Based in Toronto, Osman has served as a news intern for ArchDaily since January 2017. He is a second year student at the University of Waterloo's School of Architecture and is interested in the narrative capacities of architecture and design.
With the intention of maximizing available space and avoiding steep construction costs, researchers from ETH Zurich’s Department of Architecture have devised a concretefloor slab that with a thickness of a mere 2cm, remains load bearing and simultaneously sustainable. Inspired by the construction of Catalan vaults, this new floor system swaps reinforced steel bars for narrow vertical ribs, thus significantly reducing the weight of construction and ensuring stability to counter uneven distributions on its surface.
As opposed to traditional concretefloors that are evidently flat, these slabs are designed to arch to support major loads, reminiscent of the vaulted ceilings found in Gothiccathedrals. Without the need for steel reinforcing and with less concrete, the production of CO2 is minimized and the resulting 2cm floors are 70% lighter than their typical concrete counterparts.
An important step in providing pedestrian access along downtown Monterrey’s main transportation routes, Torre Citica is a 25-storey mixed-use development designed by Austin-based Miró Rivera Architects and Mexican firm Ibarra Aragón Arquitectura (IAARQ) in Monterrey, Mexico. The project is the first of its kind situated over Venustiano Carranza, a significant thoroughfare that links Monterrey with the neighboring municipality of San Pedro Garza García.
Our first priority was the creation of a pedestrian-friendly experience that would enhance the level of activity at the street, said the architects. The project is intended to serve as a catalyst for a municipal plan to provide pedestrian improvements along major transit corridors radiating from downtown Monterrey.
Designed by London and Liverpool based practice shedkm, construction is underway on Circus Street, an exemplary urban design for a mixed-use innovation quarter in Brighton that aims to celebrate the diverse architectural styles and individuals that populate the city. Working with regeneration developers U+I, shedkm’s masterplan works with an existing abandoned fruit and vegetable market to create “a strong sense of place, distinct yet in tune with the unique city of Brighton and its people.”
The start on site is a major milestone in our journey to create a new urban quarter in Brighton, which, through the belief and dedication of all stakeholders and individuals, has become a significant placemaking venture in our portfolio, explained Hazel Rounding, director at shedkm.
Construction has begun on The Independent, a 685-foot residential tower set to be the tallest of its kind, located west of the Mississippi in Austin. Designed by local practice Rhode Partners, major progress in shaping the building’s stacked and offset form has been made, through the setting of the 24th floor to create the first of these tiers, which encompass 58 stories and 370 units.
Plans have been announced for a new hotel in Orlando’s planned Lake Nona community, which is to be designed by Arquitectonica in one of the fastest growing communities in the United States. The 16 storey Town Center Hotel will be situated at the heart of the community, featuring a motor court entrance, a lobby, a ballroom accommodating 200 guests, as well as a rooftop pool with a lounge and accommodation for private events. The tower will also be within close proximity to the airport, easily accessible by Orlando’s 68 million annual visitors and the “unique property will cater to airport travelers as well as those who intend to make Lake Nona their final destination.”
Updated renderings have been revealed for renowned architect Helmut Jahn’s1000M, an upcoming 832-foot skyscraper that will take the place of a currently vacant lot on Chicago’s historic Michigan Avenue. Accommodating 323 luxury residences and over 40,000 square feet of amenities, the building will be clad in a green and blue glass curtainwall, with horizontal metal spandrels running across and dividing it. The roof terrace is covered by a hovering metallic mesh crown, which is shown in the new renderings.
Responding to a competition brief for a new archaeological museum in Nicosia, the divided capital of Cyprus, a proposal submitted by Greek architects Alkiviadis Pyliotis and Evangelos Fokialis uses the traditional elements of the line, atrium and stoa to inform the composition of the envisioned landmark. Titled "Trigonica Simplicitas," the design of the museum is intended to form a new central hub, celebrating Cypriot history and culture through the synthesis of indoor and outdoor spaces on various levels to rethink the function of a museum.
Theoni Xanthi of XZA Architects has been selected as the winner in the competition to design the new archaeological museum in Cyprus. Composed of three layers corresponding to Memory, the City, and the River, Xanthi's proposal took first place in a competition that sought a new urban space to celebrate Nicosia’s history and archaeology. The project is situated in close proximity to the medieval city walls, enabling it to play a key role in altering and upgrading the existing urban and green spaces that surround it.
Los Angeles' Department of City Planning has released an initial study for a potential future skyscraper that could break ground in 2020. The 66-story Figueroa Centre is proposed for construction on a current parking lot adjacent to the Hotel Figueroa in South Park. Designed by CallisonRTKL, upon completion, the building would become Downtown LA’s third tallest building, surpassed only by Wilshire Grand and the US Bank Tower, both at 73 stories.
“Wynwood’s artistic spirit and modern vibe are elements that inspired our designs for Wynwood 25 and Gateway at Wynwood,” explained Kobi Karp, Founder, and Principal of Kobi Karp Architecture and Interior Design, Inc. “This forward-thinking, vibrant area is gaining so much momentum and we wanted this to translate into our designs. It’s an exciting time to be a part of Wynwood’s growth and we aim to create unique designs that merge seamlessly with the area’s culture and unique energy.”
You’re a chipper young first-year student, still soft and tender in the early stages of your induction into the cult of architecture. Apart from fiddling with drafting triangles and furiously scribbling down the newfound jargon that is going to forever change how you communicate, you often find yourself planted in a seat, eyes transfixed to a projector screen as your professor-slash-cult-leader flashes images of the architecture world's masterpieces, patron saints, and divine structures.
Soon, you develop a Pavlovian response: you instinctively recognize these buildings, can name them at once and recite a number of soundbites about their design that have lodged themselves in your brain. Your professor looks on in approval. Since we here at ArchDaily have also partaken in this rite of passage, here are 15 buildings that we all recognize from the rituals of architecture school.
At times, Landscape design lacks proper consideration or its overlooked within architecture, as a result of current but preconceived notions within architectural practice and education that privilege building over site, or the constructed over the existing. While at face value, landscape is treated as an abject and constant entity of sorts, the reality is that it possesses a layered complexity of patterns and ecosystems, much of which is increasingly impacted by our own actions, more significantly than what meets the eye.
At the same time, the definition of landscape is constantly evolving to encompass a greater number of influences and factors. We have cultural, built and ecological landscapes, which influence one another and come about as a result of the intersection between the architecture and the environment that we are presented with. As a result, it is important to view terrain in a more holistic light, acknowledging its ecological underpinnings and well as the anthropological effects it is subject to, both physically and theoretically. Here is a list of five online resources, which investigate the interdisciplinary nature of landscape design and its relation to architecture and culture.
Highlighting the necessity of such a project, the design team explain: “There are approximately 800,000 Muslims living in NYC. A majority of the gathering places for Muslims are Mosques that focuses on Religion as Practice, which does not leave enough room for developing Religion as Culture.”
Of the four finalists selected for Blank Space’s “Driverless Future Challenge”, which was announced last month, “Public Square” has emerged as the winning entry, with a plug-and-play scheme to transform New York’s public realm for its streets and pedestrians. Designed by FXFOWLE and Sam Schwartz Engineering, the proposal was selected by a panel of New York City commissioners, for its response to the competition brief with a flexible system that accommodates a variety of public space typologies, while creating a harmonious coexistence between pedestrians, cyclists, and vehicles.
As the photos display, the building is formed through three separate cantilevering volumes, which sit atop a plinth overlooking the waterfront. An exterior corner staircase leads to a number of publicly accessible rooftop terraces, inviting the public to engage with the building at various levels. Finishing touches are being added to the construction with the envelope already complete, while interior spaces and the site landscaping are still undergoing further polish and are yet to be fully resolved. Check out all the photographs of the building below, which will be occupied by Design Society upon completion.
Ah, Invisible Cities. For many of us, Italo Calvino’s 1972 novel reserves a dear place in our libraries, architectural or otherwise, for its vivid recollections of cities and their curiosities, courtesy of a certain Marco Polo as he narrates to Kublai Khan. And while the book doesn’t specifically fit the bill in terms of conventional architectural writing, it resists an overall categorisation at all, instead superseding the distillation of the cities it contains into distinct boundaries and purposes.
For though there is a certain kind of sensory appeal that is captured in the details of places, the real beauty of Invisible Cities lies in the masking of underlying notions of time, identity and language within these details – a feat that is skillfully accomplished by both Marco and Calvino. With this in mind, here are three of many such principles, as revealed by the layered narrative of Invisible Cities.
Currently under construction, new renderings of SkyRise Miami have been released, showcasing the 1,000-foot tower’s numerous mixed-use entertainment facilities from its prime location at the heart of Miami’s downtown core. Designed by local heavyweight Arquitectonica, the city’s tallest tower is being developed by Berkowitz Development Group, since the project’s inception in 2013.
Architecture, as both a profession and the built environment, currently finds itself at a crossroads in trying to adapt to a world in constant flux. Cities and its people face continuous socio-economic, political and environmental change on a daily basis, prompting a necessary rethink in the evolution of sustainableurbanization. With a focus on housing, society and cultural heritage, RIBA’s International Conference, Change in the City, aims to offer insight into the “New Urban Agenda” and how architects can play an interdisciplinary role in future urban development.
Speaking in an interview ahead of the conference, Norman Foster is a strong advocate for a careful consideration of what aspects of urban life need to be prioritized when designing cities of the future. For an increasingly global society, Foster stresses the need for architecture to surpass buildings and tackle its greatest obstacle – global warming, honing in on its roots and factors involved to create viable urban solutions.