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In 1979, CHC opened its doors as a toilet seat manufacturer in Chile. The company took its first steps manufacturing these under the Europa brand, later adding Delfin Coatings industrial paints, followed by bathroom fixtures from the Spanish brand Roca. During the 1980s, public restrooms in Chile used products designed for residential use, leading to frequent failures and a poor reputation. This unmet need opened the door to importing specialized products from the US and Italy to improve the country's public restrooms. Years later, CHC innovated by designing products specifically for the Chilean market. It developed the Wasser brand, introducing new fixtures to homes and buildings, such as whirlpool tubs, prefabricated furniture, bathroom partitions, shower trays, laminated glass screens, and cabins, among others.

During the 2000s, aiming to offer comprehensive solutions, the company added ceramic tiles, porcelain tiles, vinyl and laminate flooring, sports surfaces, and ventilated facades to its portfolio, incorporating more than 20 renowned brands based in Spain, Italy, and Brazil.

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Earlier this year, we unveiled the trends that will influence urban and architectural discussions in 2019, and we discovered a broad interest among our readers in topics related to Natural Resource Management, such as water—a concept that saw an 84% increase in searches on our site during 2018.

In line with this, the Superintendencia de Servicios Sanitarios will hold a seminar this month to reflect on issues related to water treatment in Chile for the year 2030.

Responsibly sourced, wood is a renewable, low-emission resource that, in addition to storing carbon within its composition, features low thermal conductivity and high acoustic absorption, creating comfortable, well-insulated spaces year-round. A well-designed timber building will not only enhance these properties but will also be aesthetically pleasing for its occupants and highly energy-efficient.

'Ecological Design: Strategies for the Vulnerable City' is a publication series produced by the Inter-American Development Bank (IDB) to assess the impacts of the climate crisis on the most underserved areas of our cities, while exploring initiatives to improve their spatial and environmental quality. The first volume, launched in early 2021, recognized the challenges of adapting vulnerable areas of Latin America and the Caribbean to climate change, and the second, released in late 2022, built upon this by presenting urban policies, strategies, and case studies to enhance public space through green infrastructure and nature-based solutions.

Yesterday, Monday (September 10), the 3rd Latin American Landscape Architecture Biennial announced the finalists for the competition, which will take place in Mexico City on September 26 and 27. Organized since 2014 by the Mexican Society of Landscape Architects (SAPM), the biennial seeks to highlight the role of landscape architecture in shaping the habitat in Latin America, with a particular emphasis on the environmental and social challenges facing the region.

"We seek to encourage participation in landscape construction to showcase the broad and diverse panorama of local interventions that ultimately help define a region sharing common challenges and solutions," the organizers state in the biennial's guidelines.

The 19 built works, unbuilt projects, and research papers meet the biennial's criteria, focusing on projects that respect the landscape and its values, demonstrate a commitment to sustainability, and integrate and address social issues, among other criteria.

Discover the finalists below:

How many times have you been faced with the challenge of designing a cultural center? While this may seem like quite a feat, many architects have had to design a program that blends a community center with culture.

Among the projects published on our site, we have found numerous examples that highlight different responses, from flexible configurations to sites that prioritize central gathering areas for citizens and activities. See our series of 50 community centers and their plans and sections below.

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Founded in 1541 by the Spanish conquistador Pedro de Valdivia on indigenous settlements in the valley of the Mapocho River, Santiago is the capital and most populated city of Chile. This South American city is enframed by the Andes Mountains to the east and the Chilean Coast Range to the west, in addition to 26 island hills (cerros islas) scattered throughout the city. Some of these island hills have been converted into urban parks, such as Santa Lucía and San Cristóbal, while Chena, Calán, and Renca are in the process of expansion.

Chile is a country used to natural disasters as much as to the reconstruction process. However, the frequency of these cycles has increased over the years. According to the Ministry of Interior (Homeland), 43% of all natural disasters recorded in Chile since 1960 happened between 2014 and 2017. In fact, the government is already involved in several reconstruction processes across the country.

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As founder of the “Do Tank” firm ELEMENTAL, Chilean architect Alejandro Aravena (born on June 22, 1967) is perhaps the most socially-engaged architect to receive the Pritzker Prize. Far from the usual aesthetically driven approach, Aravena explains that “We don’t think of ourselves as artists. Architects like to build things that are unique. But if something is unique it can’t be repeated, so in terms of it serving many people in many places, the value is close to zero.” [1] For Aravena, the architect’s primary goal is to improve people's way of life by assessing both social needs and human desires, as well as political, economic and environmental issues.

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Proven to be tied to the areas of the brain responsible for emotion and memory, smells are more tied to a perception of place than any other human sense. And there are few sensations more powerful than the smell of delicious food wafting in from your own kitchen. In that regard, kitchens are the true heart of the home, the space most closely related to joyfulness, childhood, and family.

Here, we’ve rounded up some of our favorite kitchens that also double as dining rooms – spaces where you can bake your cake and eat it too. Each different in material and arrangement, these kitchens all share one thing in common: We can’t seem to shake them from our memory. Check out the list below!

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As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.

The current boom of the Global South is based not only on new work, but rather on the recognition of an invisible architecture which was apparently not worthy of publication in the journals of the 1990s. The world stage has changed, with the emergence of a humanity that is decentralized yet local; globalized, yet heterogeneous; accelerated, yet unbalanced. There are no longer red and blue countries, but a wide variety of colors, exploding like a Pollock painting.

This serves as a preamble to consider the outstanding projects of 2016 according to the British critic Oliver Wainwright, whose map of the world appears to extend from New York in the West to Oslo in the East, with the exception of Birzeit in Palestine. The Global South represents more than 40% of the global economy and already includes most of the world’s megacities, yet has no architecture worthy of recognition? We wanted to highlight the following projects in order to expand the western-centric world view, enabling us to truly comprehend the extent of architectural innovation on a global scale.

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