During the first days of the quarantine, we noticed a drastic change throughout the world's cities—streets, plazas, and parks deserted and devoid of life, putting into perspective the powerful effect that humans have on urban spaces. Here, we have compiled a list of projects and spaces that show just how humans bring life to the places they inhabit.
The pillar has adorned many of the greatest monumental examples of Western architecture since antiquity, from the Doric columns of the Parthenon to the Corinthian capitals of the Pantheon portico. In the West, the legacies of these classical forms have permutated over the centuries and into modern times: the Doric columns of the Lincoln Memorial, the Ionic columns of the British museum portico, and the Villa Savoye’s pilotis are just a few examples of the classical column’s continued transformation and use over the last few centuries. Today, the round pillar continues to be used in modern design, both functionally and aesthetically. Below, we look into these elements in more detail, including their materials, construction, structural qualities, and several contemporary examples of their use.
“A House is a place (…) as physical as a set of feelings. (…) a home is a relation between materiality and mastery and imaginative processes, where the physical location and materiality and the feelings and ideas are united and influence each other, instead of being separated and distinct. (…) a house is a process of creation and comprehension of ways of living and belonging. A house is lived, as well as imagined. The meaning of house and the way it materially manifests itself, it´s something that is created and recreated in an unceasingly way through every day domestic tasks, which are themselves connected to the spacial imaginary of the house”1
The sentence above is the starting-point of the current reflection, in an exercise that will mark meaningfully my approach to the way of projecting houses.
Michelangelo's sculptures. The ancient Greek temples. Castle interiors and palaces. The iconic Barcelona Pavilion of Mies van der Rohe. When we approach the history of architecture and sculpture, it is inevitable that we speak of marble. Originating from a chemical reaction in limestone when exposed to high pressures and temperatures for thousands of years, this notable material is a metamorphic rock generally found in regions where volcanic activity has occurred. Its extraction, by itself, is already a spectacle.