Danish architect and CEBRA founding partner Mikkel Frost has given a TEDx Talk arguing for the relevance of hand drawing in an increasingly virtual world. Titled “Let your fingers do the talking,” the talk presents hand drawing “not as a render killer, but rather as a lively and more open supplement to the close-to-nature visualization.”
During the talk, Frost explains the inspiration behind is drawing style, partly from the cartoon universe where messages are communicated with humor, few words, and simple expressions. A central part of the design process for every CEBRA project, Frost describes hand drawing as a visual language that is easily understood, open, and less conclusive that hyper-realistic visualizations.
https://www.archdaily.com/910931/tedx-talk-by-cebra-founder-mikkel-frost-demonstrates-the-power-of-hand-drawingNiall Patrick Walsh
Walking in through the entrance of the Experimentarium by architecture firm CEBRA, visitors can immediately take notice of the radiating copper Helix staircase. The Helix staircase is 100 meters long, supported with 160 tons of steel and clad and 10 tons of 7mm thick copper.
In this animated clip from French film production studio 11h45, penguins have taken over ‘The Iceberg,’ winner of ArchDaily’s 2015 Building of the Year for Best Housing Project. Imagining the building as a literal iceberg, the filmmakers envisioned the designed by SeARCH + CEBRA + JDS + Louis Paillard Architects-designed complex as an antarctic wonderland where penguins could slip, slide and dive down the structure’s sharp rooflines.
https://www.archdaily.com/873510/watch-the-iceberg-in-aarhus-turn-into-a-penguin-paradise-in-this-fun-animationAD Editorial Team
“Based on the program and principles of Smart School, an architectural concept has been developed which integrates buildings, a plot of land and the surrounding urban community into a complete, diverse and activating learning environment, a ‘school park’, explain the architects. “There is school life not only in specialized premises but also in open areas inside and around buildings."
9 years ago today, ArchDaily launched with a challenging mission: to provide inspiration,knowledge and tools to the architects tasked with designing for the 3 billion people that will move into cities in the next 40 years. Over these 9 years, as we have developed innovative approaches to help architects tackle the urban challenges facing our world, our work has brought us into contact with some of the most creative and respected architects in the world. To help us celebrate our 9th birthday, we asked 9 architects who are renowned for their creative and imaginative abilities to create drawings inspired by our logo, to show the world what ArchDaily means to them.
https://www.archdaily.com/866860/9-drawings-to-celebrate-our-9th-birthdayAD Editorial Team
It is often said that architecture only makes projects more expensive. That architects only add a series of arbitrary and capricious complexities that could be avoided in order to lower their costs, and that the project could still work exactly the same without them. Is this true in all cases?
Although they are more profitable economically, human beings don't seem to be happy inhabiting cold concrete boxes without receiving sunlight or a breeze everynow and then, or in an unsafe neighborhood where there's no possibility to meet your friends and family outdoors. Quality in architecture is a value that sooner or later will deliver something in return.
Balance is key, and a good design will never be complete if it's not economically efficient. How do we achieve this ideal? We reviewed the design process for 'The Iceberg' in Aarhus, Denmark. A project that managed to convince the authorities and investors when proposing a high-impact and tight-budget design, which in its form seeks to respond to the objective of guaranteeing the quality of life of its users and their neighbors.
CEBRA Architects has won the competition to design the Skamlingsbanken Visitor Center near Sjølund in Southern Denmark. At 113 meters above sea level, Skamlingsbanken is the highest point in South Jutland and historically has been an important meeting place, serving as the backdrop for some of Denmark's key historical public speeches. The new visitor center is posited as a way to restore this historic importance, and once again make Skamlingsbanken a local meeting place.
Danish firm CEBRA has released images of ARCTIC, a new museum and research center dedicated to the study and education of Greenland and the Arctic, to be located along the Hundested harbour in Halsnæs, Denmark. Although Greenland has been a part of the Kingdom of Denmark for over 600 years, ARCTIC will be the first museum or center that communicates the relationship between these countries through historic, contemporary and future perspectives.
CEBRA, in collaboration with landscape architect SLA, has designed the Sustainable School for The Sustainable City in Dubai. In opposition to hot-climate educational environments that are often large, air-conditioned structures, CEBRA’s vision for The Sustainable City proposes a permeability between outdoor and indoor learning environments, utilizing both in equal measure.
The design integrates buildings and landscape together through a ring of individual structures connected by a large, ridged rooftop. With this roof, spaces between the buildings can be used as multifunctional, semi-covered learning spaces, activity zones, and flow areas, all of which diffuse into the central and outer landscaped areas.
With our annual Building of the Year Awards, over 30,000 readers narrowed down over 3,000 projects, selecting just 14 as the best examples of architecture that ArchDaily has published in the past year. The results have been celebrated and widely shared, of course, usually in the form of images of each project. But what is often forgotten in this flurry of image sharing is that every one of these 14 projects has a backstory of significance which adds to our understanding of their architectural quality.
Some of these projects are intelligent responses to pressing social issues, others are twists on a well-established typology. Others still are simply supreme examples of architectural dexterity. In order that we don't forget the tremendous amount of effort that goes into creating each of these architectural masterpieces, continue reading after the break for the 14 stories that defined this year's Building of the Year Awards.
After two weeks of nominations and voting, we are pleased to present the winners of the 2015 ArchDaily Building of the Year Awards. As a peer-based, crowdsourced architecture award, the results shown here represent the collective intelligence of 31,000 architects, filtering the best architecture from over 3,000 projects featured on ArchDaily during the past year.
The winning buildings represent a diverse group of architects, from Pritzker Prize winners such as Álvaro Siza, Herzog & de Meuron and Shigeru Ban, to up-and-coming practices such as EFFEKT and Building which have so far been less widely covered by the media. In many cases their designs may be the most visually striking, but each also approaches its context and program in a unique way to solve social, environmental or economic challenges in communities around the world. By publishing them on ArchDaily, these buildings have helped us to impart inspiration and knowledge to architects around the world, furthering our mission. So to everyone who participated by either nominating or voting for a shortlisted project, thank you for being a part of this amazing process, where the voices of architects from all over the world unite to form one strong, intelligent, forward-thinking message.