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We, the curators of the Carlo Ratti/South China-Torino Lab (Politecnico di Torino-South China University of Technology CUT) team, are pleased to announce the Open Call for proposals to participate in the “Eyes of the City” exhibition section in the framework of the 2019 Shenzhen Bi-City Biennale of Urbanism\Architecture (UABB). We invite international architects, planners, designers, philosophers, thinkers, scientists, companies, educational institutions, research laboratories, think-tanks and students to submit their proposals from April 1st to May 31st, 2019. The Open Call will accept proposals for design projects, research projects and critical essays that will form the core of the “Eyes of the City” exhibition section, that will be hosted in UABB’s main venue.

Download the information related to this competition here.

John Wardle Architects' Ian Potter Southbank Centre for the University of Melbourne's Conservatorium of Music has opened to faculty and students. The $109 million project was designed as part of the larger Southbank campus transformation in Australia. Made to house more than 1,000 music students, the project includes a series of performance areas, studios and rehearsal spaces. The Southbank Centre also features one of the world's largest oculus windows.

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Under heavy bombing, buildings seem to have only one fate: destruction. Severely damaged during the Spanish Civil War, the 13th-century Gothic Church of Vilanova de la Barca (Lleida, Spain) remained abandoned since 1936.

It was only almost 80 years later that the remnants of the structure – parts of the naves, the west façade and the apse towards the east– went through a restoration and refurbishment process. This time, however, the building was not meant to be used as a church but as a multi-purpose hall.

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With the aim of generating an architecture that incubates the wellbeing, self-realization, and fulfillment of its inhabitants to become the best version of themselves, CEBRA has launched an ambitious Research and Development Program (R&D) called WISE (Work, Innovation, Space and Education).

As explained by its creators, the purpose of WISE is "to bridge the ongoing and rapid change in the sectors of workspace and education to inform the design of buildings that stimulate learning and innovation. We are connecting ideas of the foremost thinkers of education and entrepreneurship, research and studies in sensory stimuli, cognitive psychology, and behaviorism with architecture."

We spoke with Carsten Primdahl, founding partner of CEBRA, and Klaudio Muca, R&D Architect at CEBRA, to better understand the approach and expected results of the program.

It is the end of May 2016, Alejandro Aravena’s “Reporting from the Front” Biennale is about to kick off the next day and I just landed at Venice airport. Vaporetto waterbuses are no longer running at this late hour, so I am heading for a water taxi, thinking that it will cost me a bundle to get to the city. But maybe not! I see a lonely figure, “Are you going to Venice? Would you like to share a taxi?” A young Chinese woman agrees without hesitation. As soon as the boat leaves I keep pressing my luck, “Are you an architect, by any chance?” Yes! The next hour flew unnoticed, as we discussed our discipline and common friends. Two years passed, and I am back to Venice Biennale. At the opening of the Chinese Pavilion, I am hopping from conversation to conversation until I am introduced to Xu Tiantian, “China’s most promising female architect.” We looked at each other and said in unison, “The taxi girl/guy!” We finally exchanged contacts and on my next trip to Beijing we met at Xu’s DnA Design and Architecture studio. What follows, after a brief introduction, is an excerpt from that conversation.

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