Throughout their relatively recent history, museums have evolved to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.
Across Europe, museums are being organized within or expanding upon historical monuments and buildings that have lost their original purpose. Then in a state of decay, this decision to reorganize them as cultural venues stops the decay and preserves the historical material, adding a new layer of complexity to the intended exhibits. The architect's role becomes that of introducing order and a system that can balance the heritage of the place with the needs of modern functionality, ensuring that the essence of the original structure is preserved while meeting the needs of contemporary exhibitions and public engagement.
Expo 2025 Osaka has officially opened on April 13, 2025, at Yumeshima, Osaka. Under the overarching theme "Designing Future Society for Our Lives," the Expo set out to explore three pivotal subthemes: Saving Lives, Empowering Lives, and Connecting Lives. These themes aim to unite architectural and design enthusiasts by demonstrating how cutting-edge technology and innovative solutions can address global challenges, foster dialogue inspire collective action.
In a context where sustainability and material identity are becoming priorities in architecture, some ancient materials are finding new life. Terrazzo, with origins dating back to the 15th century, stands out as an example of how tradition can fuel innovation. The modern form, as we know it today, emerged in 15th-century Venice, Italy, when Venetian mosaic workers, seeking to make use of marble scraps, began incorporating these irregular fragments into mortar to create durable and visually appealing surfaces for terraces around their homes. This approach not only minimized raw material waste but also led to the development of new surface-finishing techniques, evolving from manual stone rubbing to the use of a heavy, long-handled grinding stone known as a galera.
Carlo Ratti, the designer of the Olympic and Paralympic Winter Games Milano Cortina 2026 torch. Image Courtesy of Milano Cortina 2026
The official torches, named Essential, for the Milano Cortina 2026: Winter Olympics and Paralympics, were unveiled in parallel events at the Triennale di Milano and Expo 2025 in Osaka. Designed by Carlo Ratti Associati in collaboration with Eni and its subsidiary Versalis, Essential takes a minimalist approach that foregrounds the flame as the central element. The project blends Italian design with engineering precision, resulting in a torch that serves as both a symbolic and technical object. Its open structure, uncommon in torch design, allows viewers to see how the flame is produced, revealing the typically hidden mechanisms at work.
The 2025 edition of the Coachella Valley Music & Arts Festival continues its tradition of merging large-scale contemporary art with music, transforming the Empire Polo Field into a dynamic landscape of immersive installations. Curated by Raffi Lehrer of Public Art Company (PAC) in collaboration with Goldenvoice Art Director Paul Clemente, this year's program explores themes of movement, illusion, and impermanence through newly commissioned works and returning artists. Since 2016, Coachella's art program has evolved into a multidisciplinary platform, with most of its production managed in-house and on-site. The 2025 festival runs across two weekends, April 11-13 and April 18-20. This year's edition includes three newly commissioned art installations in addition to the permanent and returning exhibits.
