The winners of the Detailed Urban Project for the Partial Urbanization of the Sandú Chico Stream Basin competition have been announced. This public, national call for architectural and urban ideas invited architects to develop morphological guidelines for the planning and development of an unconsolidated sector of the city of Durazno, Uruguay.
A radial concentric city plan is formed by streets that extend outward from a defined center and reach the outer edge of the city, together with concentrically arranged roads that connect the radial streets to the lots. This pattern traces back to ancient times and continues even to this day.
Depending on the historical context, location, or purpose of the city planning, the element found in the center may vary. Plazas, churches, or government buildings are among the most common elements and this is no accident, nor is the urban design pattern. Basically, the radial arrangement of streets is intended to highlight a particular element or location that has great political, religious, financial, or symbolic value to the city as a whole.
Architecture is defined by its context. This holds especially true when buildings are located in harsh climates and must respond to natural conditions. This week’s curated selection of the Best Unbuilt Architecture focuses on designs located at the intersection of nature and the built environment. Drawn from all over the world, they represent proposals submitted by our readers.
The article features a range of building types and locations, including many coastal proposals, from a regeneration plan on the South Coast of England and a proposal to link the famous Turku archipelago, to a dockside timber tower in Dublin. Also included are more extreme ideas, from an overlook on the Algarve coast to a vertical city with greenhouses located along a cliff on Mars.
Not necessarily small-scale, but rather targeted and strategic, urban acupuncture interventions are quick to execute, reversible, and often low-cost. The practice has established itself as a viable alternative to urban transformations that require lengthy, bureaucratic processes—both in decision-making and execution—which often exclude residents from the various stages of project development.
When designing the Nordic Pavilion in Venice, Sverre Fehn incorporated Nordic architectural elements in unusual ways. One of the most attention-grabbing elements of the building is its laminar roof cover of white concrete, which is broken by trees planted inside the building blocking the sun's rays and filtering the light. Depending on the angle, the roof blades allow visitors to see the colors of the sky and the canopy of the trees, bringing dynamism to the pavilion's lighting and movement. In fact, the use of parallel slats on facades, walls, and roofs is a tradition that comes from Nordic architecture and has spread throughout the world. In this article we will cover some examples that use this element, including its variety of possibilities and the best ways to amplify their effect.
There’s nothing green about your back-up generator. Manufacturing it released tons of CO2 into the atmosphere; so did shipping it from the factory to the dealership to your backyard. There it will sit, idle, waiting to be deployed only when the much cleaner—but underfunded—public infrastructure fails. At that point, it will fill the air with additional pollutants. There may be perfectly good reasons to buy an emergency generator but being green—that is, protecting the environment—isn’t one of them.
The search for the ideal city has always permeated human history, constituting a utopia pursued by rulers, artists, philosophers, and, in more recent history, by us, urban planners. Since the 19th century, various models of ideal cities have been proposed—and, at times, built—ranging from Howard's garden cities to mechanized, radial, and walking cities (like those of the Archigram group), to nomadic ones like Constant Nieuwenhuis's New Babylon, and modernist cities, among others.
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The barn, closely related in nature to silos and sheds, is an essential building typology in rural and agricultural landscapes. Featuring highly simple and functional design solutions, barns serve specifically as storage spaces for large volumes of livestock feed and are commonly characterized by high ceilings, generous spans, and relative spatial flexibility, protecting hay and grain from the sun, rain, moisture, and animals.
As the forces shaping our built environment have shifted, engaging technology, networks, and complex systems, architects need to envision more than the physical space but produce narratives on how to best operate within this new societal landscape. In this context, speculative architecture seems to have never been more critical; therefore this article takes a closer look at the mediums that currently question the existing conditions of the built environment and explore new architectural possibilities.
In 2018, sociologist and cycling activist Marina Harkot defended her master's thesis Bicycles and Women at the University of São Paulo (USP). To develop a qualitative methodology examining the challenges faced by female cyclists in the city, she interviewed various women: those who bike to work, those who explore the city on two wheels, and those who love tackling the capital's rolling topography.
Her methodology succeeded in revealing a common thread among these diverse cyclists: “It is the network surrounding these women that seems to prompt them to start cycling and keep them riding — as well as female role models, the women (whether known to them or not) who ride and inspired them,” wrote the researcher.
As one of the first steps in an architectural project, positioning the building on the site guides a series of subsequent design decisions, such as the spatial distribution of the program.
Especially when a building is constructed on an irregular lot—whether due to jagged boundaries, asymmetries, sharp angles, or narrow segments—the shape of the property is highly likely to directly influence the design concept.
"The world is highly polarized." This is a phrase we have all heard recently. While this is an undeniable fact, there have been times when the planet was just as, if not more, polarized than it is today. In particular, the period between the end of World War II and the early 1990s was marked by intense tension between the capitalist and socialist blocs, leaving deep marks on many countries and societies. The dismantling of the latter, symbolically represented by the fall of the Berlin Wall, dissipated the tension but did not eradicate communism, which remains the political system in several countries today.
There are currently six countries under a communist regime: China, North Korea, Cuba, Laos, Vietnam, and Transnistria. Despite differences in their economic systems—China, for example, has an economy considered mixed by some experts, with regions regulated by a capitalist market system—these countries also clearly present social, cultural, and geographical particularities that are reflected in their cities and architecture.
LIFE CERSUDS (which stands for Ceramic Sustainable Urban Drainage System) is a proposal developed within the framework of the LIFE program—the European Union's funding instrument for the environment and climate action. It is a sustainable urban drainage system (SUDS) that utilizes low commercial value ceramic material as a filtering paving system to improve cities' adaptive capacity to the climate crisis.
This initiative was implemented as a demonstrator project in the town of Benicàssim, Spain, by architects Eduardo de Miguel and Enrique Fernández-Vivancos of the Valencia Ceramic Chair. They present the project in detail below.
When it comes to the design process behind architectural projects, brainstorming is never the same for everyone. Some find inspiration in crowded rooms with loud music in the background, some walk around public spaces and observe people’s behaviors, and some need almost no resources whatsoever, just a pen, paper, and complete silence.
In an interview with architecture filmographers Spirit of Space, Steven Holl shares how being completely isolated in the Watercolor Hut contributed to some of his office’s most notable creations.
This past summer, the nonprofit design practice, PennPraxis, in partnership with The Fresh Air Fund, piloted a new program, Virtual Design Studio, that sparked the imaginations of nearly 150 students to show how design has the power to change the built environment. Their courses, which were taught by University of Pennsylvania Stuart Weitzman School of Design graduate students, generated multiple designs for a nature center operated by The Fresh Air Fund and public spaces in New York City and offered children an introduction to explore future careers in design that could have a lasting impact on their communities and the design professions for years to come. Over the course of seven weeks, these students committed over 150 hours to the program while also receiving a stipend.
Building design today, and throughout the 20th century, has been significantly shaped by fire safety considerations. Architects today are familiar with the wide range of code requirements for a building to be compliant, from materials, to fire extinguisher locations, to fire-rated walls and doors. As buildings have become better-equipped to withstand fire emergencies, however, modern life has simultaneously increased the amount of fire hazards we live with.
The built manifestation of an ideology, the urban landscape left behind by the socialist regimes around Europe are removed from the aspirations of contemporary urban living, thus trigger a unique process of re-appropriation of the post-soviet landscapes. The short film Landscape Architecture: Rethinking The Future out of a Totalitarian Past created by Minimal Movie invites a conversation around urban planning, cultural identity, and community building relating to the urbanism and architecture of Ukraine's Socialist Era.
This article was originally published on Common Edge
I spent four glorious days in Copenhagen in 2017 and left with an acute case of urban envy. (I kept thinking: It’s like..an American Portland—except better.) Why can’t we do cities like this in the United States? That’s the question an urban nerd like me asks while strolling the famously pedestrian-friendly streets, as hordes of impossibly blond and fit Danes bicycle briskly past.
.jpg?1605991358 "Nüwa City on Mars. Image Courtesy of ABIBOO Studio")
.jpg?1605991377 "Nüwa City on Mars. Image Courtesy of ABIBOO Studio")
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.jpg?1605822515 "Surface Ex-Tension by Jonathan Craig, Luis Arjona, Marco Nieto & Philip Elmore. Image Courtesy of Arch Out Loud. Image Courtesy of Arch Out Loud")
.jpg?1605538884 "Morro do Elefante House / 24 7 Arquitetura. Image: © Pedro Kok")
