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As people take greater control over the rituals surrounding their deaths, cremation has become an increasingly popular option worldwide. This shift has prompted the thoughtful design of spaces that address the profound emotions tied to cremation, life and death, and stillness. Architects are increasingly grappling with the question of what role architecture plays in these rituals.

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In an increasingly diverse world, the emergence of multi-faith spaces represents a significant shift in architectural design, reflecting the evolving religious landscape of contemporary society. These spaces, which began to be formally established in the 1950s in public buildings like airports and hospitals, serve as microcosms of social transformation and peaceful coexistence. They allow various traditions to harmoniously share environments, embodying principles of inclusivity, flexibility, and adaptability.

As communities grow more multicultural and increasingly diverse, these spaces serve as physical manifestations of religious inclusion, encouraging the acceptance of religious and ethnic minorities within multicultural landscapes. Their proliferation reflects a growing need for inclusive environments that cater to diverse spiritual needs while promoting interfaith understanding. However, designing and implementing these spaces presents complex challenges, often sparking debates about representation, neutrality, and the very nature of sacred space. These discussions underscore the delicate balance architects must strike in creating spaces that are both universally welcoming and spiritually meaningful.

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As one of the smallest spaces in the home, shower rooms often find it difficult to get enough light. While bedrooms are given priority to choose the most favored spots alongside exterior walls – giving them access to the fresh air, natural light, and better views provided by windows – sanitary spaces are often left to feed from the scraps in the aftermath, afforded only a sliver of external wall, if any.

Due to issues with privacy and water damage, meanwhile, when a shower room does have the opportunity to add a window, it’s rarely positioned in the shower itself. But with many using an energizing shower to gently wake themselves up in the morning, and with steam making the shower an environment with extra high humidity levels, a window in the shower can make a big difference, adding natural light to the space itself, while keeping the entire room well-ventilated.

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The European Commission and the Fundació Mies van der Rohe have announced the 40 shortlisted works for the 2024 European Union Prize for Contemporary Architecture – Mies van der Rohe Awards. Selected by the jury comprising 7 members: Frédéric Druot, Martin Braathen, Pippo Ciorra, Tinatin Gurgenidze, Adriana Krnáčová, Sala Makumbundu, and Hrvoje Njiric, from a list of 362 nominees, the projects “are spread out in 38 European Cities in 33 Regions and 20 Countries”, showcasing 14 different programs.

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