Acquiring real estate through cryptocurrencies, such as Bitcoin (BTC), Ethereum (ETH), and Binance Coin (BNB), is already a reality in many countries, including the United States, England, and Brazil. With the rise of this market and the increasing acceptance of these assets as a legitimate form of payment, investors and buyers are exploring new possibilities for transactions with cryptocurrencies, including the real estate sector.
June 8th was World Oceans Day 2023, which brought the theme 'Ocean Planet: Tides are Changing'. The purpose of the United Nations was to generate a "new wave of enthusiasm for caring and protecting the ocean and the entirety of our blue planet."
A new opportunity to reflect on the importance of preserving these vast aquatic ecosystems that cover more than 70% of the Earth's surface - and an opportunity to reflect on how architecture can contribute to their protection and conservation through the design of resilient coastal infrastructure, the development of marine energy technologies, sustainable design of coastal buildings, and regeneration of marine ecosystems.
An arid environment refers to specific regions characterized by a severe lack of available water and extremely dry weather conditions. More specifically, arid regions by definition, receive less than 25 centimeters of rain per year. In the immense vastness of arid environments, where extreme climates present significant challenges, the role of water in architecture takes on a new dimension.
For centuries, architects and designers dealing with harsh desert landscapes and the vital necessity of water have invented techniques, technologies, and new structures. Moreover, many creative approaches have been created to harness, collect, and cool water in arid environments.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week Anthony Laney, Founder of Laney LA joins David and Marina of FAME Architecture & Design to discuss the iterative design process, leadership and teamwork, how Laney LA has evolved, designing different kinds of buildings, refining their design sensibilities, and more!
The Smithsonian Institution selected Perkins&Will to design the Bezos Learning Center at the National Air and Space Museum in located on the prominent National Mall in Washington D.C. Perkins&Will was one of the five shortlisted finalists for the competition. According to the Smithsonian, the selection was based on the architects’ ample experience in designing cultural and educational spaces, the reliability of their management team and the team’s aesthetic approach.
With a broad and diversified portfolio in terms of typologies, scales, and project locations, MMBB Arquitetos is a versatile office with multiple activities. Founded in 1991 in the city of São Paulo, the office is currently composed of Maria João Figueiredo, Marta Moreira, and Milton Braga, and over the more than three decades of its operation, it has had among its partners Angelo Bucci, Vinicius Gorgati, and Fernando de Mello Franco, in addition to having carried out several partnerships with Paulo Mendes da Rocha.
How did we end up building an environment where the private car is often treated better than many of our fellow human beings? In the U.S., the center of car culture, parking is expected to be convenient, available, and free, writes Henry Grabar in his engaging and entertaining new book, Paved Paradise: How Parking Explains the World (Penguin Press). Parking consumes vast amounts of land; in Los Angeles County, for example, it totals about 200 square miles. In New York City alone, there are 3 million curb parking spaces (not counting parking garages), which account for 6% of the city’s area—the equivalent of 13 Central Parks! Grabar asks: What better use could we make of this space? A 2021 study revealed that if New York reclaimed just a quarter of the street space allotted to cars, the following could be created: 500 miles of bus lanes; 40 miles of busways; 38 million square feet of community space; 1,000 miles of open streets; 3 million square feet of new pedestrian space; and 5.4 million additional square feet for restaurants, businesses, and cultural institutions.
https://www.archdaily.com/1002504/why-does-america-provide-more-space-for-storing-cars-than-housing-peopleMichael J. Crosbie
Pina Bausch Center in Wuppertal, Germany. Image Courtesy of Diller Scofidio + Renfro
Diller Scofidio + Renfro has won an international competition to design the new Pina Bausch Zentrum in Wuppertal, Germany. Pina Bausch’s legacy as a dancer and choreographer will be celebrated in the design and revitalization of the Tanztheater Wuppertal, as well as in the creation of a new production center. The building will emerge out of the ethos of Pina Bausch, setting an example for a new generation of leadership in the world of choreography.
Apart from the production stage centers, the design includes an archive of Pina Bausch's enormous artistic legacy, comprising a library, study, and research areas, and a public platform to promote community involvement with many creative and academic disciplines. Various contrasting and flexible spaces that encourage and foster conversation across the project's numerous program components are found throughout the proposed design.
Even as a child, the Venetian architect Carlo Scarpa was very aware of the fundamental element that would describe and underpin his work many years later: water. When he played and ran around the maze of streets and canals, Scarpa listened to everything around him, especially the richness of stimuli that his hometown offered him. A sensitive reader of places, he found his great text in Venice. This culture, subtle and almost academic, except for that devotion to scenography and the esoteric, is built over time; art, space, history, all compiled in his readings, trips to knowledge, and in his contact with artists and writers.
Scarpa would base his evolution as an architect on his extraordinary visual culture and his respect for tradition and the way of doing things in past eras; taking up the baton of that time and converting his reality into architectural space where all the pieces are independent units, dialoguing with each other or, as he liked to say, singing. He positions himself before what exists, whether it be an artistic piece or architectural space, from knowledge and sensitivity. He will apprehend the history and place in which it occurs and accentuate the existing beauty in things, showing the prominence of the new as a precious element.
When designing buildings, attention often focuses on residential units, prioritizing apartment comfort and functionality. However, it is equally important to consider common areas, which play a fundamental role in residents' quality of life and in building a community that shares the same space. In addition to their social benefits, these communal spaces can also play a significant role in promoting sustainability and user well-being. After all, the integration of green areas and spaces dedicated to leisure and sports reduces stress and provides new activities for residents.
When asked about his memories of the house where he spent part of his childhood, Finnish architect Juhani Pallasmaa says that more than sight, his memories are based on the smell of the house. According to him, each house has its own smell, which we do not always perceive when we are in it, but immediately recognize upon returning.
In parallel to this year's Venice Architecture Biennale, The European Cultural Centre (ECC) presented the sixth edition of its extensive architecture exhibition titled Time Space Existence. The 2023 iteration of the group show draws attention to expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion. A total of 217 projects by established participants like Snøhetta or MADWORKSHOP and emerging players such as Urban Radicals or ACTA are currently on show through the 26th of November, 2023, at Venice's Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens.
In response to climate change, the installations on show investigate new technologies and construction methods that reduce energy consumption through circular design and develop innovative, organic, and recycled building materials. Participants also address social justice by presenting living solutions envisioned for displaced communities and minorities, while others examine the tensions between the built urban environment and the nature surrounding it to identify opportunities for coexistence.
The Unhão complex, constructed in Salvador, Brazil in the 17th century, consisted of a sugar mill with a big house, chapel, and slave quarters. At the time, Salvador was one of the largest and most important Brazilian cities, and its port was the site of a large portion of the Portuguese colony's sugar exports, an economy fueled primarily by slave labor. The ensemble drew the attention of Italian-Brazilian architect Lina Bo Bardi at her first visit in 1958, during which she spent some years working and teaching in the city. Following Bo Bardi's decisive contributions, the buildings were restored and became the new home of the Museum of Popular Art and the Popular University. But within the whole complex, the element that draws the most attention for its plasticity, functionality, and symbolism is the helical wooden staircase.
Construction has begun at the last remaining empty sites in Chengdu’s Jiaozi Park Financial and Business District, where MVRDV has designed a complex comprised of three mixed-use office towers and a conference center united by a ring-shaped plinth. The building shape and functional structure are informed by its surrounding context, with a retail village that references the traditional structures that were once located on the site.
The redevelopment of maritime and riverfront areas is a crucial element in the transformation of many urban areas, providing a series of significant benefits for cities and their inhabitants. The presence of water, whether in rivers, lakes or seas, has historically played a fundamental role in the formation and development of many cities, intimately related to their dynamics. This relationship has changed and presented itself in different ways over time, and these spaces have often been neglected in numerous ways, particularly by a certain type of urban planning that disregarded their potential in favor of other imperatives, such as road transport and industrial equipment.
I always consider myself fortunate to have grown up outside the city, where my ‘cross-country’ lessons, for example –national right of hardship for 11-16-year-olds– were through the actual countryside rather than the high street. For many children, however, modern school life is not so close to nature.
Already over-populated cities are continuing to expand, meaning more schools are suffering from the limitations presented by inner-city architecture including noise, air, and light pollution; a lack of space, especially green space; restrictive budgets and building regulations resistant to change.
With innovative and considered design solutions, however, these four inner-city schools show the rest of the class how to work through their architectural answers and provide quality, green spaces for all.
More than ten thousand kilometers away from the capital Brasilia, a jewel of Brazilian modern architecture overlooks the Mediterranean Sea. Located in another Brasilia, a district in Beirut named after the Brazilian capital, the Residence of the Ambassador of Brazil in Lebanon, designed by Olavo Redig de Campos, combines tropical modernism with elements of Middle Eastern culture.
For the first time, the house will be open to the public through guided tours focused on historical heritage. Geared towards architecture, design, and art professionals and students, the visits will be guided by Dr. George Arbid, director of the Arab Center for Architecture, a renowned institution in modern architecture in the region.