In contemporary architecture, commercial spaces have become more than points of sale; they are stages where identity, image, and experience converge. Stores, showrooms, and branded interiors often operate as laboratories where architects experiment with form, material, and light, translating corporate narratives into spatial experiences. In this context, the architect emerges as a mediator of desire, shaping atmospheres that guide perception, evoke emotion, and subtly influence behavior. This role reveals a complex intersection between design and capitalism: the creation of spaces that sell not only products, but also aspirations, lifestyles, and cultural meaning. By transforming commerce into an architectural performance, these projects invite reflection on how the discipline negotiates its agency in a world where visibility and image have become as essential as function.

+ 55

The term "biophilia" understandably conjures images of buildings engulfed by vegetation and integrated into natural landscapes. In modern architectural discourse, the concept has come to be associated with the incorporation of greenery into built environments, yet such applications represent only a sliver of biophilic design's true scope. Inarguably, nature plays a central role in biophilic design. However, its influence stretches to often-overlooked strategies that involve spatial configuration and environmental patterning. "Invisible" biophilia frequently leads to positive health outcomes for occupants, working impactfully beneath the surface.

+ 4

+ 29

+ 9

+ 29

Kengo Kuma uses materials to connect with the local context and the users of his projects. The textures and elementary forms of constructive systems, materials, and products, are exhibited and used in favor of the architectural concept, giving value to the functions that will be carried out in each building.

From showcases made with ceramic tiles to the sifted light created by expanded metal panels, passing through an ethereal polyester coating, Kuma understands the material as an essential component that can make a difference in architecture from the design stages. Next, we present 21 projects where Kengo Kuma masterfully uses construction materials.

+ 41

+ 19

+ 30

+ 37

Both tea and alcohol in traditional China were similarly aestheticized, and both influenced the language of literature and art. People used to exchange alcohol as a gift in a way that they later would with tea. Today, more and more cities in China have embraced this drinking culture that passed down from generation to generation, and reinterpreted with a new contemporary fashion, which is constantly evolving in the urban cafes and bars.

+ 13

+ 27

If a person were to imagine a setting of complete relaxation, odds are the first image that comes to mind is a place surrounded by nature, be it a forest, the mountains, the sea, or a meadow. Rarely does one imagine an office or a shopping mall as a source of comfort and relaxation. Still, the majority of people spend almost 80-90 % of their time indoors, going back and forth from their houses to their workplaces.

Architects and designers are now searching for design solutions that will resonate well into the future, turning to 'biophilia' as an important source of inspiration that promotes well-being, health, and emotional comfort.

+ 10

+ 38

With the aim of supporting architects to become active agents of sustainable design, this week we present a selection of facades that incorporate different recycled materials. Beyond the typical uses of plastic and glass, in this article, you will find innovative materials such as mattress springs, ice cream containers, plastic chairs, and recycled waste from agricultural and industrial products. A look at 21 remarkable projects using recycled materials to create an attractive facade.

+ 12

Whether you're looking for an upgrade or to replace broken pieces for floors or walls, tiles are always an effective and readily available option for any project that you have in mind. With their relatively low production cost, tiles are rarely reused or recycled and, if they are, it's usually for their original function.

+ 9

+ 21

+ 23