Athens: The Latest Architecture and News

Micromega’s winning proposal for the new Public Power Corporation HQ in Athens seeks to define the company’s public character in creating an integrated urban park around and under the structure. The site which held the steam-powered station is to become a contemporary landmark for the city whilst establishing a dialogue with the historical complex and the existing old electricity factory.

Through Micromega’s design, PPC’s commitment to sustainable forms of energy will be established by three main “topoi” (spaces) that educate and express the company’s renewable sources – sun, wind, and water. In the creation of the new urban park, the architects hope to activate environmental awareness, reminding the public of the alternative clean sources available.

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From Greek architect and photographer, Yiorgis Yerolymbos comes a book which captures the construction process of Renzo Piano’s Stavros Niarchos Foundation Cultural Centre in Athens, Greece. Yerolymbos carefully documented every moment where the superfluous Olympic parking lot became a cultural center and sloping park with waterfront views. For almost a decade, and from every angle, the photographer watched the site transform. Birds-eye imagery proved to be some of the most captivating. As photographs, they manage to possess the characteristics of an architectural drawing.

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The Parthenon, unquestionably the most iconic of the Ancient Greeks' Doric temples, was built between 447 and 432 BC. Located on the Acropolis in Athens, for many architects, it is one of the first buildings we analyzed when beginning our studies. Designed by Ictino and Calícrates, it displays a unique repertoire of architectural elements that can be fully appreciated individually, or for the role they play in forming a complete and magnificent whole.

Simply described, the 69.5 x 30.9-meter building is erected on a stylobate of three steps, with a gabled roof raised upon a post and lintel structure formed by Doric columns—17 on its sides and 8 on each end—which support an entablature composed of an architrave, a frieze, and a cornice. On each gable were triangular pediments with sculptures that represent the "Birth of Athena" on the East and the "Contest Between Athena and Poseidon" on the West.

Take a look at some of these elements in detail, through this set of high-resolution images.

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A competition for the transformation of a former cemetery in Nikea, just west of central Athens, has been won by Greek firm Topio7, with a proposal that creates a revitalized public park as a result of “a mutual osmosis between the park and the city”. A number of green buffer zones – “the elastic limit” – are utilized to frame a procession-like journey from the bustle of the city to the calm of the park’s landscape.

Highlighting the importance of the site’s previous use, the architects explain that the “main objective of the project is the creation of an open, accessible public space, a contemporary urban park with ecological-bioclimatic character, with special emphasis on the social dimension and the site’s memory.”

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For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team report from the two-day CityLab summit, which "gathered the world’s top mayors and urban leaders for a series of chats on how to to make our cities a better place." They explore the vision for London’s transport infrastructure, discover how Rio de Janeiro is gearing up its digital strategy ahead of the 2016 Olympic Games, and find out how to create a smart city through data. On top of that, they chat to millennials in Washington and "sit down for a very honest chat with the mayor of Athens."

Archstudies.gr and DeCorbuziers, in partnership with the School of Architecture of the National Technical University of Athens, have announced their international student competition to design a conceptual funerary monument for the death of Modernism.

With this year marking the 50^th anniversary of Le Corbusier’s death, the team of organizations is seeking “contemporary interpretations concerning multidisciplinary approaches over Modernism and specifically over Le Corbusier’s work, while [exploring] possible themes and directions of the memorial representation” in present day. Designs should emphasize commentary, rather than a tribute to Le Corbusier.

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This year the AA Athens Visiting School aims to challenge the phenomenon of perceptual constancy through the design of architectural prototypical families. In line with the basic Gestalt principles, a variety of models of different shapes and sizes will be designed through means of digital computation. Various morphologies will be derived through a bottom-up approach via various coding techniques. To bridge the gap between the digital and physical aspect of the design iterations, AA Athens will make use of digital fabricating machines to produce architectural prototypes and add mechanics to amplify their communicative characteristics. A complete 1:1 scale structure will be constructed, enabling interaction via sight, hearing and touch as a result of a series of initial testing models. These proposals will be formulated through the combination of different design software.