Architecture from Ireland

The landscape and scattered settlements of Ireland carry a reputation for wildness. Rugged cliffs meet the Atlantic, green fields roll across the interior, and rain and wind change the scene by the hour. A closer look reveals a worked terrain as historic stone walls divide agricultural fields, roads and paths connect towns to the coast, and castle ruins alongside cottages record centuries of occupation. Change is the expected condition of the island, shaped as much by human hands as by geology and weather, and the practice of treating the existing context as material to adapt and modify runs deep.

While pyramidal geometry appears in monumental historical structures, its contemporary application remains limited. The primary constraint is the sloping envelope, which contracts the building's floor area as it ascends and reduces usable interior volume compared to orthogonal or cylindrical forms. However, from a structural standpoint, the geometry offers lateral stability against wind and seismic loads due to its broad base, central mass distribution, and self-bracing triangular faces. Nonetheless, applying this shape at a residential scale introduces several layout constraints. These slanted walls limit vertical wall surfaces, which complicates the placement of standard windows, doors, and floor partitions. At the same time, the low clearance along the perimeter also creates unusable floor area at the edges of the room.

Curated by Cotter & Naessens Architects, the Ireland pavilion at the 19th International Architecture Exhibition - La Biennale di Venezia in 2025 presents Assembly, exploring architecture's role in shaping spaces for gathering, discussion, and democratic exchange. Commissioned by Culture Ireland in partnership with the Arts Council of Ireland the pavilion is officially inaugurated by Yvonne Farrell of Grafton Architects with Sharon Barry, Director of Culture Ireland, and Fionnuala Sweeney, Head of Architecture at the Arts Council.

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The veteran Irish architecture critic Shane O'Toole once remarked that when traveling in Europe in the 1970s, "The universal comment was is there modern architecture in Ireland? Now, in less than 50 years, we've gone to a Pritzker Prize and two RIBA Royal Gold Medallists in five years." He attributes this change in perception to a design competition that launched the careers of several of Ireland's award-winning architects of today. This was the Temple Bar Framework Plan competition of 1991 in the center of Dublin, the capital of Ireland, which was won by a group of architects still in their 30s, running under the name of Group 91.

The Centre de Cultura Contemporània de Barcelona (CCCB) has announced the finalists for the European Prize for Urban Public Space 2024. Selected from a total of 297 projects corresponding to 35 European countries, the 2024 edition nominates 5 finalists in the General category, promoting quality public spaces throughout the European territory, and 5 in the Seafronts category, addressing coastal cities' climate vulnerabilities. The European Prize for Urban Public Space is an honorary biennial competition aiming to highlight best practices and innovations in the creation, transformation, and recovery of public spaces in European cities.

Whether temporary or permanent, pavilions and urban installations represent an opportunity for architects to experiment with different shapes, materials, and textures. The results are often theatrical, welcoming visitors to new types of spaces, and blending the exterior and the interior. Pavilions are often commissioned for events, exhibitions, or cultural programs, offering opportunities to explore innovative materials, construction techniques, and spatial concepts on a smaller scale. Some events, like the Serpentine in UK or the MPavilion in Australia, propose a yearly reimagining of their structures, offering opportunities for established and emerging architects to express themselves. Others, like the Venice Biennale, reuse the permanent garden pavilions, but invite curators to prepare exhibitions to reimagine them for every edition.

The National Pavilion of Ireland will present an exhibition titled “In Search of Hy-Brasil” at the 18th International Architecture Exhibition of La Biennale di Venezia. The pavilion set out to explore diverse cultures, communities, and experiences of Ireland’s remote islands in the search for new ways of inhabiting the world. A team of five architects has been selected as the curators of the exhibition: Peter Carroll, Peter Cody, Elizabeth Hatz, Mary Laheen, and Joseph Mackey. The pavilion will be open to the public from May 20th to November 26th, 2023; afterward, the installation will tour Ireland in 2024, bringing voices from peripheral locations into mainstream conversations around our global future.

This week’s curated selection of Best Unbuilt Architecture highlights residential projects submitted by the ArchDaily community. From a small community-dwelling in Ghana to a villa tucked under a hillside in Portugal, this roundup of unbuilt projects explores how architects react to various site topographies, cultures, and material availability when designing spaces that provide more than shelter to their users. The article also includes projects from India, Iran, Ireland, Latvia, Georgia, and Saudi Arabia.

March is the month in which St Patrick's Day is celebrated, a tribute to the patron saint of Ireland who died on March 17, 461. In addition to the religious celebration, St Patrick's Day is marked by great parties in the streets, bars and pubs of English colonized countries such as Canada, the United States and, of course, the Republic of Ireland.

The dawn of the Anthropocene has thrown the idea of adaptive reuse into the limelight: effectively the pinnacle of urban regeneration and revitalization. It utilizes the presence of existing buildings with historic and cultural value and re-purposes them to be functional. Essentially a form of architectural salvage; a sustainable and viable means of rebuilding.