Chashitsu, which is the Japanese term for a teahouse or tea room is a construction specifically designed for holding the Tea Ceremony, a traditional Japanese ritual in which the host prepares and serves tea for guests. Teahouses are usually small, intimate wooden buildings, where every detail is intended to help withdraw the individual from the material disturbances of the world.
Not-for-profit Zuecca Projects and Coldefy have shared new research for Tropicalia, the largest single-dome greenhouse on the planet, for the 17th International Architecture Exhibition – La Biennale di Venezia. Presenting tropical fauna and flora, the team is also sharing the architectural and engineering specificities of the Tropicalia greenhouse with its unique sustainable air treatment engineering.
Design can sometimes be mundane- except when it’s novelty architecture. These buildings uniquely and identifiably break away from the abstract, metaphorical, and often monotonous buildings that have classified modern-day design. Instead of favoring the steel and glass skyscrapers that serve as landmarks in cities around the world, they aim to poke fun at architecture in a way that’s jovial, commercial, and perhaps slightly more functional and expressive. Unlike other buildings, they are the literal embodiment of a thing itself, putting its function widely on display instead of hiding it within four austere walls.
The Luxembourg Pavilion at the 17th Architecture Biennale reflects on how the pandemic has brought a series of dualities to the spotlight, challenging the understanding of the relationships established between architecture and land, interior and exterior, home and work or the built environment and nature. In light of these issues, the exhibition titled Homes for Luxembourg, designed by Sara Noel Costa de Araujo (Studio SNCDA) and featuring contributions to the architecture publication Accattone explores ideas of modular, reversible living while also illustrating a model of repurposing land to build new forms of togetherness.
Developed by architect Gerardo Caballero, in collaboration with Paola Gallino, Sebastian Flosi, Franco Brachetta, Ana Babaya, Leonardo Rota, Emmanuel Leggeri, Sofia Rothman, Gerardo Bordi, Edgardo Torres, and Alessandro De Paoli, "The Infinite House", a project inspired by traditional Argentine houses, will represent Argentina in the upcoming 2021 Venice Architecture Biennale. The project reflects on the identity of Argentine public housing and the role collective housing, both public and private, has played in the country's history and society. The Infinite House aims to push the limits of the domestic and to highlight the importance of the collective rather than the individual by illustrating that a home extends beyond one's own living space: "it is the city, the country, and even the world."
This article was originally published on Common Edge.
Exploring the question of slavery in Architecture, the building materials and the construction industry, Michael J. Crosbie interviews Sharon Prince, the women behind Design for Freedom, discussing the initiative's report "on the pervasive use of slavery in the design and construction industry, and how design professionals can respond".
Foster + Partners have shared the design for a residential-led masterplan on the outskirts of Bangkok. Dubbed The Forestias, the project includes a large forest at its heart. The design was made to address the growing disconnect between contemporary city life and family traditions. The Forestias proposal focuses on promoting multi-generational family co-living and new models of urban life in Thailand.
Aviation architecture has radically transformed. While airports themselves have grown to accommodate countless programs and increasingly higher traffic volumes each year, modern building projects are going beyond this familiar typology to explore the nature of hangars, airfield taxonomy and reuse. While airports have really only emerged within the last century, aviation has captured the imagination of designers for centuries. Today, contemporary aviation designs are being conceptualized as explorative and creative works.
Titled "It's Not For You! It's For the Building", the Latvian Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia showcases how technology risks creating new problems while providing solutions to urgent global crises. Curated by architecture office NRJA, the pavilion will be on display at the Arsenale from May 21st until November 22nd, 2021.
The Loreto Open Community project is the winning proposal of the competition organized by the Municipality of Milan to redesign Piazzale Loreto, now a crowded traffic junction. Designed by Metrogramma, together with Mobility in Chain, Studio Andrea Caputo, LAND, Temporiuso, Squadrati and developed by Ceetrus Nhood, the project envisions a layered system of architectural objects and public spaces that would foster a wide array of activities while also shaping a new green area for the city.
Israel’s Pavilion for the 17th Venice Architecture Biennale highlights the impact of intensive mechanized agriculture on landscapes and ecosystems, as well as the disruption caused to local communities. Titled Land. Milk. Honey and curated by an interdisciplinary team comprising Dan Hasson, Iddo Ginat, Rachel Gottesman, Yonatan Cohen and Tamar Novick, the exhibition portrays the fundamental changes experienced by the region through the stories of local animals, constructing a history of the 20th-century development.
The Ministry of Culture of the Government of Mexico and the National Institute of Fine Arts and Literature (INBAL) have unveiled the Mexican pavilion at the Venice Biennale 2021 entitled Displacements ("Desplazamientos"), a curatorial work led by Isadora Hastings, Natalia de La Rosa, Mauricio Rocha, and Elena Tudela.
Yes, we know. We have been talking a lot about carbon. Not only here, but everywhere people seem to be discussing the greenhouse effect, carbon dioxide, fossil fuels, carbon sequestration, and several other seemingly esoteric terms that have increasingly permeated our daily lives. But why is carbon so important and why do we, as architects, architecture students, or architecture enthusiasts, have to care about something that seems so intangible?
The Case Study Houses (1945-1966), sponsored by the Arts & Architecture Magazine and immortalized by Julius Shulman’s iconic black-and-white photographs, may be some of the most famous examples of modern American architecture in history. Designed to address the postwar housing crisis with quick construction and inexpensive materials, while simultaneously embracing the tenets of modernist design and advanced contemporary technology, the Case Study Houses were molded by their central focus on materials and structural design. While each of the homes were designed by different architects for a range of clients, these shared aims unified the many case study homes around several core aesthetic and structural strategies: open plans, simple volumes, panoramic windows, steel frames, and more. Although some of the Case Study Houses’ materials and strategies would become outdated in the following decades, these unique products and features would come to define a historic era of architectural design in the United States.
Romania’s contribution to the 17th Venice Architecture Biennale showcases a new perspective on mass migration, a phenomenon with a wide array of causes, ranking high on the international public agenda. Titled Fading Borders and curated by architects Irina Meliță and Ștefan Simion, the exhibition explores the challenges and opportunities of migration and its consequences on the built environment. Using Romania as a study case, where three million people have left the country in the last decade in pursuit of a better life abroad, the curatorial project frames a conversation around the role of architecture in the successful management of the migration phenomenon, as territorial boundaries continue to fade around the globe.
In the second half of the 20th century, Soviet architecture has spread a common aesthetic across highly diverse environments, being an integral part in promoting the totalitarian ideology that disregarded local cultures, envisioning a unified, homogenous society. Nevertheless, in practice, the architecture proved itself susceptible to adaptations and local influences, perhaps nowhere more than in Central Asia. The article looks at the architectural heritage of a geographical area largely excluded from the Western-centric narratives on Soviet Modernism, encouraging a re-reading of a layered and nuanced urban landscape, with images by Roberto Conte and Stefano Perego.
Award-winning architecture firm Bjarke Ingels Group has collaborated with lower-impact battery metals developer The Metals Company to reimagine a traditional metal production facility in a new contemporary and sustainable context. The firm designed a circular zero-solid-waste metallurgical plant that includes manufacturing, processing, and storage facilities, along with offices, visitor centers, and innovation facilities.
The Architecture Film Festival London, now at its third edition, fosters conversations around architecture, society and the built environment through the medium of film. Along with the International Film Competition, the 2021 programme, debuting on June 2nd and held online, will feature a collection of diverse thematic screenings, essays and events titled "Capsules", which offer a platform to multiple curatorial voices.
