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AD Classics: Vitra Fire Station / Zaha Hadid

This article was originally published on April 21, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

Although Zaha Hadid began her remarkable architectural career in the late 1970s, it would not be until the 1990s that her work would lift out her drawings and paintings to be realized in physical form. The Vitra Fire Station, designed for the factory complex of the same name in Weil-am-Rhein, Germany, was the among the first of Hadid’s design projects to be built. The building’s obliquely intersecting concrete planes, which serve to shape and define the street running through the complex, represent the earliest attempt to translate Hadid’s fantastical, powerful conceptual drawings into a functional architectural space.

AD Classics: Vitra Fire Station / Zaha Hadid - Fire StationAD Classics: Vitra Fire Station / Zaha Hadid - Fire StationAD Classics: Vitra Fire Station / Zaha Hadid - Fire StationAD Classics: Vitra Fire Station / Zaha Hadid - Fire StationAD Classics: Vitra Fire Station / Zaha Hadid - More Images+ 19

The Prolific Career of an Early Bauhaus Innovator: Laszlo Moholy-Nagy

The Hungarian artist László Moholy-Nagy was one of the most influential thinkers, designers and art educators of the first half of the twentieth century. His experimentation with light, space and form generated international attention. Among those impressed by Moholy-Nagy's work was Walter Gropius, German architect and founder of the Bauhaus School, who made Moholy-Nagy one of the youngest instructors in the history of the Bauhaus. In his time at the Bauhaus, Moholy-Nagy utilized multi-disciplinary art practices to revolutionize abstract artistic media.

But who was the man?

Dizzying, Abstract and Meticulous Worlds Created by Artist Benjamin Sack

Dizzying, Abstract and Meticulous Worlds Created by Artist Benjamin Sack - Image 5 of 4
I Am That I Hand. Image © Benjamin Sack

Perhaps as a form of "abstract urbanism," artist Benjamin Sack uses pen and paper to build cities and worlds that come to life as he draws. Towers and low-rise buildings merge together to form familiar yet unimaginably intricate cityscapes with complex spatial arrangements, and, in some cases, in human form. This brand of "abstract urbanism" introduces a provocative perspective on urban context and its relation to those who inhabit it.