Prolonged heatwaves have been increasingly common in recent years, and cities are devising various strategies for combating the urban heat island effect. As Sydney experienced blistering summer temperatures of up to 50 degrees Celsius, the authorities have recently banned dark roofs on new homes and mandated lighter-coloured alternatives to reflect solar radiation. In Europe, Athens has taken the example of Miami and hired a Chief Heat Officer, tasked with finding coping strategies as the city confronts with heatwaves and wildfires that prompted a large number of residents to vacate the capital.
Since their inception in 1896, modern-day Olympics have been regarded by hosting cities as an opportunity to project to the world a specific image of themselves, to subsidize large infrastructure projects, or to rapidly unfold redevelopment schemes. Past the frequently discussed eye-catching stadiums, there is a complex story of Olympic urbanism, which encompasses the large scale developments catalyzed by the event. Exploring the urban and architectural legacy of the Games, the success stories, the white elephants, and the administrative agendas, the following discusses what the Olympics leave behind in the hosting cities.
With the recent completion of several new stations and tunnels, the Athens underground metro expansion and the development of the ThessalonikiMetro system are on a set course to completion in Greece. The construction of a direct connection between the Athens airport and the Piraeus harbour, as well as the development of Thessaloniki’s first metro line, are underway, and images by photographer Pygmalion Karatzas show the new underground infrastructure coming together in the two Greek cities.
The Athens Architecture Club seeks to resurrect the historical architecture clubs of the 19th century, functioning as an “open forum, an infrastructural framework, and support platform for architects, artists, and writers to discuss, challenge and enrich a dialogue among practitioners and scholars.
https://www.archdaily.com/900323/drawings-by-tchoban-holl-and-calatrava-among-stunning-entries-for-the-first-athens-architecture-club-exhibitionNiall Patrick Walsh
The Renzo Piano Building Workshop (RPBW) has presented their preliminary design approaches for three hospitals in Greece. Part of a €200 million ($240 million) healthcare initiative launched by the Greek government, RPBW will produce designs for a General Hospital of Kromotini, a Children’s Hospital in Thessaloniki, and the Evangelismos Hospital in Athens which will also form part of the University’s Faculty of Nursing.
The three schemes are united by a “people-centric” approach, with each project seeking to integrate into their natural environments with an emphasis on natural light. The projects will follow the design ethos of the Stavros Niarchos Foundational Cultural Center by RPBW, completed in 2016.
Thanks to their loud, brash, and nocturnal nature, rock concerts are often held in dark bars and nightclubs designed to withstand the abuse of rowdy fans and guitar-smashing rockers. But as musicians earn a following, they eventually graduate from beer-soaked basements to prestigious theaters, outdoor amphitheaters, arenas, and stadiums. For performers and music fans alike, playing or attending a show in a space like Carnegie Hall, the Royal Albert Hall, Madison Square Garden or Colorado’s Red Rocks Amphitheater can be a momentous, once-in-a-lifetime opportunity that ties together the sublime power that great music and architecture can both evoke. As rare as these opportunities are, an exclusive group of iconic musicians have managed to reach an even higher level of prestige by organizing one-off performances amid humanity’s most treasured historical sites—from the Acropolis and ancient Mayan cities to the Colosseum and the Eiffel Tower.
While these special concerts have given fans the chance to experience music history firsthand, many have also been mired in scandal as local officials and residents have raised concerns about potential damage to the sites or inappropriate commercial misuse of treasured cultural landmarks. Despite these legitimate and often justified concerns, these nine iconic sites have hosted some of the most ambitious concerts in the history of popular music:
Micromega’s winning proposal for the new Public Power Corporation HQ in Athens seeks to define the company’s public character in creating an integrated urban park around and under the structure. The site which held the steam-powered station is to become a contemporary landmark for the city whilst establishing a dialogue with the historical complex and the existing old electricity factory.
Through Micromega’s design, PPC’s commitment to sustainable forms of energy will be established by three main “topoi” (spaces) that educate and express the company’s renewable sources – sun, wind, and water. In the creation of the new urban park, the architects hope to activate environmental awareness, reminding the public of the alternative clean sources available.