Developed by indie entrepreneur @levelsio, This House Does Not Exist is a platform that allows users to generate images of modern architecture homes in the style of ArchDaily. The program uses latent text-to-image diffusion to automatically generate realistic images of modern houses. The website is intuitive and easy to use, with one button at the top right reading “tap image to generate new house”. The website also allows users to vote for the best images generated or see similar houses by clicking on the keywords displayed at the bottom of the image.
Anatomy of an AI System. Image Courtesy of Kate Crawford
Should designers care about artificial intelligence (AI) or machine learning (ML)? There is no question that technology is adding texture to the current zeitgeist. Never could I have imagined seeing a blockbuster hit where Ryan Reynolds emerges as a conscious non-player character in a video game and a flop where Melissa McCarthy negotiates humanity’s future with a James Corden-powered superintelligence within a year of each other. But does learning AI and ML’s ins and outs really matter for the creative professions and our nebulous, invaluable way of operating?
Everybody talks about Metaverse, but hardly anyone agrees on what it is. For the moment, it is still enigmatic, however, it seems like its ambiguity is its strength. Not a day goes by without a new article or a video on this subject, trying to convince people that Metaverse will inevitably become a part of our daily lives soon. Architects and designers are essential parties to the ongoing discussion as it is a spatial innovation that requires the Internet to be redesigned as a 3D environment.
Machine learning and generative design are profoundly shaping modern life. A central critique to the value and advancement of artificial intelligence, especially in the context of architecture, is the ability for a machine to design, as well as the resulting fear that professional services may be limited. As cities continue to develop, new tools emerge to help envision and create the built environment. How can architects embrace generative design to reimagine models of sustainability, inclusive practice, and new aesthetics?
Distrito 13 en Medellín, Colombia. Imagen de JorgePM. Image via Shutterstock
Within the Latin American and Caribbean region, it has been recorded that at least 25% of the population lives in informal settlements. Given that their expansion is one of the major problems afflicting these cities, a project is presented, supported by the IDB, which proposes how new technologies are capable of contributing to the identification and detection of these areas in order to intervene in them and help reduce urban informality.
Artificial intelligence systems endeavor to replicate or mimic human intelligence by combining datasets with iterative processing algorithms to learn from patterns and experience. From Siri, Alexa and other smart assistants to conversational bots and email spam filters, what once seemed like a technology pulled from science fiction has become ubiquitous in our daily lives.
How many times have you heard the old claim that “Email is dead”? Surely, more than once. To the surprise of many, and despite the rise of new messaging tools like Slack and Microsoft Teams during the pandemic, Email remains by far the most widely used communication tool in many businesses. Every day, more than 300 billion emails are sent and received globally, and employees spend an average of 5 hours checking their online correspondence. This trend is only expected to rise in the upcoming years, especially within project and client-based industries – like architecture, engineering and construction – that heavily rely on this means of communication.
However, its consolidated use doesn’t always equal efficiency, particularly in companies that don’t set up the necessary internal processes to file emails in a central space. With the silent threat of poor mail management, many architecture firms and other businesses must face unnecessary risks, time and productivity costs, and increased stress among workers.
This book tells the story of Eyes of the City—an international exhibition on technology and urbanism held in Shenzhen during the winter of 2019 and 2020, with a curation process that unfolded between summer 2018 and spring 2020. Conceived as a cultural event exploring future scenarios in architecture and design, Eyes of the City found itself in an extraordinary, if unstable, position, enmeshed within a series of powerfully contingent events—the political turmoil in Hong Kong, the first outbreak of COVID-19 in China—that impacted not only the scope of the project, but also the global debate around society and urban space.
UK’s contribution to Expo 2020 Dubai is a wooden sculptural structure that celebrates cultural diversity and collaboration, highlighting Britain as a meeting place of cultures and ideas. Created by artist and designer Es Devlin, the Poem Pavilion uses advanced machine learning algorithms to transform the input of visitors into collective poems. The latter can be read in illuminating displays on the façade, transforming the pavilion into the exhibit itself.
Artificial intelligence is transforming how we design and build. By 2050, the effects of AI adoption will be widely felt across all aspects of our daily lives. As the world faces a number of urgent and complex challenges, from the climate crisis to housing, AI has the potential to make the difference between a dystopian future and a livable one. By looking ahead, we're taking stock of what's happening, and in turn, imagining how AI can shape our lives for the better.
Artificial intelligence, machine learning and generative design have begun to shape architecture as we know it. As systems and tools to reimagine the built environment, they present diverse opportunities to rethink traditional workflows. Designers also fear they may inversely affect practice, limiting the services of the architect. Looking to building technologies, new companies are creating software and projects to explore the future of design.
Architecture is a long-standing profession, one that has produced the iconic landmarks we admire around the world, monuments which we revere around the world, and played a part in establishing the organisation of the cities we live in today. This description, however, is architecture in the traditional sense - and there are numerous examples of individuals and firms who have strayed away from traditional architectural practice, either through delving into adjacent fields or 'disrupting' the field with the harnessing of new technologies.
The human scale spans both physical dimensions and sensory perception. Designers create spaces and objects like steps, doorways and chairs that are closely aligned to human measurement and how we see the world. But as we look beyond the human scale, new ideas and typologies emerge that help us rethink how we conceptualize architecture and build for the future.
Martin C. Pedersen discusses with Frank Stasiowski, the founder and president of PSMJ Resources, his take on AI and the future of the profession. The author explains that six years ago he "interviewed Frank Stasiowski, the founder and president of PSMJ Resources, a management consulting firm that specializes in architecture, engineering, and construction firms. In addition to advising firms on strategic and growth planning, leadership and succession plans, mergers and acquisitions, and a host of other issues, Stasiowski spends a lot of his time analyzing where the industry is likely to evolve in the future, especially as technology takes an increasingly important role". Finding him one of the keenest observers of the industry, Pedersen talked to Stasiowski to get his opinion on AI and the future of the architectural profession.
Believing firmly that "architecture is [...] too important to leave solely to architects", Ole Bouman embarked on diverse activities throughout his three decades of work, reflecting on “architecture, not so much as the art or technique of making buildings, but architecture as the intelligent way to organize our lives on earth, and infuse it with purpose”.
After having shared Bouman's essay Finding Measure, ArchDaily had the chance to discuss with DesignSociety’s founding director his thoughts on the role of architecture, the current challenges of the world, the digital revolution, and many other thought-provoking topics.
Mars House designed in May 2020 by Artist Krista Kim, has become the first sold digital NFT home in the world. The 3D digital file that can be experienced in virtual reality, was just acquired. Rendered using Unreal Engine, a software used to create video games, the house can be experienced in VR, but could also be experienced through augmented reality (AR) environment in apps. A structure comprised of light, Mars House generates a healing atmosphere, with a musical accompaniment by Jeff Schroeder of The Smashing Pumpkins.
There is an astonishing degree of complexity, order, and beauty in the natural world. Even so, and especially within the realm of living things, nothing is more complex than it needs to be to sustain its existence. Every aspect of the system serves a purpose. If it does not, the unneeded component eventually ceases to exist in future generations. Even with these constraints of resource and energy efficiency, we find boundless beauty and harmony in the natural world. Contrast nature’s “just the right amount of complexity” to the way many architects design buildings today. While nature is only as complex as it needs to be, architects and designers add excessive and inessential complexity to their buildings and landscapes when none is warranted.
Are machines capable of design? Though a persistent question, it is one that increasingly accompanies discussions on architecture and the future of artificial intelligence. But what exactly is AI today? As we discover more about machine learning and generative design, we begin to see that these forms of "intelligence" extend beyond repetitive tasks and simulated operations. They've come to encompass cultural production, and in turn, design itself.
_9.46.53_a._m..jpg?1640354929)
