
-
Architects: Studiolada
- Area: 2000 m²
-
Manufacturers: Alfred Klein, Apic, Avenna, Drouot Bat, Europ Revêtements, +3
-
Professionals: Barthes Bois, Oak Ingénierie, Fluid’Concept, AJA, Amàco, +14



In the architectural world, unestablished practices are often overlooked, yet, by challenging the traditional dogmas of the industry, they can have a significant impact on the built environment. The Young European Architecture Festival (YEAH!) explores the work of these upcoming architectural offices, looking at how they share ideas visions and experiences at the European level. The event is divided in two sections: Habitats, exploring ideas of domesticity and the residential typology, and Hybrids, initiatives that are rethinking the traditional systems of city planning.
The following represents a selection of projects by emerging architectural practices selected by YEAH! For the Hybrids category. Many of these initiatives are challenging the ideas of public space, but in doing so, they are also shedding light on the larger social structures at play in these spaces. The selection includes community spaces, schools, transportation hubs, and even projects initiated by the architects themselves, who have noticed deficiencies in their environment and are working to not only correct them but to enhance their presence and empower the local community through them.

Claude Monet and Vincent van Gogh used the impasto technique extensively in their paintings. Both applied thick layers of oil paint over the canvas, usually one shade at a time, and it was up to the viewer's brain to mix the colors and create the desired effects. When dry, the paint forms reliefs and textures on the canvas, evoking a sense of movement. Even without being able to touch the screen, the texture of the brushstrokes gives a three-dimensionality to the painting, something that can only be fully observed by seeing the artwork live, looking at it from more than one angle and actually experiencing it.
In his famous book “The Eyes of the Skin: Architecture and the Senses,” Juhani Pallasmaa points to "a predilection in favor of vision and in detriment of the other senses in the way architecture was conceived, taught and criticized, as well as the consequent disappearance of sensory and sensual characteristics in arts and architecture." According to the author, "an architectural work is not experienced as a series of isolated retinal images, but in its fully integrated material, corporeal, and spiritual essence."



Architecture is constantly changing and adapting to new needs, which are linked to social, economic, technological, political, and demographic changes. In this sense, the aging population is one of the most outstanding changes of the 21st century: The increase in life expectancy and the decrease in fertility rates mean that the older population is increasingly numerous. How can architecture help to provide a better quality of life, promote the autonomy, dignity, and well-being of the elderly?

Groupwork, in collaboration with Jackson Coles, Eight Associates, Webb Yates, The Stonemasonry Company and Polycor, is investigating the possibilities to build large commercial buildings in stone, through the Stone Tower Research project and The New Stone Age exhibition.




