Throughout the 60-year career of Álvaro Siza, his work has continuously defied categorization--having variously been described as “critical regionalism” and “poetic modernism,” with neither quite capturing the true essence of Siza's intuitive architecture. In this interview, the latest in Vladimir Belogolovsky's “City of Ideas” series, Siza discusses those attempts to categorize his work, his design approach and the role of beauty in his designs.
Vladimir Belogolovsky:Your student, Eduardo Souto de Moura said, “Siza’s houses are just like cats sleeping in the sun.”
Álvaro Siza: [Laughs.] Yes, he meant that my buildings assume the most natural postures on the site. There is also a reference in that to the human body.
The Lucas Museum of Narrative Art has finally found a home. Following nearly a decade of searching, the museum’s board has announced that Los Angeles’ Exposition Park will serve as the site for the MAD Architects-designed building housing the life’s work and expansive art and media collection of one of history’s most celebrated filmmakers, George Lucas.
As a young architect, there are crucial moments and decisions that begin to define your professional career. What type of architecture do I relate to? Who or what inspires me to create and design? Where do I form my architectural references and context? Should I stay or should I look for a professional experience abroad? At this point, most of us have dreamed of living and working in New York, Chicago, San Francisco... but we often have no clue where to start and immigration bureaucracy seems so obscure, expensive and complicated that we easily get discouraged and give up on our American Dream.
"You see, the first goal in this place was to deliver something beautiful where such an ugliness was there before,” says Calatrava in the film. “To deliver something optimistic looking to the future where so much sadness and depression was there.”
Most visitors to the Galapagos Islands point their cameras towards the exotic animals and away from the local people. They direct their full attention to the natural landscape, as if to intentionally deny the existence of the urban space of the city, since the presence of any form of architecture would seem in logical conflict with the islands’ identity as a protected wildlife reserve.
The architecture of the Galapagos is both a conceptual and physical contradiction. Like a Piranesian joke, the San Cristobal typology of the proto-ruin falls somewhere on a spectrum between construction and dismantlement. With their “permanently unfinished” construction state seemingly in flux, it is unclear whether many of these buildings display a common optimism for vertical expansion or are instead symptoms of a process of urban decay.
Aedas has released its design for Gmond International Building, a representative regeneration project located in the old town area of Shenzhen, China. The 200-meter super high-rise building is inspired by the traditional form of Chinese totem bamboo, which symbolizes prosperity and moral integrity.
With nearly 60,000 square meters of gross floor area, the building will house the headquarters for Tellus-Gmond, Grade 5A lettable office spaces, and a jewelry-trading center.
Mecanoo has unveiled its design to transform The Soestdijk Estate into Eden Soestdijk, “an experimental garden for a sustainable society and a paradise destination for all” in The Netherlands. In an effort to become an educational tool for environmental awareness, the project aims to make a significant contribution to meeting the UN’s Sustainable Development Goals.
“The world is facing pressure from increasingly larger and more complex problems when it comes to water, food, climate and energy,” said Anton Valk, chairman of the Eden Soestdijk foundation. “Eden Soestdijk wants to tackle these problems and contribute to a more sustainable society by stimulating and inspiring visitors to change their behaviour in a positive way.”
An architectural greenhouse behind the palace gardens will be the centerpiece of the project, and will house an interactive exhibition focusing on topics like circularity, ecological balance, and social aspects of sustainability.
Daniel Valle Architects has been awarded first prize in the public competition to design a kindergarten and senior welfare center in Seoul, South Korea, with its project, Maebong Daycare Center.
Located in the neighborhood of Oksu-dong, the 700-square-meter Center is designed around the idea of shifting the scale of the building, so that children feel more comfortable. For example, the massing of the space is broken down into five units that utilize various colors, geometries, and materials to emphasize smaller units within the whole.
“Interior spaces are designed considering both the adult and the children size. Classrooms and other spaces are provided with smart storage solutions to maximize the usage of space and flexibility. A 'thick wall' will contain most of the items needed in the classroom as well as provide exercise and fun features.”