Modular coatings for facades and enclosures typically deliver fast and efficient solutions. However, many times they lack richness and character since they are repeated infinitely, without relating to the architectural design and its different functions and requirements.

These aluminum foam panels are manufactured through an air injection process in molten aluminum, which contains a fine dispersion of ceramic particulate. These ceramic particles stabilize the air bubbles, and create aluminum foam panels which provide an interesting level of detail and variability, generating unique facades with different levels of texture, transparency, brightness, and opacity. These ultralight panels can be used as flat architectural sheets, are 100% recyclable and available in standard sized formats up to 3.66 meters long (custom longer panels also available). 

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This video tutorial will teach you how to create detailed, 3-D environments from images taken by drones, using Photogrammetry to better contextualize our architectural projects.

The video covers the entire process, from flying the drone to using the RealityCapture software, including identifying plants and trees through an application for mobile phones and lastly viewing the architecture in 3D using Lumion.

In case of fire, protecting the lives of people is the most important. All occupants of the building should have the opportunity to evacuate on time, and the time available depends largely on the materials chosen and their behavior during fire exposure.

In order to facilitate and optimize this process, the European Union has adopted the Standard EN 13501 [1], introduced in the 2000s, which specifies a series of classes that determines the anti-fire properties of different materials. Their classifications are unified and compared based on the same test methods, and are currently used as a reference in many countries around the world.

Because of the architect’s role in choosing materials for projects, we have compiled the most important nomenclature to better understand the level of security of our built environment.

Physical models have, for centuries, been a highly-effective way of explaining an architectural idea, allowing the audience to experience a concept in a plan, section, elevation and perspective all at once. However, a model can communicate so much more if you deviate from traditional cardboard materiality. If you want to express the monolithic massing of your latest scheme, or its expressive texture, then a model of plaster or cement may capture so much more than a digital rendering ever could.

Creating a concrete model is profoundly engaging, as it forces us to follow a methodology similar to that of large-scale construction: make a mold / formwork, mix the cement or plaster with water, and then pour. When done correctly, the resulting model could stand as an architectural sculpture in its own right. 

Below, we have rounded up concrete models from the ArchDaily archives, giving you the inspiration to set your concrete model ideas in stone. 

New technology in digital building, particularly Computer Numerical Control (CNC) systems, are changing the way that we design and build wooden structures. Their high level of precision allows us to design perfect assembles--without screws or visible metalwork--resulting in structures that are durable, easy-to-build, and extremely well-organized. We spoke with the experts at Timber to better understand the process of building a wooden structure and to compile a list of key tips in designing one.

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With the aim of generating an architecture that incubates the wellbeing, self-realization, and fulfillment of its inhabitants to become the best version of themselves, CEBRA has launched an ambitious Research and Development Program (R&D) called WISE (Work, Innovation, Space and Education).

As explained by its creators, the purpose of WISE is "to bridge the ongoing and rapid change in the sectors of workspace and education to inform the design of buildings that stimulate learning and innovation. We are connecting ideas of the foremost thinkers of education and entrepreneurship, research and studies in sensory stimuli, cognitive psychology, and behaviorism with architecture."

We spoke with Carsten Primdahl, founding partner of CEBRA, and Klaudio Muca, R&D Architect at CEBRA, to better understand the approach and expected results of the program.

Architects are increasingly aware of our influence on the well-being and good health of the users of our projects. Natural lighting –and how it should be complemented with artificial lighting– is an essential factor to consider for the visual comfort of interior spaces. But, do we know how to handle it correctly?

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Dense cities mean small homes. With more and more frequency we are forced to adapt to spaces within which some elements simply do not fit. As architects, these restrictions actually provide us with opportunities and remind us that our goal is to give precise solutions to specific problems. Designing with infinite number square meters and/or an unlimited budget is practically unheard of.

What's the key to accommodating everything? Let's review some effective storage solutions for minimum, tight spaces.

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Architects' general ignorance about the needs and requirements for people with special needs is worrisome. Beyond complying with mandatory regulations (different in each country), the quality of life for different-abled people depends on specific and daily factors that go beyond a railing or a ramp, and are often left in the hands of professionals who have never dealt with such issues.

This Ables, a project developed by IKEA and the non-profit organizations Milbat and Access Israel, provides an excellent resource for how to create an equitable design in the smallest and simplest of details. From door handles that are can be opened with a forearm to a couch lift that enables users to sit down and get up easily, these 13 products are available to the general public on ThisAbles.com. Some products can even be 3D-printed independently.

See the video below for more details of the project.

In May 1985, an old theater and concert hall opened its doors to the public for the opening of a brand new nightclub in New York City. Located on 126 East 14th Street, the project was commissioned by entrepreneurs Steve Rubell and Ian Schrager, owners of the also famous club Studio 54, and was conceived as a vibrant and luminous independent structure arranged inside a rather classic shell, which appears as a beautiful backdrop behind the clean geometry of Isozaki.

As The New York Times pointed out in its May 20, 1985 edition: 'Arata Isozaki is at once a great eminence of Japanese architecture and a source of some of its freshest thinking. And all sides of Mr. Isozaki are visible in the Palladium'.

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Most of the materials that we use in the construction of our projects have shapes and dimensions that seek to facilitate their storage, transfer, and installation, being constituted in its majority by orthogonal modulations. These straight angles don't always fit with the irregularity of our designs, nor do they coincide exactly when encountering more organic materials or other specific elements such as ducts, pillars, or furniture.

This simple tool allows you to copy, duplicate, and measure complex contours so that the materials adapt perfectly to other elements. Its mobile 'teeth' must be pressed against the profile to obtain a mold of its shape, generating templates that will allow cutting and adjusting the original material with precision. Thus, the tool could even be useful for replicating or repairing unique details in restorations or refurbishments.

Argentine firm Estudio Arzubialde and Chilean architect Verónica Arcos led a Material Experimentation Workshop in Rosario, Argentina, during which six different groups of students designed and built projects using a variety of brick laying techniques.

Each project used different brick patterns based on simple rules, resulting in a structure with a certain degree of geometric complexity. 

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Fusing augmented reality with the physical space, Fologram seeks to facilitate the construction of complex designs (for example, parametric designs that require a series of measurements, verification, and specific care) through digital instructions that are virtually superimposed into the workspace, directing a step-by-step guide for bricklayers during the construction process.

'Research institutions and large companies are working with industrial robots to automate these challenging construction tasks. However, robots aren’t well-suited for unpredictable construction environments, and even the most sophisticated computer vision algorithms cannot match the intuition and skill of a trained bricklayer,' stated their creators.

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• Architects

  Danae Santibáñez, José Tomás Franco

• Location

  Diego Silva Henríquez 1107, Recoleta, Región Metropolitana, Chile

• Category

  Kindergarten

• Design team

  AEscala

• AEscala Architects

  Danae Santibáñez, José Tomás Franco

• AEscala Philosopher and Educator

  María Jesús Montecinos

• AEscala Psychologist

  Lucas Sánchez

• Financing

  FONDART: Chilean Cultural Fund

• Area

  38.0 m2

• Project Year

  2017

• Photography

  María González, José Tomás Franco, Courtesy of Danae Santibáñez

It's common sense: a good design is based on people and what they really need. As architects, are we deepening enough to give the correct answers to the requirements we face in each project?

Herman Miller is a great example of this understanding. Founded in 1905 by Dirk Jan De Pree, the American company produces equipment and furnishings for offices and housing, including a high level of research to understand the human body and the way we inhabit our daily spaces. These investigations, supported by usability testing and multidisciplinary work, results in a large number of furniture pieces and spatial designs that are now used by people around the world.

We had the opportunity to visit their headquarters in Zeeland, Michigan to understand how these studies have been carried out for several decades.

Home automation has long been associated with high costs, a burdening assembly time, and a cumbersome process that impelled us to discard the idea of automating projects. However, these days are long gone. 

With lower costs and easier assembly, today, developing a new project without home automation seems somewhat absurd. Below, with the help of AVE Chile, we've compiled a series of tips to help you incorporate domotics into your next project.

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Surely every architect has wondered how the fluid but complex forms of the architecture of Zaha Hadid Architects are brought to reality. And it's beautiful to see how an initial conceptual idea –probably drawn as a quick sketch– materializes in precise and detailed planimetric drawings.

We have compiled a series of construction details from 9 projects developed by Zaha Hadid Architects that give insight into her distinct style and approach, showing us that, with a little ingenuity and a lot of expertise, even the most impossible-seeming dreams can be built.

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Interested in building light and modular facades with a rustic and monolithic appearance?

Composed of cement, cellulose, and mineral materials, fiber cement allows us to clad walls in a light, non-combustible, and rain-resistant way, generating facades with different textures, colors, and tones. Its panels are easily manageable, perforable, and can configure ventilated facades when installed with a certain separation between the rear wall. Check after the break for 9 projects that have cleverly used fiber cement as the primary material in facades.

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