This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Many of us agree with Roman Mars of 99% Invisible when he says that we "tend to not notice things that are well-designed"—yet we also agree that design is often considered a privilege for the few. Consequently, we must ask ourselves what truly constitutes democratic design, using this reflection to help define and contribute our vision toward a more equitable society.

From the perspective of architecture and design, democratization can be examined from several angles, ranging from debates on addressing everyday needs to strategies for inclusive design. At the core of these discussions lies a shared goal: finding ways to improve accessibility and livability in our daily lives.

Is it truly possible to design for everyone? And if so, how do we achieve it? We posed this question to you, our readers, in an open call. After reviewing the vast number of responses from industry professionals, students, and architecture enthusiasts, we were struck by a common thread: we not only experience design directly or indirectly in our daily lives, but we also need it to dismantle stereotypes and paradigms. Read a selection of these perspectives below.

Do you know what urban farms are? Have you ever thought about growing your own food at home in your garden or in specialized freezers? Transporting food for consumption in cities is one of the major environmental (and financial) pollution problems in the world today.

Predominantly associated with places of worship, stained glass has been used by artisans across the globe for thousands of years in an array of art ventures and installations. Intensifying architecture with vivid color, the process of stained glass refers to a particular action in which glass has been colored via metallic oxides during its manufacture, using different additives in order to create a range of hues and tones.

In terms of architectural enhancement, stained glass is often pieced together in order to produce depictions of decorative art, allowing light to filter and penetrate a particular structure or building. As a component it is both decorative and a variety of window, allowing a substantial and sufficient amount of light into a space, for atmospheric and beneficial effect. 

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This week’s curated selection of Best Unbuilt Architecture highlights educational facilities submitted by the ArchDaily community. From a contextual Earth school in Senegal, to a borderless, collaborative school in Vietnam, this round up of unbuilt projects showcases how architects infused nature with architecture, offering students the chance to engage with the landscape and learn more about their surroundings from their academic institutes. The article also features projects from Lebanon, Switzerland, Armenia, Ukraine, and Greece.

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The EPFL Innovation Park (EIP) has selected 3XN | GXN and IB (Itten+Brechbühl SA) to design and build a new "ecotope", expanding the university's Science Park and Innovation Square to a new site, west of the main EPFL campus in Ecublens, Switzerland. The Ecotope is set to be a vibrant and innovative marketplace for ideas, serving as an "ecosystem in which policymakers, researchers, investors, executives, students, and citizens can come together for open dialogue or debate.” The concept of the project not only brings together leaders in business, science, and technology, but also puts a high priority on access to green spaces and biophilic principles.

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The Outsider magazine and the City Municipality of Maribor have announced the winners of the international competition “Floating Pavilion on the Drava River.” The purpose of the competition was to obtain an innovative design for a floating pavilion that would have two main functions: a space for smaller events during the Lent Festival and a space for contemplation by the river. The City Municipality of Maribor will invite the winning candidate to participate in the implementation of the project.

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Clearly, graphic designers are not architects, but collaborative projects between these two fields of knowledge, which intersect in their details, can work well.

Creative industry as a sector has evolved, and many people are now in new fields. If you're collaborating, you can move quickly and we've covered that here. The trend is to be collaborative, and very different from 25 years ago, when you should be a graphic designer alone doing layout and paper weights or an architect isolated in an office running autocad.

Today, reusing and adapting existing spatial resources is regarded around the world as an important contribution to sustainable development, and new challenges are thus also emerging at the margins of classic building tasks due to the changing assessments regarding whether to preserve or demolish. Xu Tiantian’s projects in the quarries of Jinyun combine aspects of landscape planning, interior design, artistic installations, and social planning with an economic revitalization of the rural area. In this way, a ruined and exploited landscape becomes a sign of departure with which a new sustainable coexistence can be linked to a narrative about the history of the location.  

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This article was originally published on Common Edge.

There are extraordinary connections between the natural world and the capacity for creativity in human beings. In his book Last Child in the Woods, journalist and author Richard Louv observes: “Nature inspires creativity in a child by demanding visualization and the full use of the senses. Given a chance, a child will bring the confusion of the world to the woods, wash it in a creek, turn it over to see what lives on the unseen side of that confusion.” He concludes that in nature, “a child finds freedom, fantasy, and privacy: a place distant from the adult world, a separate peace.” The architect Frank Harmon likewise wrote touchingly about the outdoors, woods, and water as perfect settings for cultivating a thirst for learning and discovery: “Children raised by creeks are never bored. Creek children don’t know about learning by rote, neither are they conditioned to working nine to five. Berries are their first discoveries, and birds’ nests, and watching the stars come out. Later they discover books. To creek children, learning is discovery, not instruction.”

Canary Islands-born architect Fernando Menis has received the highest honor at the Faith & Form International Awards for Religious Art & Architecture in the United States, for his design of the Holy Redeemer Church of Las Chumberas in Tenerife. Co-sponsored by Faith & Form, Partners for Sacred Places, and Interfaith Design, the annual awards program has honored outstanding religious architecture since 1978.

Architecture shapes our lives every day, but how can it be decentralized? At the core of efforts to design extended reality (XR) environments is a desire to make these projects more human and more relatable. As technologists, architects, and users themselves develop new tools for the metaverse, as well as augmented and virtual spaces, new projects are increasingly democratized and open source. At the same time, the design process is being reimagined.

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The term 'high-performing' may bring different images, ranging from a star student to a virtuosic violinist to a hard-working employee. As diverse as they may be, these 'high-performing' people have common attributes. A cut above the rest, they transcend expectations and bring added benefits through their functioning. They deliver the best possible outputs within their constraints and ensure quality while doing the same. Most importantly, they are consistent in their results, and they use their excellence to positively influence their own lives and the lives of the people around them.

As more smart cities make their way across the globe, whether it being in countries of the Far East, Latin America, or the Middle East, Toronto is stepping back from the smart city bandwagon, and reassessing its substantial contribution to the community. The Canadian city, which ranked 15th on Global Finance's ranking of the world's best cities to live in for the year 2022, plans on "killing the smart city forever", especially after Quayside's controversial cancellation reasons, questioning its lack of privacy, necessity on an urban scale, and whether people truly want to live in a tech-driven environment.

Initiated by EXMURO arts publics and the Ville de Québec, the 9th edition of Passages Insolites, or Unusual Passages, is open from June 25 to October 10, 2022, in the city of Québec. During this time, 17 works by 18 local, Canadian, and international artists will be placed along a 2.5 km circuit in the historic sectors of Place Royale, Petit Champlain, and the Old Port. This year’s edition creates spaces for artistic encounters and reflection on the environment, decolonization, and geopolitics. In the words of Vincent Roy, EXMURO’s executive and artistic director, this year’s programming will “help put Quebec City on the global art map as a venue for exhibiting art and promoting artists, both locally and internationally.”

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Agriculture and the food industry seem to have little in common with architecture, but it is precisely the overlap of these three areas that interests Ghanaian-Filipino scientist and architect Mae-ling Lokko, founder of Willow Technologies based in Accra, Ghana. Working with recycling agricultural waste and biopolymer materials, Lokko searches for ways to transform the so-called agrowaste into building materials.

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Architecture, as a profession, is highly cyclical in nature. It ebbs and flows with the tides of economic conditions, and is especially hard hit during times of downturn. We’ve all heard stories or experienced it ourselves, or layoffs during the Great Financial Crisis in 2008, or even more recently the significant cutbacks architecture firms went through during the uncertainty of the COVID-19 pandemic. Projects went on hold and new business opportunities declined almost overnight. Now, two years later, firms are keeping a close watch on global supply chain issues and rising inflation rates, especially with increased pressure to meet the needs of a growing urban population. Will architecture be recession-proof as we enter a bear market? 

Steven Holl can often be found reading poetry and painting watercolors in a tiny cabin overlooking lotus flowers on the edge of a lake in Rhinebeck, New York. The cabin sits on a 28-acre reserve that Holl purchased in 2014 that now hosts Holl’s full-time office, and ‘T’ Space, a nonprofit arts organization offering creative exhibitions, environmental installations, and architectural residencies. Wrapping around several large trees and linking through a passageway to another existing 1959 cabin, the Steven Myron Holl Foundation’s Architectural Archive and Research Library, built in 2019, is the latest building to be carefully situated in the lush landscape.

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Now, more than ever, architects are working outside the office. Whether meeting with a client over Zoom, visiting a job site, or sketching on the train, design professionals aren’t tethered to their desks– and neither should their 3D tools.

SketchUp, one of the most popular 3D modelers in the world, set out to meet this “new normal” for designers by launching a new mobile app: SketchUp for iPad. With a simple UI, intuitive drawing tools, and a direct integration with the cloud collaboration platform, Trimble Connect, SketchUp for iPad empowers designers to work in 3D anywhere. Let’s take a closer look.

In its 2022 edition, the Colombian Biennial of Architecture and Urbanism celebrates 60 years of highlighting projects that preserve and enhance the urban, environmental, social, historical, and cultural values of the contexts in which they are built. Organized by the Colombian Society of Architects since 1962, the event has announced the 97 selected projects competing for the Biennial Award across nine categories covering different fields of architecture: Interior and Ephemeral Architecture; Urban Design and Landscaping; Dissemination; Social Habitat; Heritage Intervention; Research, Theory, and Criticism; Urban and Regional Planning; Architectural Project; and Single-family, Two-family, and Three-family Housing.

The project “Moray, the lost territory – Experiencing Muyus” was developed as part of AAVS Nanoturismo, an experimental teaching, research, and development program by the AA Visiting School of the Architectural Association, School of Architecture in London, United Kingdom. It was carried out by a multidisciplinary team in 2019 in Maras, Cusco, Peru.

Nanotourism reconsiders traditional tourism, shifting it toward a critical, creative, and local perspective. Accordingly, the study utilized the PAR (Participatory Action Research) method, which, through participation, action, and research, identified key “hidden” aspects within this context.

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The first edition of the UIA 2030 Award celebrated projects that contribute to the delivery of the UN 2030 Agenda for Sustainable Development. Located in Germany, Hong Kong, Argentina, Bangladesh, and China, the winning interventions were announced during the eleventh session of the World Urban Forum in Katowice, Poland. Organized by the International Union of Architects (UIA), together with the UN-HABITAT, the award program gathered 125 submissions in 40 countries.

ArchDaily had the chance to talk to the winners behind the acclaimed architecture, to discuss furthermore the interventions and certain specificities of each and every project. In addition, the winning teams shared their upcoming and ongoing architectural endeavors as well as their point of view on the importance of architects engaging with the Sustainable Development Goals.

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As democratizing catalysts, educational spaces play a fundamental role in shaping individuals and entire communities. These places, where students spend a significant amount of time developing their capabilities, skills, and competencies, are more than a background for the promotion of a fundamental right, they are key elements to providing equal opportunities for all. 

Open and common facilities, such as schoolyards, courtyards, and auditoriums are great examples of how spaces can encourage students, teachers, parents, and community members to learn with each other in an active dialogue. Flexibility and accessibility are two other key points to promote the democratization of both design and education, as seen in programs that go beyond school time and encourage communities to participate, for example.

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This article was originally published in La Joven Cuba on June 28, 2022.

A few weeks ago, I visited the rooftop observation deck of the hotel Paseo del Prado and marveled at its immense beauty during the sunset. Ahead, the entrance to the bay and the Castillo de los Tres Reyes del Morro; turning left, the silhouette of the Malecón; turning right, the Paseo del Prado, with the massive Capitol building crowning the perspective. Few cities in the world possess such architectural and landscape beauty, such history and monumentality.

Yet, looking back, what I saw was nothing to be proud of. Though it still held a certain beauty, it was a sad, gray sight: the vast, faded, and deteriorated expanse of the city stretching behind the facades of Prado and the Malecón.

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Netherlands-based architecture, urban planning, and research firm Waterstudio.NL in collaboration with Dutch Docklands and the Government of The Maldives have revealed the design of Maldives Floating City (MFC), a first-of-its-kind “island city” that offers a new approach to modern sustainable living on the Indian Ocean. The project has been in development for over a decade, and will feature thousands of residences, floating along a flexible, functional grid across a 200-hectare lagoon.