Germany

In the twentieth century the world was in movement. Cars replaced the horse carriages and sound took cinema by storm. The rhythm of the printing press (Karl Lemke) was brimming, railroad bridges were crossing over the pulsating cities and Free Dance stood for releasing of the mind, body and soul. The modern man was seeking out the beat of his time. Architects, like Mies van der Rohe reacted to it with the invention of the open room layout – for light, air and movement. Moholy-Nagy designed an object out of the light movement called the Light-Space Modulator. What has happened

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The nexus between architecture and installation art has long been a topic worthy of exploration. Installation transforms space and interacts with the audience; it must be designed, constructed and installed and therefore relies on architectural components.

Since the late eighties the acclaimed conceptual artists Ilya and Emilia Kabakov have created fantastical spaces that they call ‘total’ installations inviting viewers to immerse themselves in stories about utopian dreams. For Kabakovs installation is largely connected to architecture and they often incorporate architectural elements in their work. What links them the most is space.

The variety of drawings on view present us with