Berlin: The Latest Architecture and News

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Although his name may not appear in most architectural history books, Sir Kenneth Hugo Adam has influenced architecture for over fifty years. Better known as Ken Adam, he has been responsible for the production design of over 70 films in his career, most notably for his work on the James Bond franchise. The architect of Fort Knox in Goldfinger, the Zero Gravity Satellite in Moonraker, and Super-Tanker Liparus in The Spy Who Loved Me, Adam has shaped architectural design in film since the 1940s.

Adam is the recipient of two British Film Academy Awards, including one for Dr. Strangelove, and in 2003 became the first film production designer to receive a knighthood. He has been at the helm of some of the world's most well-known and influential films – from Chitty Chitty Bang Bang to Crimes of the Heart – and his drawings are now on display for the first time. In 2012, Sir Adam donated his entire body of work to the Deutsche Kinemathek in his home city of Berlin, where the first retrospective of his work is now on display, entitled 'Bigger Than Life: Ken Adam's Film Design.'

Find out more about Adam's vast body of work after the break

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On Thursday, the Aedes Network Campus Berlin (ANCB) Metropolitan Laboratory hosted a symposium to mark the opening of the exhibition "Seoul: Towards a New City," in collaboration with the City of Seoul. The city has identified three key objectives to help them strike a balance between restoration and change when moving forward with future development: revival of history, restoration of nature, and renewal of people's lives. Seven projects that reflect these goals are on display at the exhibition. For more details, continue reading after the break.

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From Architecture Forum Aedes. The exhibition "Building in the Metropolis MX" presents selected works from the Mexican studio Gaeta-Springall Architects. In their working process right through to realisation, architectural elements such as form, material and function serve a larger and more complex system: the City. Julio Gaeta, Luby Springall and their team take great care over designing the envelope in order to generate possible interactions through the porosity of the exterior skin. Here they set particular store by intelligent systems and technologies as the longevity and durability of the building lies in its efficiency and sustainability. Gaeta-Springall Architects dedicate themselves to space as an entirety, which they see as the “true stage of life”. For them, "Building in the Metropolis MX" means the linking of architectural, urban and social elements. It is here that they see their everyday work. After curating this year’s Mexican pavilion “Condemned to be modern” at the Venice Biennale, the presentation at Aedes is the second exhibition in Europe for Gaeta-Springall architects, already highly regarded in their home country.

For more information about the exhibition, head over to exhibition's site.

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The Museum for Architectural Drawing presents Lebbeus Woods, ON-line, an exhibition of the finest works of architectural theorist, draftsman, educator and architect, Lebbeus Woods (1940–2012). Curated by his longtime friend and partner Christoph a. Kumpusch, the exhibition brings together a collection of Woods’ visionary works that have never been exhibited before. The intensely rendered architectural and urban environments produced early on in Woods’ career are exhibited together for the first time. These ink and pencil drawings cover a wide range of Woods’ research and re-imagination of cities both real and fictive and support Woods’ longstanding desire to show the capacity of architecture as a transformative and eloquent force.

Bonjour Tristesse is a social housing project designed by Portuguese Architect Álvaro Siza Vieira. Located in Berlin, the project was Siza’s first built work outside of his native country. Siza’s design offers a meaningful precedent in urban densification, demonstrating a delicate balance between contextual awareness, creative freedom, and progressive vision.

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GRAFT and Kleihues+Kleihues has teamed up with Genossenschaft für urbane Kreativität (Cooperative for urban Creativity) to realize a complex of five towers centered around working and living in Berlin, Germany. Titled “Eckwerk,” the new complex is set to rise within the confines of an existing viaduct, whose shape and materiality served as the project’s main source of inspiration.

J. Mayer H. has won an invited competition to design “Volt Berlin,” a new “shopping and urban experience” center near Berlin’s Alexanderplatz. The winning scheme offers a variety of experiential offerings, including multi-brand shopping, an indoor skydiving and event space, and a 7,500 square meter hotel, all within a single cubed complex whose organization is based off an uneven grid.

• Architects

  J. Mayer H. Architects

• Location

  Alexanderplatz, 10178 Berlin, Germany

• Photographs

  J. Mayer H.

• Area

  29500.0 m2

Only 5 more days on the exhibition 2D:3D, an installation by Barkow Leibinger at the BDA Berlin Gallery. Covering the wall surfaces of the small gallery space with “tapete” or wallpaper the façade of the storefront gallery frames what Leon Battista Alberti described as a fenestra aperta. In this configuration the space of the gallery is a projection/ extension of the streetscape in the bourgeois residential historical Mommsenstrasse neighborhood.

Playing with the concept directive 2D 3D, the wall paper on one side of the gallery is a two dimensional pattern: an organic looping structure which repeats and mirrors itself that is both ornamental and geometrically structural in its architectural implication. On axis with the street front façade at the back of the gallery is a wallpaper “portrait” of this system in black and white but now projected as a one-point perspective optically extending the perspective of the gallery itself.

A new series of international architecture competitions are characterizing a clear change in the current urban planning strategy of Moscow. The initiator of these developments is the incumbent chief architect of the Russian capital, Sergey Kuznetsov. Together with his team, he has breathed new life into Moscow’s urban development since taking office in mid 2012. The exhibition New Moscow – Новая Москва presents two international competitions – from the fields of landscape planning (1st prize Diller Scofidio + Renfro, New York) and cultural building (1st prize Heneghan Peng, Dublin) – and through these demonstrates the great gains for the city’s urban planning that are being drawn from this open, global approach.