In urban planning, population density is a subject that sparks discussion, doubt, and debate. A common point of confusion, for instance, is conflating built density (the amount of built area in a given location) or even building height with population density (the number of residents in a given location).

In New York, for example, Midtown Manhattan has perhaps the city's highest concentration of skyscrapers, despite having a population density of "only" 18,000 residents/km²—less than half of the Upper West Side, which boasts 44,000 residents/km² with lower but predominantly residential buildings, whereas Midtown has fewer residential buildings. In Brazil, this discrepancy is far more extreme: the densest neighborhoods in major Brazilian cities tend to be the most horizontal, as they consist of informal settlements (favelas) with small housing units, minimal space between structures, and larger families living in (or cohabiting) these units.

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Escola da Cidade has shared with us a lecture series on Japanese Architecture and Culture, which is part of the Estúdio Deriva program. This series features the following lectures: "Ambience Without Hierarchy: SANAA and Electronic Music" with Guilherme Wisnik, "Contemporary Japanese Culture" with Gabriel Kogan, "The Professional Practice of Japanese Architects" with Lourenço Gimenes, "A Graphical Analysis of Toyo Ito's Mediatheques" with Marina Lacerda, "Destroy to Build: The Impact of Tokyo's Reconstruction Plans in Akira" with Beatriz Oliveira, "Jidai no nagare, the Flow of Eras: Japanese Wood Joinery" with Heloisa Ikeda, and "The Tōkaidō Road: Travel, Woodblock Prints, and Cities of the Tokugawa Period (1603-1868)" with Fernanda Sakano. Watch all the lectures here.

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As a design feature, cantilevers can exist for any number of reasons, as rational results of form-making, impressive feats of engineering, or just unnecessary spectacles. Either way, they often result in buildings that appear both heavy and light at the same time and they present safely precarious situations for their inhabitants. The video describes what cantilevers are as well as some of the structural principles which govern their design like tension, compression, moment, and shear. It also goes over some great examples by architects like MVRDV, Rem Koolhaas, Ensemble Studio, and Richard Rogers. Finally, it concludes with appreciation for structural engineers and lists a few of the ones responsible for some of the most daring of delicate dangles.

The discussion around how we plan the cities we want to live in is a never-ending conversation. As our world experiences shifts that impact urban designs in both predictable and unpredictable ways, some principals have held true- that cities that rely less on private transportation, create walkable neighborhoods, boast a multitude of public parks and spaces, and are designed at a more human scale tend to be favored and well-recieved by the people who inhabit them. Enter the concept of New Urbanism. Backed by these ideologies with a modern spin on is how they might apply to our 21st-century lifestyles, New Urbanism a planning strategy that has been both praised and critiqued since its implementation.

Throughout the 113 years of celebrating Japanese immigration, discussions surrounding Japanese culture have gained considerable attention. As Brazil is home to the largest Japanese community outside the archipelago, the country's connection to Japanese cultural expressions is clear. Many cities settled by Japanese immigrants preserve their Japanese history and culture to this day; consequently, the architectural field has consolidated itself primarily through buildings that represent the political and social dimensions of Japanese immigration, fused with new technologies and construction methods. 

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A growing number of theorists and practitioners have been discussing the impact of gender and race on the profession and theory of architecture. Issues linked to the relationship between the built environment, sexual orientation, and gender identity, however, remain particularly understudied, perhaps because of their relative invisibility and less clearly identifiable discriminatory consequences. Moreover, they are also completely neglected by design theory in the Francophone world. This article partially remedies the situation.

3D printing (as known as three-dimensional printing) is a type of rapid prototyping technology. It is a technology that uses powdered metal or plastic and other bondable materials to construct objects by printing layer by layer based on digital model files.

This article was originally published on Common Edge.

Martin C. Pedersen talks with Ron Rochon, managing partner at Miller Hull, about Carbon and the role of architectural firms in eliminating emissions. Discussing the EMissions Zero initiative, the current shortcomings of carbon offsets, and the way forward, the piece also questions the possibility of setting goals with the absence of an internationally, agreed-upon carbon cap.

What is the role of corporate offices today? The coronavirus pandemic highlighted profound needs and transformations in all of our lives: in relationships, work, consumption habits, and rising inequality. Unquestionably, the question of workspaces came to the fore during a historical phase when, for the first time in the postmodern era, people saw their personal freedoms restricted.

Most people were forced to work from home, and since the beginning of quarantine, reflecting on the future of workspaces became inevitable. Interesting data shows that the coronavirus merely accelerated a practice that had been gaining traction for years in some countries. According to studies conducted jointly by Global Workplace Analytics and FlexJobs, between 2005 and 2015, the number of professionals in the United States who do at least 50% of their work from home or another location outside their offices grew by 115%, and today this number reaches 4.7 million, or 3.4% of the workforce.

ODA has just launched its latest project, an urban vision for the future of the streets of New York. The project titled Beyond the street- Reimagining the flower district proposes to transform a city block from the outside in, altering the pedestrian experience and introducing new zoning changes that would give landowners air rights or tax credits in exchange for handing over their inner courtyards to be transformed into public/private spaces.

ArchDaily had the chance to talk with Eran Chen, founding principal and executive director of ODA, about the firm’s very special proposal that seeks to improve our urban environment. Check the interview and watch ODA’s explanatory movie.

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Perforated wall panels offer a variety of benefits: they can provide passive ventilation, shade, and unique aesthetics to any façade. In the case of companies like Dri-Design, which specializes in customizable and sustainable metal wall panels, perforated panels can be produced according to a wide variety of specifications, including different colors, materials, sizes, textures, shapes, and styles of perforation. Dri-Design’s perforated imaging series even allows architects to apply images onto their facades by varying the size, location, and density of the perforations.

Below, we examine three case studies of buildings using different perforated panels, considering each of their panel specifications and overall aesthetic effect on the buildings.

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Charles (June 17, 1907 – August 21, 1978) and Ray Eames (December 15, 1912 – August 21, 1988) are best known for their personal and artistic collaboration and their innovative designs that shaped the course of modernism. Their firm worked on a diverse array of projects, with designs for exhibitions, furniture, houses, monuments, and toys. Together they developed manufacturing processes to take advantage of new materials and technology, aiming to produce high-quality everyday objects at a reasonable cost. Many of their furniture designs are considered contemporary classics, particularly the Eames Lounge & Shell Chairs, while the Eames House is a seminal work of architectural modernism.

Adaptive reuse or the process of transforming an older building by reusing the structure and changing its original purpose, has gained relevance over the years especially because it allows a complete optimization of the performance of the existing built environment. In a piece, originally published on Metropolis, author Elissaveta Brandon explores how "architects and developers are transforming the staples of the South—located throughout a 120-mile region from Winston-Salem to Fayetteville—into infrastructure fit for today". Transforming historic mills into design hubs, and mixed-use complexes, the article highlights 3 examples from North Carolina.

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As part of the activities of the 2019 Santa Lucía International Festival, organized by Las Artes Monterrey—a non-profit organization dedicated to promoting the visual arts of Monterrey, Nuevo León, and its metropolitan area—Estudio Núñez Zapata (formerly Covachita Taller de Arquitectura) built the pavilion ¿Cómo podremos dormir juntos? (How Will We Be Able to Sleep Together?) on a private vacant lot adjacent to the Macroplaza. The project was subsequently selected to be exhibited at the Mexican Pavilion during the 2021 Venice Biennale.

The human scale spans both physical dimensions and sensory perception. Designers create spaces and objects like steps, doorways and chairs that are closely aligned to human measurement and how we see the world. But as we look beyond the human scale, new ideas and typologies emerge that help us rethink how we conceptualize architecture and build for the future.

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The 2021-2022 A' Design Awards are now open and accepting early entires. The A’ Design Award & Competition provides valuable feedback and experience to its contestants. The A’ Design Award winners will proudly display their award trophies and design excellence certificates which grant them a high level of exposure and recognition.

The 17th Venice Architecture Biennale is currently unfolding, and its 60 national pavilions reveal a wide range of answers to the question "How will we live together". This year's edition restates the Biennale's role as a platform for inquiry, prompting a collective re-evaluation of pressing issues such as migration, inequality, climate change or the role of technology. While in Venice, Archdaily met virtually within the Korean pavilion with curator Hae-Won Shin, as the pandemic prevented the exhibition's creators to be present at the Biennale. The conversation explored the thinking behind "Future School" and how it creates a framework for collective learning and exploration.

Humans possess an innate tendency to seek connections with nature, regardless of the physical or geographical conditions in which we find ourselves. As we become increasingly detached from the wilderness, we develop means and strategies to bring nature back into our daily lives, even if only for a few moments.

There are many ways of domesticating nature, as seen throughout the history of mankind, through fascinating structures that challenge technical limitations, such as vertical indoor gardens.

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In recent years, "real-time rendering" has become an increasingly prominent concept in architectural visualization. Initially dismissed as a theoretical tool far from practical application—plagued by critiques of poor quality, lack of compatibility, and sparse asset libraries—it was deemed incapable of replacing traditional visualization workflows, let alone serving as a primary tool for architects. However, several recent animations created with D5 Render have piqued our curiosity, prompting a closer look at what real-time rendering can now achieve.

Synonymous with light and loyalty, the lighthouse takes us back to antiquity. Conceived for utilitarian purposes, these architectural structures have accompanied thousands of sailors for decades, illuminating the coasts and warning of potential dangers and geographic hazards. Rooted in the collective memory, they represent specific historical moments depending on the country or region in which they stand.

Along Argentina's uninterrupted coastline, which stretches from Buenos Aires to Tierra del Fuego, lighthouses rise like columns. Emerging from the waves, they mark the edge of civilization, enabling dialogue and integration with nature.

The detection of gravitational waves is one of the most important recent discoveries. It is revolutionizing the way we observe and study the universe. 

El Equipo Mazzanti in association with Lino Cabras, Fabrizio Pusceddu, Eugenio Coccia, Massimo Faiferri, and Michele Punturo, designed an installation that showcases the latest projects on the subject. Titled 'Gravitational Wave Architecture', the exhibition is housed within the Italian Pavilion, curated by Alessandro Melis, at the Venice Biennale 2021.

As cliché as it may sound, there are two things that architects really like: exposed concrete and the color black. While concrete offers a distinctive rough aesthetic, emphasizing the tones, textures, and surfaces that shape the concrete mixture, the sobriety that the color black provides allows the architect to highlight specific characteristics precisely. Combining the two seems natural. But black pigmented concrete is not as common as we might imagine. Below we talk a little about the black concrete production process and some projects that use it.

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Across the globe, tall wood structures have begun transforming the world of skyscrapers and high-rise buildings, ushering in an important shift to an architectural practice that has traditionally been dominated by steel and concrete. Typically defined as wood-constructed buildings over 14 stories or 50 meters high, the past six years have seen over 44 tall wood buildings built or underway around the world. Notable examples include Michael Green Architecture and DLR Group’s T3 and Team V Architectuur’s upcoming 73 meter residential tower HAUT.

Architecture can be many things, also queer. Alongside many other transgressing words that carry different meanings and perspectives, this term triggers new insights into society and questions how we create architecture and urban planning projects, including their programs and activities. If there is any statement about how architecture should be done, if there is any conviction about what it represents, we wish here to avoid knowing what it is and be able to question its traditions to broaden the profession, its meanings, and social representation.