The global reference for architecture

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The ever-growing realm of “post-digital” drawing is currently at the forefront of a healthy dosage of discourse, appreciation and even criticism, as professionals and students alike continue to push the envelope of accepted architectural representation and exchange a waning hyperrealism for the quirks and character of alternative visual narratives. Central to this new wave of illustration is the inclusion and appropriation of specific icons and characters from famous pieces of modern art, selected in particular from the works of David Hockney, Edward Hopper and Henri Rousseau, whose work undoubtedly remains at the forefront of their individual crafts and styles.

In their winning competition entry, French architecture firm Ilimelgo reimagines the future of urban agriculture with a vertical farming complex in the Parisian suburb of Romainville. The project integrates production of produce into the city through a 1000 square meter greenhouse that maximizes sunlight and natural ventilation. Recognizing the developing world’s diminishing agricultural space, the project aims to meet the growing demands for crop cultivation in urban environments.

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Videos

As Mies van der Rohe’s adopted city, Chicago and its surrounding area are home to more of the Modernist architect’s projects than anywhere else in the world, from Crown Hall to Federal Center to the Farnsworth House. Perhaps for that very reason, the McCormick House, located in the Chicago suburb of Elmhurst, is one of the lesser known projects in the architect's’ oeuvre – despite being one of just three single-family homes in the United States completed by Mies.

Built in 1952 for Robert McCormick Jr. – the owner of the land where Mies' 860-880 N. Lake Shore Drive was constructed – the house was moved down the street in 1994, where it was attached to the newly built Elmhurst Museum of Art via a 15-foot-long corridor. While its relocation allowed the building to remain in good care over the next 23 years, it also obscured the home’s front facade, “camouflaging one of the most prized objects in the museum's collection.”

But that’s all about to change, thanks to an upcoming restoration that will remove the offending corridor, allowing the original architecture to shine once again.

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Manifesta 12 creative mediator OMA has revealed the Palermo Atlas, an interdisciplinary urban study of Palermo that will inform the organization of 12th edition of Manifesta, the European Biennial of Contemporary Art, that will be held next year in the Italian city. Led by OMA partner Ippolito Pestellini Laparelli, the project outlines a blueprint for Palermo “to plan its future and as a research framework to ensure that Manifesta 12 achieves a long-term impact for the city and its citizens.”

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It’s one of the core tenants of manufacturing – first, build something useful, then, figure out how to build it cheaply.

Throughout the tech industry’s brief history, the philosophy of economies of scale have helped to achieve the widespread adoption of the latest gadgets across the globe; according to Wireless Smartphone Strategies’ Global Smartphone User Penetration Forecast, an estimated 44% of the world’s population are current owners of an iPhone, Samsung Galaxy, or other smartphone.

On the other hand, over the past 60 years building construction costs have essentially remained flat, despite the fact that the price of materials and components for nearly every other consumer object has dropped. Architecture is inherently a bespoke process, making streamlining its production difficult. But finally, technologists believe they may have found a solution.