Never before have there been such fundamental uncertainties about our future. Obvious signs of climate change, a political landscape in flux, rapid advances in technology and their consequential societal changes are making us anxious about our personal life in the next decades.
The Laboratory is a cross-disciplinary initiative that brings together architects, artists, designers and researchers to speculate about the near future through an exploration of our social, cultural, spatial and technological present. What could the impact be onto our shared future? Avoiding dystopia, the workshop aims to come up with productive narratives about the future that try to
Marking the centenary of the Bauhaus’s founding, the Bauhaus-Archiv / Museum für Gestaltung’s exhibition at the Berlinische Galerie is presenting famous, familiar and forgotten Bauhaus originals and recounting the history behind the objects: Who is the woman sitting on the tubular-steel chair? Does the Haus am Horn have a secret twin? Why have the tea infusers which were created as prototypes for industrial production always remained one-of-a-kind pieces? The exhibition sheds light on how unique work and series, remake and original are inseparably linked in the history of the Bauhaus. Around 1,000 Bauhaus originals from the Bauhaus-Archiv’s collection will be on display,
The project presents a collection of buildings and building systems significant in the historical evolution of modular and prefabricated architecture. The contents are shown in a virtual reality environment, through VR headset kits, which transport the audience to a 20x20m virtual space filled with panels and architectural models.
The goal is to picture several stages of this evolution. Examples of different buildings are shown, from the 17th century to the present, from anonymous architecture to Jean Prouvé, Walter Gropius, Buckminster Fuller, Shigeru Ban and MVRDV.
“The Reasons Offsite” intends to point out conflicts between prefab building systems and traditional ones. Standardization vs.
Public space is under pressure – commercialized for economic interests, abused as a playground for event culture, and maneuvered into insignificance through private acts of self-staging. Is its original function as a forum for public life coming to an end? At the same time, there are ever more standards, regulations, and requirements designed to guarantee safety and functionality. Does this reduce the creative possibilities for new architecture to react to the specifics of the location? If so, how are buildings being affected by these processes?
The exhibition “InnenAussen” (InsideOutside) by :mlzd searches for answers to these questions. Their installa-tion, based on