For this feature, the Fundación Arquia Blog, alongside architect Sabrina Gaudino Di Meo, brings us a conversation with architect Nerea Calvillo on how the project "In the Air" came to be. This multidisciplinary work, bridging data and ecology, visualizes urban air components to understand the behavior of microscopic agents and the implications of their concentrations for navigating the city.
Hans Scharoun [1893-1972] drew from this language. Along with many of his contemporaries—Mies, Taut, Mendelsohn, and Häring himself—he was shaped by the expressionist milieu of postwar Germany, studying under Poelzig at his Breslau School. This expressionism first appeared in a series of watercolors he contributed to the *“Gläserne Kette” (“Glass Chain”)*, the famous correspondence network among architects and artists in Germany at the time. Conceived by Bruno Taut, this chain of letters served as a medium of communication among the group's members. In these letters, liberated from the constraints of feasibility, the members outlined their visions of an ideal society and a benevolent architecture.
By the 1920s, however, on the cusp of another conflict, a culture of resourcefulness and efficiency took root once again globally. Economic recovery demanded austerity, a trend reflected not only in household management but across many artistic avant-gardes of the period—a collective quest for material, formal, and, consequently, economic efficiency. Rationalism emerged as the dominant trend, championed by architects like Hannes Meyer and André Lurçat, who sought to strip the communicative attributes of architectural language down to zero in favor of addressing the organizational tasks demanded by technological and political developments.
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2018 has been a special year for ArchDaily in Colombia: not only did we celebrate the first three years of our local site in Bogotá alongside prominent architects, and are now poised to set a new annual traffic record, but we also launched ArchDaily Colombia's Instagram account—which, thanks to you, has already reached 10,000 followers in just six months.
To wrap up this great year, we have selected the most popular projects—measured by total engagement, excluding reposts—on @archdailyco:
The communications department of the BioBío Regional Theater has shared a series of photos with us showing the light and color testing process ahead of the venue's upcoming opening, which is tentatively scheduled to take place between March 1 and 6, 2018, in Concepción, Chile.
Conceptualized by Smiljan Radic, Eduardo Castillo, and Gabriela Medrano as an 'urban lantern' that seeks to enhance the connection between the city and the banks of the BioBío River, the 10,000-square-meter building fills the void left by the loss of the former Concepción Theater, which was located at the intersection of Barros Arana and Orompello streets and later replaced by a shopping mall.
Over the past three weeks, we received a total of 230,000 votes from our readers to select the winners of the ArchDaily 2018 Building of the Year Awards in China. With a readership composed largely of industry professionals, voters selected the three most exemplary projects from more than 300 Chinese works published on ArchDaily.cn in 2017. As a peer-voted accolade, this recognition carries significant weight.
Proposed 25 years ago and never initiated, the "Chamartín Operation" has recently reached a framework agreement between the Madrid City Council, Adif/Ministry of Development, and the Distrito Chamartín Norte (DCN) consortium, which brings together the private stakeholders involved: BBVA and Constructora San José.
As is typical in such cases, the agreement strikes a middle ground between the maximum demand represented by DCN (3.37 million square meters of lucrative buildable floor area, including a total of 18,748 housing units, 90.54% of which would be market-rate) and the minimum proposal presented less than a year ago by the Madrid City Council (1.75 million square meters of buildable floor area, with 4,587 housing units, 20% of which would be subsidized).
What is it about the work of Joaquín Vaquero Palacios that still surprises us after all this time, making it worthy of an exhibition at the Museo ICO and so many visits by specialists? I have often been called upon—a role I gladly accept—as the local point of contact for those coming to Asturias to see Vaquero's work. The willingness of Hidrocantábrico, and now EDP (I still speak with the same people; many thanks to Nicanor Fernández and his team), is always absolute, stoically accommodating last-minute adjustments. After all, outsiders often fail to realize, for instance, that traveling to Grandas de Salime remains a major trek that takes up—and fills with joy—an entire day, and that security protocols are paramount.
On one occasion, we brought a busload of students from the Universidad Internacional Menéndez Pelayo, and by the end of the day, they were applauding on the bus as if they had just witnessed an opera. And indeed they had: Vaquero's grand formal opera. This year, in fact, I served as a guide for the Master of Advanced Architecture program at the Universidad Politécnica de Madrid, directed by Juan Herreros—a passionate admirer of Vaquero who has joined us on many occasions—with students from five different countries who were left awestruck upon seeing the power plants. We also crossed paths in Proaza, in the offices, and in Veriña with the young team of architects designing this exhibition, who were meticulously reviewing every element and archive they found in the buildings.
As the urban planning debate in Buenos Aires over the reform of the planning code unfolds, one only needs to look at the new issue of the online magazine Notas CPAU 'Código Urbanístico' to realize that it is no minor issue.
Consequently, attention is turning to the city's historic grid. If you have already heard of superblocks—a system bounded on its periphery by arterial roads and public transit networks, with an interior designed to prioritize cyclists and pedestrians—pay attention, because Salvador Rueda was recently in the city, and this concept could soon become a reality.
For the third time this year, ARCHIVO opens its doors to host the third installment of the series belonging to the México Ciudad de Diseño project. This project was divided into three exhibitions exploring Mexican design production across three distinct timelines. This edition explores objects belonging to the collective imagination of the future of design in Mexico through a speculative diagnostic of the challenges and opportunities ahead for design and its relationship with this city.
The Ministry of the Environment has launched an online guide to urban agriculture. The booklet compiles techniques, reading recommendations, initiative mapping, and other resources on urban gardens.
The guide aims to encourage new initiatives and support existing ones, including through an interactive map that showcases inspiring preservation, restoration, and food production projects in cities.
The rocagallery.com platform, powered by Roca, aims to become a leading reference for news and trends in architecture and design, featuring over 30 international contributors and weekly content updates.
Spanish architect Rafael Moneo, winner of the 1996 Pritzker Prize, will design the new expansion of Madrid's Atocha railway station, as confirmed to the Spanish media by the Minister of Public Works, Íñigo de la Serna.
This latest expansion includes new platforms for the AVE—the high-speed rail network operated by the state-owned company Renfe—and will mark Moneo’s third intervention at the Spanish capital’s main railway station.
Mexico City's Chinatown originated in the 1960s near Alameda Central, forming around Chinese, Korean, Indonesian, and Filipino immigrants who established an increasingly strong presence in the city. The ephemeral and vibrant nature of this enclave has led to various design interventions, including the most recent one inaugurated in early 2018 by the Public Space Authority (Autoridad del Espacio Público), featuring urban furniture designed by the Mexican firm Obiect.
As one of Modernism's key global legacies, how do the architecture and urban planning of Brasília shape the lives of those living in Brazil's capital? This is the subject of the documentary The Body and the Modernist City (O Corpo e a Cidade Modernista), which premieres with two screenings in Europe: on May 8 at the Copenhagen Architecture Festival (CAFx) in Denmark, and on June 10 at the Arquiteturas Film Festival in Portugal.
The results of the 24th competition organized by the Projetar.org portal have just been released. The challenge proposed to students was to design a portable individual shelter for unhoused individuals, receiving 142 proposals submitted by teams of students from various Brazilian states and other countries. Given the difficulty of addressing the housing deficit, the fact that the global population is projected to increase by 50% by 2050, and the severity of the situation faced by unhoused people, it is both necessary and urgent to consider emergency solutions that can at least alleviate suffering and improve their basic living conditions.
See the competition results below:
The social housing model currently seems like a utopia in Spain—ruled by developers and real estate firms, and mired in national policies that fail—and have always failed—to address the housing problem.
Over the years, the idea has been promoted that renting a home is almost a crime, throwing away money that could otherwise go toward purchasing property. Welcome to the wonderful world of real estate speculation. Driven by exorbitant rents set by real estate agencies or landlords with absolutely no state or provincial regulation to control them, the system itself pushes the population to take out mortgages and participate in private development. While over 50% of housing in Spain was rented back in the 1950s, those figures are a far cry from the progressive decline that brings us to the present day: nearly 80% of current housing is owner-occupied, while rentals have shrunk to just 20%.
The lives of 32 families took a turn —quite literally— when the homes they occupied in the 1980s became a designated tourist attraction in 2009. Some of the residents decided to capitalize on this by offering small tours of their homes. Yet, despite the crowds of tourists that have flocked here since, the community remains as tightly knit as the cubes themselves.
In this project by El Equipo de Mazzanti, Independence Park (Bogotá) reclaims ground by expanding southward, covering a section of 26th Street in the Colombian capital.
Featuring an area of 7,257 square meters distributed across eight plazas, the site has become a key redevelopment space in the city center, where major thoroughfares converge. Nature, seating areas, architectural richness, and urban design transform a space conceived to "reconnect" the city, leveraging the site's native vegetation.
As the year comes to a close, we look back... what captivated us most? After presenting the best architecture of the year, we now focus on identifying representative projects. Among the wide range of Peruvian works published in 2018, those that had the greatest impact on our platform span various scales and typologies. Below, you will find everything from a private house to a public library, by both established and emerging architects—reflecting architecture for everyone.
May the work continue.
We Are an Event is a fictional character born from the collaboration between Quentin Laurens-Berge and Lambert Moiroux, both French nationals. Created to address questions about the city in which they reside, this character acts as a sphere of exchange and a tool to establish distance from the work produced. As seen in their recent work, Quentin and Lambert belong to a generation of young architects questioning conventional modes of architectural production through an everyday perspective on aesthetics.
Dear architects, thank you for your dedication and hard work this year!
Thank you for your commitment to architecture: for considering human life from every angle to create better living environments; for integrating technology and innovative design to push our era to higher aesthetic heights; and for every effort, big and small, that helps write the epic history of Chinese architecture.
Based on website traffic data, here are the most popular projects in China in 2017 (ordered by publication date; click each link to view more details). In 2018, ArchDaily will continue to support and walk alongside architects every step of the way!
Placemaking is a dynamic concept that inspires people to collectively reinvent their public spaces, transforming them into destinations, gathering places, and social hubs. It serves as a practical tool to revitalize public life by focusing on key locations—a process of social empowerment that helps build local, everyday democracy from the ground up within the public realm. This paradigm encourages diverse stakeholders to assume shared responsibility in shaping and developing the city. As part of the Placemaking Latin America program, more than 40 activities are scheduled, including a first complete training course in Placemaking to be held in Mexico City, as well as a Participatory Urbanism Forum featuring panels, workshops, project pitches, and networking events.
Late last November, we published the winners of the second open call for graduation projects in Colombia, also known as theses, receiving 70 entries from 14 cities and 29 universities. Ultimately, nine projects passed the three stages of evaluation, standing out for addressing pressing systemic issues, developing deep research analyses, and posing both urban and rural challenges, just like in 2016.
In this feature, we take an in-depth look at "BHP: Bioclimatic Multi-Family Housing Prototype," developed by Natalia Carrero and Juan Celis (Universidad Santo Tomás, Bucaramanga campus) and selected for the 2017 edition of Archiprix International.
Eduardo Souto de Moura, the 2011 Pritzker Prize laureate, is perhaps, alongside Álvaro Siza, the most influential Portuguese architect today, with a consistent body of work marked by projects that demonstrate an impressive attention to local specificity.
