Art Museums: The Latest Architecture and News

Museums are complex organizations: curators, exhibition designers, conservationists, editors, and marketers have to work together to ensure that artworks in galleries and exhibitions are properly displayed to the public. Instrumental to this process is the use of effective display cases, which must both protect the art and highlight it aesthetically. Below, we delineate some of these visual and practical considerations with photographic examples from Goppion, giving some indication how one should choose which display cases to use.

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Tadao Ando Architect & Associates revealed the design for He Art Museum (HEM), the first art museum dedicated to southern China’s regional Lingnan culture. Scheduled for opening on the 21^st of March 2020, with an inaugural exhibition curated by Feng Boyi, entitled From The Mundane World, the Tadao Ando-designed museum will become a gateway for the arts.

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The Aranya Art Center in Qinhuangdao, China has been completed, designed by Neri&Hu. Situated in a seaside environment, the scheme was designed to evoke notions of space for art versus communal space. Despite the straightforward brief for the art center, the scheme reaches further to become a communal space for residents in the deeply spiritual community.

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Reacting to the influx of gargantuan, iconic museum buildings produced by China’s recent “museum boom,” MORE Architecture aimed to create an intricate, experiential space with their design for Ginkgo Gallery. The gallery, construction on which has now begun, was conceived as a humble merging of art and nature, part of a network of private museums in the Yangtze River Delta. Ginkgo Gallery also houses an auditorium and workshop space in an effort to make art a part of public life and educate children in contemporary art.

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“The Dragon of Tarapacá,” a new project for Museo Antropológico Regional de Iquique (Regional Museum of Iquique) that will overlook Playa Huayquique, is moving forward with the design presented by Daniel Libeskind. The proposal comes after extensive work that began in December of last year, when the American-born architect visited Chile to familiarize himself with the the project, originally proposed by Mauricio Soria Macchiavello, the local mayor.

The first inklings of the project started almost 30 years ago, as the city sought to optimize the spaces along the coastline, allowing residents better access to the sea and optimizing the community's public spaces. 

Heneghan Peng’s proposal for a new National Centre for Contemporary Arts (NCCA) in Moscow has been abandoned. As reported by the Calvert Journal, public officials were unwilling to foot the $240million bill for the flagship project, which Heneghan Peng were selected to design in late 2013.

Speaking to the Art Newspaper Russia, the head of the NCCA Sergey Perov confirmed that the project has been officially scrapped due to lack of funding.

The Helsinki Central Library Oodi, designed by ALA Architects, is nearing completion in Finland. Due to open its doors on December 3rd 2018, the library is situated in the cultural district of Töölönlahti, where it will sit as a ”powerful and iconic temporary design” among other architectural landmarks.

Situated across from the Finnish Parliament House, the scheme represents an interaction between the state and its citizens, “a new avenue to promote freedom of speech and democracy.”

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A team comprising noAarchitecten, EM2N, and Sergison Bates has won a design competition for the transformation of a former Citroën factory in Brussels into a cultural hub, merging a Museum of Contemporary Art, architecture center, and public amenities under the name “KANAL – Centre Pompidou.” The architects’ vision was for a scheme which reflects on the role of the twenty-first-century museum in society, one which opens out towards the city to entice the general public.

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MVRDV has released details of their alternative design for the Taoyuan Museum of Art, an entry for an international competition ultimately won by Riken Yamamoto & Field Shop. The MVRDV scheme, developed in collaboration with JJP Architects and Planners, seeks to become a nature-centered cultural destination, transforming the area into a “cherry room for the city.”

Throughout the design process, MVRDV drew inspiration from the natural world, recognizing the potential for public spaces in the rapidly-expanding Taoyuan City to blur the boundaries between the built and natural environment.

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Riken Yamamoto & Field Shop has released images of the proposed Taoyuan Museum of Art in Taiwan, having won an international competition for the scheme’s design in 2018. Acting as a symbolic gateway to the heart of the city, the architect’s vision was for a hub where every visit leads to new discoveries and experiences.

Named “The Hill,” the competition-winning scheme is defined by a sloping green roof, hosting artwork, pavilions, trees, and an outdoor theater. Beneath the roof, a structure named “The Cube” contains permanent exhibitions and collections, and establishes a link between the museum and Blue Pond Park beyond.

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Steven Holl Architects has won an international competition for the design of the Angers Collectors Museum and adjacent hotel in the historic city of Angers, France. Working in collaboration with developers Compagine de Phalsbourg, Holl’s scheme draws inspiration from the nearby 9th century Chateau d’Angers fortress, and seeks to form a new cultural gateway to the city.

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The Lucas Museum of Narrative Art, designed by MAD Architects, has broken ground in Los Angeles, California. Founded by “Star Wars” creator George Lucas, and standing at the gateway to the city’s Exposition Park, the scheme is envisioned as a “futuristic spaceship” landing on the site’s natural environment.

The building’s interior has been designed as an expansive, open cave, flooded with natural light from skylights above. At least $400 million worth of art will be housed in the museum, including over 10,000 paintings, illustrations and movie memorabilia. The first floor and roof will be designated as public areas for visitors to exercise, relax, and “directly experience nature in the urban environment."

Steven Holl Architects has broken ground on the Nancy and Rich Kinder Building for Modern and Contemporary Art at The Museum of Fine Arts in Houston, Texas. Selected through an international competition in 2012 among finalists Snøhetta and Morphosis Architects, the winning proposal is a 164,000-square-foot museum building that will be one of the campus’s two newest additions. To expand and unite its campus as an integral experience, the Museum is also realizing a new Glassell School of Art also designed by Steven Holl Architects, totaling a 14-acre redesign led by the office.

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