those having to do with the stresses of studying or working in environments that were overwhelmingly white. So, as one will do these days, Choi took to social media, where she announced virtual information sessions in which she would talk about her professional experience in an attempt to help others. The success of these initial, informal get-togethers led Choi to plan a series of events where BIPOC design students and young professionals could pick the brains of established BIPOC architects, designers, and writers about their careers and ways to navigate often unsupportive fields. The conversations would be casual, frank, and encouraging. Choi named the initiative Office Hours.
An autographed, 24k gold leaf sketch of the Abrahamic Family House by David Adjaye. Image Courtesy of ARCH
Architecture for Change (ARCH), a newly launched nonprofit initiative dedicated to addressing systemic racism in the architecture and design industry, is kicking off with an online auction featuring donated works—sketches, models, plans, photographic prints, and more—from a host of notable architects including Sir David Adjaye, Daniel Libeskind, Michel Rojkind, David Rockwell, Jennifer Bonner, Trey Trahan, and others.
Newly built houses, with their sizable carbon footprints, don’t just contribute to climate change. For many Americans, they’re also too expensive—a bitter irony in cities rife with vacant buildings and record evictions.
Given the urgency of both issues, projects that retrofit livable housing into existing low-carbon shells (the initial embodied carbon was spent long ago) might be worth a closer look. We searched for them and came across a handful that promise a cure for housing insecurity and excessive greenhouse gas emissions.
Paul Revere Williams, the late architect who was the first black member of the American Institute of Architects (AIA), has recently been receiving some long-overdue recognition. The AIA awarded him a posthumous gold medal in 2017; a PBS documentary “Hollywood’s Architect: The Paul R. Williams Story” aired in February, and a book titled “Regarding Paul R. Williams: A Photographer’s View” was published in September.
Parpend, a design studio from Lagos, Nigeria, interviews every year a group of architects to discuss their favorite projects and how they created them. Believing firmly that design should be a fusion of function and expression, statements are compiled in a publication in order to highlight the designers’ creative process to achieving good design.
Entitled “PERSPECTIVE”, this edition of the report, destined for designers and non-designers alike, examines 4 projects with 3 designers: Seun Oduwole, Principal designer at SI.SA talks about the JK Randle Centre for Yoruba History and Culture, on Lagos Island; Tosin Oshinowo, Director at cmDesign Atelier discusses a Bahá’í temple competition and an art space for Victor Ehikhamenor, a prominent Nigerian artist. Moreover, James Inedu-George, Head of Design at HTL Africa explores a mosque contest.
Every company across the country is talking about “diversity” and “inclusion”—but what actions are actually being taken to address the issues? In May, following the death of George Floyd and the rise of the Black Lives Matter movement, conversations were had, statements issued, and boxes checked. But achieving diversity and inclusion will involve addressing long-term, systemic issues that cannot be solved with a black square on Instagram or a carefully crafted statement from a PR department.
The first step toward diversity and inclusion is recognizing that talking about it is not enough, and the path to real change is going to be a process.
Reflecting on the current global situation, Chicago Architecture Biennial (CAB) has reinvented its 2021 edition, in order to generate conversations about the “intersection of architecture and design and such critical issues as health, sustainability, equity, and racial justice”. The Biennial has also announced the appointment of David Brown, designer, researcher, and educator, based at the School of Architecture at the University of Illinois at Chicago, as the Artistic Director of the fourth edition, entitled The Available City.
Over two days, approximately 500 online participants together set the agenda, formed and dissolved discussion groups, and shared knowledge and resources. With the assistance of an “open space” facilitator, this is how Cut|Fill, a virtual "unconference” on landscape architecture, unfolded.
Organized by the Urban Studio and Ink Landscape Architects, Cut|Fill was meant to “raise questions we all want to discuss,” explained Andrew Sargeant, ASLA, a founder of Urban Studio. One of those important questions: “how can landscape architects design with empathy and end dismissive behavior towards people of color?”
https://www.archdaily.com/949104/landscape-architects-of-color-on-how-to-combat-erasureJared Green
Grupo BANGA. Em sentido horário: Yolana Lemos, Kátia Mendes, Gilson Mendes, Mamona Duca e Elsimar de Freitas. Image Cortesia de Grupo BANGA
Investing in virtual projects has probably never been more timely, after all, we have been partially deprived of contact with the concrete world. Exploring the singularities of the present moment and the power of online engagement, a group of architects from Angola started an ambitious work: pursuing a new identity for Angolan architecture.
Formed by Yolana Lemos, Kátia Mendes, Mamona Duca, Elsimar de Freitas, and Gilson Menses, Grupo BANGA is responsible for the project Cabana de Arte (Art Hut), which combines the efforts of young architects and artists from Angola in virtual works that seek to bring visibility to emerging professionals and bring architecture closer to people's daily lives.
World Architecture Day, celebrated on the first Monday of every October, was set up by the Union International des Architects (UIA) back in 2005 to “remind the world of its collective responsibility for the future of the human habitat”, coinciding with UN-Habitat's World Habitat Day.
https://www.archdaily.com/277569/happy-world-architecture-dayArchDaily Team