“Public space is the new backyard,” says Hamish Dounan, Associate Director of CONTEXT Landscape architects. “Great landscape architecture projects can actually get people out of their apartments and going for walks. It can get them engaging in a social way,” adds Shahana Mackenzie, CEO of the Australian Institute of Landscape Architects (AILA). Trends to activate public spaces are increasing in popularity around the world; urban parks and gardens, vibrant street places, wider pedestrian walkways, cafes with outdoor seating. So during the 2016 International Festival of Landscape Architecture held in Canberra during October 2016, Street Furniture Australia launched a pop-up park in the underused urban space of Garema Place, in collaboration with AILA, the ACT Government and In The City Canberra. The aim of the pop-up park was to create a small social experiment, “to test the theory that the fastest and most cost-effective way to attract people is to provide more places to sit.” In addition to moveable furniture, the design by CONTEXT Landscape architects included bright colors, additional lighting, a lawn, free Wi-Fi and bookshelves as techniques to make Garema Place more inviting.

The process and results of the pop-up park were documented in a report by Street Furniture Australia, with some impressive results: before the #BackyardExperiment, 97% of people were observed to just pass through Garema Place without stopping, and 98% of the people who did stop in the space were adults. During the 8 days of the experiment, the number of passersby increased by 190% as people chose to walk through Garema Place instead of taking other routes. In addition to this, 247% more people stayed at the place to sit and enjoy the pop-up park and surrounding area. There was an incredible 631% increase in children at the park, double the number of groups of friends, close to a 400% increase in the number of couples and almost 5 times the amount of families. With the numbers as evidence for the success of the #BackyardExperiment, here is a summary of the elements used to evoke such a positive response. Simple, cost-effective and relatively easy to implement, these interventions are an attractive “cocktail” for any underused urban space.

When designing wooden structures, it’s very important to consider joints and reinforcements that will allow them to stay together and upright. These connectors not only allow for adhering wood to wood but also let you anchor wood elements to brick and concrete walls. 

With such a variety of pieces needing to be connected together (beam-beam / beam-pillar / beam-strut / beam-wall / base-frames), working with hardware requires the advice of a calculating engineer or a professional with knowledge and experience. To guide you in this process, we have selected 15 metal fittings specially designed by Arauco to connect wood pieces.

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The 2017 Portuguese Commemorative Coins were unveiled this week in the Casa da Moeda, where the themes, authors and designs for the commemorative, chain and collector's coins to be issued throughout the year were shown. 

Among the novelties, a new series dedicated to Portuguese Architecture stands out, which includes a coin dedicated to Álvaro Siza Vieira designed by Eduardo Souto Moura, two great names in Portuguese architecture.

In this article, originally published by Strelka Magazine, journalist and writer Stanislav Lvovskiy recommends ten forthcoming books (which will be published this year) on architecture and urbanism written by leading experts and scholars.

A person of prescience never renounces the pleasures (and, yes, perils) of forecasting, especially the realistic kind, and even more so after all the "bad news" of the past year. Without a doubt, the year to come has its own surprises in store. For those who still relish reading or, at the very least, find it useful, let’s now have a preview of the pleasures we can expect from the university presses in 2017.

The Boston Society of Architects (BSA) has announced announced Mecanoo and Sasaki as the winners of the 2016 Harleston Parker Medal for their design of the Bruce C. Bolling Municipal Building. Awarded each year by the BSA and the City of Boston, the prestigious award honors “the single most beautiful” building or structure built in the metropolitan Boston area over the past 10 years.

David Chipperfield’s West Village Apartment Building in New York City is finally getting off the ground. Following three rejected planning applications, originally submitted in July 2016, the city’s Landmarks Preservation Commission (LPC) has finally given the six-story building the go-ahead. Located at 11-19 Jane Street, the site sits within the Greenwich Village Historic District, designated as a historic preservation district by the LPC in 1969.

Apple today announced that Apple Park (also referred to as Apple Campus 2) will be ready to occupy beginning in April. Envisioned by Steve Jobs as a “center for creativity and collaboration,” the 175-acre campus will serve as a new home for more than 12,000 employees, who will be moved-in over a six month period. Construction on outer buildings and park spaces will continue through the summer.

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Interiors is an Online Publication about the space between Architecture and Film, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily that analyzes and diagrams films in terms of space.

Damien Chazelle’s La La Land (2016) is an ode to the Technicolor musicals of Hollywood by way of Jacques Demy and Paul Thomas Anderson. The film is less of a musical and more of a love story with music, as its rich color palette and Cinemascope presentation create an idealized world that strips away its artificiality over the course of its runtime, ultimately becoming more and more realistic.

La La Land uses its filmmaking—particularly its long, unbroken takes—to bring its audience into its world and its spaces. The opening sequence, for instance, where helpless drivers stuck in a traffic jam hop out of their cars and break into a synchronized dance number, was filmed on the 105/110 freeway interchange and was edited to appear as one take, ultimately resulting in an immersive experience that highlights the architecture of the scene.

The Harvard University Graduate School of Design in Massachusetts has announced the winners of the Richard Rogers Fellowship 2017. Launched in October 2016, the Fellowship seeks to act as an international platform assembling experts and practitioners from a broad range of disciplines, using the built environment to positively impact on the quality of human life. The six inaugural Fellows, selected from 200 applicants worldwide, will undertake three months of research at the Wimbledon House, a Grade II listed residence in London gifted to the School by world-renowned British architect Richard Rogers.

Zupagrafika, creators of make-your-own-paper-model sets of "brut-iful" architecture in London, Paris, Warsaw, and Katowice, have released their newest set, Brutal East.

The creators' selection captures the "certainly brutal" charm of the "functionalist panelák estates and otherworldly concrete grand designs" of the Eastern Bloc. With Brutal East you can build your own...

Planning can be a complex task depending on the factors at play such as time, participants, and topics.

Since 2012 a Swedish firm called MethodKit has dedicated itself to designing kits to simplify task in many professional disciplines using cards that raise an issue and guide the discussion.

Initially, these kits were oriented towards design and digital technology, however, with such a collaborative and easy to use tool they were expanded to architecture and urban planning.

Fresh off winning the “Design of the Year” for their refugee housing solution, the “Better Shelter,” IKEA is again making waves for a pioneering, flat pack solution to societal needs. Developed by the IKEA innovation lab Space10 alongside architects sine lindholm and mads-ulrik husum, the spherical “Growroom” is a DIY garden structure intended to help people “grow their own food much more locally in a beautiful and sustainable way.” And now, plans for the structure have been made available online for free via Space10’s open source platform, giving anyone the opportunity to build their own 3-dimensional garden.

The World Architecture Festival has announced the launch of the 10th edition of the event referred to as the “Oscars of architecture” by launching the “WAF Manifesto,” which identifies key challenges the profession will face over the next ten years. Aimed at generated funding for architectural research, the manifesto outlines a range of topics where architects can use their influence to affect society as a whole.

Feilden Clegg Bradley Studios has been selected as the winners of the Royal Institute of British Architects (RIBA) competition to design the new Faculty of Arts Building at the University of Warwick, in Coventry, England. Lauded for its flexibility and collaboration-fostering design, the winning proposal was selected over finalist entries from Foster + Partners, Grimshaw, White Arkitekter and Wilkinson Eyre.

The history of what is now the Republic of Belarus is a turbulent one. It has been part of the Russian Empire, occupied by the Germans during both World Wars, divided between Poland and the Soviet Union, and finally declared its independence in 1991. Although Belarus is now an independent nation, it is also an isolated dictatorship that has in some ways remained unchanged since the 1990s, and is largely seen both culturally and architecturally as a sort of time warp, Europe's most vivid window into life in the Soviet Union.

Photographer Stefano Perego recently documented the postwar Soviet legacy of Belarus' architecture from the 1960s-80s, and has shared the photos from his 2016 cross-country drive with ArchDaily.

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The legendary John Lennon once said, “Time you enjoy wasting, was not wasted.” And had a group of disgruntled, bespectacled, darkly clad architects been present when he spoke these words, their response probably would’ve been: “Time? What time, Johnny boy?” But as a matter of fact, there was no group of architects listening to these wise words, because they were probably furiously puffing on their last cigarette, tearing up another piece of trace, or lying collapsed somewhere. 

It’s common knowledge that time is not exactly an architect’s best friend. Sleepless nights, endless hours of painstaking work and coffee expenses are but a few of the side effects that are all too familiar within the profession. But if the watch on your wrist looks something like this, don’t worry, because ours do too.

The Serpentine Galleries have announced that the 2017 Serpentine Pavilion will be designed by Diébédo Francis Kéré (Kéré Architecture), an African architect based between Berlin, Germany, and his home town of Gando in Burkino Faso. The design for the proposal, which will be built this summer in London's Kensington Gardens, comprises an expansive roof supported by a steel frame, mimicking the canopy of a tree. According to Kéré, the design for the roof stems from a tree that serves as the central meeting point for life in Gando. In line with the criteria for the selection of the Serpentine Pavilion architect Kéré has yet to have realised a permanent building in England.

With Are We Human—the exhibition of the 3rd Istanbul Design Biennial, which ran for one month at the end of 2016—curators Beatriz Colomina and Mark Wigley were researching the fundamental notion of ‘design’. Their historic, cultural and conceptual exploration attempted to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This pushed the notion of design and the biennale as a format beyond their established definitions.

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One established 3D-printing technique is using laser to cure light-activated plastic, building up layers one at a time in a time-consuming process. But now tech start-up Daqri has discovered a way of speeding up that process: by using a 3-dimensional hologram.

In celebration of the life of Louis Kahn, who would have celebrated his birthday on this day, photographer Laurian Ghinitoiu has visited the Indian Institute of Management in Ahmedabad – one of the architect's seminal projects, which was only completed after his death in 1974.

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The Glasgow City Council has selected a multidisciplinary team lead by MVRDV and Glasgow-based Austin-Smith:Lord to transform downtown Glasgow into a “more livable, attractive, competitive and sustainable center.” Titled (Y)our City Center, the strategy calls for a regeneration of the 400 hectare city center that would reorganize circulation and infrastructure while providing new residential options to support Scotland’s economic center.

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Videos

The Naomi Milgrom Foundation has selected Rem Koolhaas and David Gianotten of OMA for the design of Melbourne’s 2017 MPavilion. The announcement comes after this weekend’s closing of the 2016 MPavilion, designed by Bijoy Jain of Studio Mumbai, which welcomed more than 94,000 visitors to over 287 free events in its 139 day run. Now in its 4th year, the MPavilion program invites architects who have yet to completed a project in Australia to design and construct their first structure in the country.

Videos

"Vernacular architecture can be said to be 'the architectural language of the people' with its ethnic, regional and local 'dialects,'" writes Paul Oliver, author of The Encyclopaedia of Vernacular Architecture of The World’. Unfortunately, there has been a growing disregard for traditional architectural language around the world due to modern building technology quickly spreading a “loss of identity and cultural vibrancy” through what the Architectural Review recently described as “a global pandemic of generic buildings.” People have come to see steel, concrete and glass as architecture of high quality, whereas a lot of vernacular methods including adobe, reed or peat moss are often associated with underdevelopment. Ironically, these local methods are far more sustainable and contextually aware than much contemporary architecture seen today, despite ongoing talks and debates about the importance of sustainability. As a result of these trends, a tremendous amount of architectural and cultural knowledge is being lost.

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Dutch studio Rietveld-Architecture-Art-Affordances (RAAAF) has unveiled its latest installation ‘Breaking Habits’ at the Mondriaan Fund for Visual Arts in Amsterdam. Breaking Habits envisages a domestic environment without chairs and couches, exploring a model of diagonal living through a system of flexible carpets.