Earlier this month, Steven Holl Architects designed and created their project Obolin, a sculpture made locally from a single panel of cross-laminated timber, or CLT. It was made for and is now exhibited in the Art Omi Sculpture and Architecture Park, an art center that seeks to explore the intersection of architecture and art through the production of pavilions, installations, landscape interventions, and built environments designed by architects.
The Atlassian Sydney Headquarters, the soon to be “world’s tallest hybrid timber building” is being built in Sydney, Australia. Designed by SHoP in partnership with BVN, the 40-story high tower will provide, once completed in 2025, a new and innovative space for technology giant Atlassian.
Every so often, the field of architecture is presented with what is hailed as the next “miracle building material.” Concrete enabled the expansion of the Roman Empire, steel densified cities to previously unthinkable heights, and plastic reconstituted the architectural interior and the building economy along with it.
But it would be reasonable to question why and how, in the 21st century, timber was accorded a miracle status on the tail-end of a timeline several millennia-long. Though its rough-hewn surface and the puzzle-like assembly it engenders might seem antithetical to the current global demand for exponential building development, it is timber’s durability, renewability, and capacity for sequestering carbon—rather than release it—that inspires the building industry to heavily invest in its future.
Courtesy of Fay Jones School of Architecture and Design, University of Arkansas / Grafton Architects
Grafton Architects was selected as the winning firm to design the Anthony Timberlands Center for Design and Materials Innovation at the University of Arkansas. In collaboration with Modus Studio for the planned campus design research center, the design on the project is scheduled to begin this summer.
Vincent Callebaut Architectures has imagined The Rainbow Tree, a modular mass timber condominium tower in Cebu City, Philippines. Revealing the cultural and natural Filipino heritage, the project, named after an iconic and colorful tree from the Philippines the Rainbow Eucalyptus, was entirely conceived in a way to reduce the carbon footprint of the building.
Centennial College, Ontario's first public college, has collaborated with DIALOG, Smoke Architecture, and EllisDon to design and build the first zero-carbon, mass timber higher-education building in the country. Scheduled for completion in 2023, the new gateway structure will bring together Indigenous and Western cultures in both form and function.
House of Chickens / SO? Architecture and Ideas. Image Alí Taptik
The barnyard typology is an endearing staple of rural architecture. Simple in construction, and traditionally shaped from necessity rather than aesthetic, barns have nonetheless continued to spark the imaginations of those seeking a contrast to the fast-paced, dense, globalized reality of urban life. They also spark the intrigue of designers. Whether it is refurbishing historic farms for modern use, or constructing an entirely new addition to the countryside, architects have drawn inspiration from the industrial origins of traditional barnyards to reinterpret elements such as modularity, timber expression, and refined ornamentation.
The history of timber construction stretches back as far as the Neolithic period, or potentially even earlier, when humans first began using wood to build shelters from the elements. The appearance of the first polished stone tools, such as knives and axes, then made wood handling more efficient and precise, increasing the thickness of wood sections and their resistance. Over the decades, the rustic appearance of these early constructions became increasingly orthogonal and clean, as a result of standardization, mass production, and the emergence of new styles and aesthetics.
Today we are experiencing another seminal moment within the evolution of timber. Nourished and strengthened by technological advances, new prefabrication systems, and a series of processes that increase its sustainability, safety, and efficiency, timber structures are popping up in the skylines of cities and in turn, is reconnecting our interior spaces with nature through the warmth, texture, and beauty of wood. Where will this path lead us? Below, we review 7 trends that suggest this progress is only set to continue, increasing both the capabilities and height of timber buildings in the years to come.
Powerhouse Company has revealed a new design for Floating Office Rotterdam (FOR), the headquarters of the Global Center on Adaptation (GCA). As the team states, construction will start this spring, and the all-timber project will be both energy-neutral and self-sufficient. The GCA will be housed in the Rijnhaven in Rotterdam for a period of 5 to 10 years.
Henning Larsen has created a proposal for Copenhagen’s first all timber neighborhood. Made for Fælledby, the plan includes 40 percent undeveloped nature, aiming to illustrates how new developments can embrace environmentalist principles. The project would transform a former dumping ground site into a model for sustainable living, accommodate 7,000 residents in an entirely timber construction.
The world’s greenest football stadium, designed by Zaha Hadid Architects will be built in Gloucestershire, England after planning permissions were finally granted by the local council.
Glued Laminated Wood (Glulam) is a structural material manufactured through the union of individual wood segments. When glued with industrial adhesives (usually Melamine or Polyurethane resin adhesives), this type of wood is highly durable and moisture resistant, capable of generating large pieces and unique shapes.
One of the most practical and functional spaces of any residential project is the kitchen. Its artificial surfaces – be it countertops, kitchen benches, or coverings – contain most of the space's equipment. Thus, it’s essential to build kitchens with the most resistant and hygienic materials. Aside from these requirements, it's also important to pay attention to aesthetics and profitability, while adapting the space to the dynamics of each family.
Scandinavian firm White Arkitekter has won an architectural competition for a landmark 12-meter-tall observation tower, hosted by the municipality of Varberg, Sweden. The winning proposal will form part of the development of the region’s new ecological recreation area at the Getterön nature reserve.
https://www.archdaily.com/919091/white-arkitekter-create-lattice-observation-tower-in-swedenNiall Patrick Walsh
The need to substantially reduce our impact on the planet must be translated into a significant change to our lifestyle and habits. One of these is to consume responsibly and consider that waste does not exist, but that all material can be transformed into something useful again following a circular ecological system.
In his book Upcycling Wood, Reutilización creativa de la madera, the architect and artist Bruno Sève writes and edits a non-exhaustive guide of the uses and possibilities of recovered wood, as a framework for responsible reuse; from small scale, such as furniture or artists' canvases, to medium scale, with its use in interiors and facades. This book seeks to raise awareness among professionals and citizens in general through analysis of the life cycle, examples of uses and finishing processes, leading to an ecological and responsible framework. The book is illustrated by numerous design and architecture teams who follow the guidelines of ecological design with reclaimed wood.
3XN has released details of its plans for T3 Bayside, the first office building in Toronto’s emerging Bayside community, and the tallest timber office building in North America. Located on the shores of Lake Ontario, the structure stands at 42 meters in height and serves as part of the 2,000-acre revitalization initiative to transform Toronto’s waterfront.
The scheme is designed to reflect and emphasize the emerging neighborhood in which it sits, intertwining principals of life, work, and play. A continuously-activated ground level is abundant with retail opportunities, bleeding into a central plaza, exhibition spaces, flexible office spaces, and coworking facilities.
https://www.archdaily.com/913650/3xn-designs-the-tallest-timber-office-building-in-north-americaNiall Patrick Walsh
The Odunpazari Modern Museum (OMM) by Kengo Kuma and Associates will open in June 2019, situated in Eskişehir, a university town in the northwest of Turkey. The OMM will feature an internationally significant collection of modern and contemporary art, showcased within a scheme designed by the architect behind the recently-completed V&A Dundee.
The 4,500-square-meter scheme is defined by a distinctive stacked timber design, drawing inspiration from Odunpazari’s traditional Ottoman wooden cantilevered houses that are synonymous with the district, and pays homage to the town’s history as a thriving wood market. Along with several other city museums in the surrounding area, OMM will create a museum square and public meeting place in the town.
The Council for Tall Buildings and Urban Habitat has announced that Norway's Mjøstårnet tower is, at 85.4 meters, officially the world's tallest timber building. Beyond the unique distinction, the tower is also Norway's tallest mixed-use structure and third tallest building.
https://www.archdaily.com/913258/ctbuh-names-norways-mjostarnet-the-tallest-timber-building-in-the-worldKatherine Allen