This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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Public space has always been a top priority in every city’s urban planning agenda and given today’s world context, these urban spaces have emerged as fundamental elements of cities and neighborhoods. Plazas, squares, and parks, undeniable necessities in the urban fabric, have become, today, more vital than ever.

Designing for comfort—especially acoustic comfort—is a somewhat thankless task, as we typically only notice it when it fails to function properly. Common complaints abound: hearing a conversation from the next room more clearly than the one in your own space, having to shout to be understood by someone right next to you, or dealing with excessive echoes that make staying in a room exhausting. This last issue in particular is very common in spaces with exposed structures that lack finishing materials. Because materials like concrete, glass, or metal are typically not acoustically absorbent, spaces with industrial aesthetics often suffer from high reverberation times. This means that emitted sounds take longer to dissipate, continuing to bounce off surfaces and merge with other sounds, which creates disruptive noise and reduces speech intelligibility.

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Since at least as early as ancient Roman times, humans have recognized the value of what is now known as controlled environment agriculture, allowing farmers to cultivate plants year-round rather than seasonally. Though they were invented hundreds of years ago, greenhouses continue to be the most popular means of controlled environment agriculture today, with innovations in technology and design having improved both the beauty and efficacy of this typology. Below, we will explore in detail the history and structure of the greenhouse, as well as several examples of innovative and experimental greenhouse design.

The A’ Design Award is an international award whose aim is to provide designers, architects, and innovators from all architecture and design fields with a competitive platform to showcase their work and products to a global audience. Among the design world's many awards, the A' Design Award stands out for its exceptional scale and breadth; over the eleven years the Award has been given, more than 12,000 awards have been bestowed across 110 categories and 180 nationalities. This year's edition is now open for entries; designers can register their submissions here.

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During the next decade or so, our cities will expand at an inconceivable speed. According to the UN’s 2019 World Population Prospects, our planet by 2030 is expected to have 43 megacities —classified as those with more than 10 million inhabitants. Most megacities will be in developing countries. And by mid-century, almost 70 percent of the world’s population will be urbanised, with today’s rate at just over half. Moreover, 90 percent of the urban population growth is expected to happen in Africa and Asia.

Concrete is a key symbol of a highly celebrated era in Brazilian architecture. To this day, it remains one of the preferred materials for architects and designers seeking to explore the flexibility and expressiveness it brings to their work. Although primarily associated with building structures, concrete can also take center stage due to its materiality, thermal feel, color, and other qualities that transcend its structural role. When left exposed, concrete imparts a striking character to interiors, establishing a dialogue with the other elements that shape the space.

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The inertia of politics and governance in a time when major societal changes occur at an increasingly faster pace and the dissatisfaction with the decision process makes room for bottom-up actions, activism and bold endeavours. In the light of so many examples of social activism, do architects have the tools to make their own stand? Does architecture have the power to disrupt the status quo?

The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time, examples of strategies and planning in their construction are reviewed, such as the importance of collaborative social processes and the specific sequences of stages.

When a material runs its course and becomes obsolete, whether because of wear and tear, a change of style, a tear-down, or a remodel, many are tempted to simply toss it into a scrap heap and send it to the landfill. In the grand majority of cases, however, these materials can be repaired, recycled, and reused in a vast array of creative endeavors. Of course, depending on the material and its characteristics, this can also present a challenge. In the case of windows and doors, particular care must be taken to keep them intact throughout the dismantling or demolition process and even afterwards, an inspection may be necessary to determine their viability for future use. Of course, many avoid the path of re-utilization altogether and opt for new materials that make for an easier and more uniform project.

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The Mexican state of Oaxaca is one of the most visited destinations in the country, drawing travelers from around the globe with its rich culinary, cultural, and architectural heritage. Located in the southeastern region of the country, it spans 93,757 km² and is divided into 570 municipalities, making it the fifth-largest state in Mexico.

The sharing economy, an economic system that involves individuals renting out or sharing their personal property including their homes and cars, has been severely impacted as the wave of COVID-19 ebbs and flows across the world. Popular companies like Uber, Airbnb, bike shares, and a variety of coworking spaces that we are so accustomed to being essential parts of our lives, have been making adjustments and creating new strategies to ensure that their customers feel safe and reimagine how they might adapt to an uncertain road ahead.

Charles Correa Foundation has recently released several snippets of ‘You & Your Neighbourhood’, Charles Correa’s 1955 Master Thesis at MIT, an animation film for which the architect was scriptwriter, animator, photographer and director. The thesis put forward the idea of a participatory process for the betterment of neighbourhoods, with a strong emphasis on creating a framework for improving urban conditions in a bottom-up approach.

This article was originally published on Common Edge.

Since the outbreak of Covid-19, I, like most of the world, have spent the last few months quarantined at home, perturbed and uncertain about the ramifications of it all. I will spare you my predictions for the Post-Pandemic Future of the African City (there’s presently no shortage of those), but instead, I want to offer up some observations about our current situation. As an African, my perspective is both unique to our continent and universal to everyone. It is, afterall, a global pandemic. 

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The state of Baja California Sur is located in northwestern Mexico. It is bordered by the state of Baja California to the north, the Pacific Ocean to the west, and the Sea of Cortez to the east, harboring some of the most stunning landscapes and coastlines in the country. Thanks to its prime location, Baja California Sur is one of the most visited states in the nation.

Facades are the first barrier outside a building. They weather rain, snow, winds, sun, and temperature changes. Their primary function is to keep interiors free of water, thermal bridges intact, and internal atmospheres as comfortable as possible. This reality is why the detailing of facades is usually done by experienced architects or specialized companies, who understand materials and construction methods well and are able to select the best solutions for each circumstance. But some projects have facades with such complex detailing, encompassing thousands and thousands of lines, hatches, and dimensions, that they inspire a particularly awestruck response. Making these drawings didactic, technical, and, above all, beautiful, is a task few can achieve to perfection. We spoke with Troy Donovan, the creator of the 188,000 follower Instagram account @the_donnies, who does this job like few others. Read the interview below.

Architects and designers of the built environment are often conceptualized in popular culture as progressive change agents whose canvas of steel and glass brings light to the public realm. At least one global survey of the public’s trust in various professions places architects in a top-ranked cohort that includes medical professionals and first responders. But in the United States, the architecture profession is surprisingly older and much less progressive than one might imagine.

Youth Centers are facilities designed to provide a safe, informal and supervised environment for young people. They accommodate unstructured social interaction among different age groups and provide the space to offer more structured activities. By giving youth the opportunity to take part in recreational and cultural activities or vocational counseling, these centers help them develop their physical, social, emotional, and cognitive abilities and to experience achievement, enjoyment, friendship, and recognition.

Colombia's most prestigious architectural event has announced the results of this year's selection. The Colombian Society of Architects (SCA) has nominated 118 entries across 9 distinct categories for the XXVII Colombian Biennial of Architecture and Urbanism: Interior and Ephemeral Architecture, Urban Design and Landscape, Publications and Dissemination, Social Habitat, Heritage Intervention, Research and Criticism, Urban and Territorial Planning, Architectural Design, and Single-Family, Duplex, or Triplex Housing. The jury, comprising Enrique Norten, Adib Cure, Gloria Serna, Hernando Vargas Caicedo, Ricardo Navarrete, Hildelgard Vásquez, Alberto Saldarriaga, Gilma Mosquera, and Doris Tarchopulos, will select a winner for each category, from which the National Architecture Prize will be awarded.

This week’s curated selection of Best Unbuilt Architecture encompasses conceptual proposals submitted by our readers. It features diverse functions and tackles different scales, from a spiraling bridge in China to a transportation hub dedicated primarily to space travel in Japan.

Comprising uncommon design approaches, this article introduces a humanitarian architectural response to the needs of the residents in an informal Egyptian settlement. In the master plan category, a Green city proposal highlights how we should develop our cities and neighborhoods in the future, and the first net-zero energy airport in Mexico reinterprets holistic design approaches. Moreover, the roundup presents different cultural interventions, from a museum in Botswana, an installation at the Burning Man festival by AI Studio, and an observatory in Vietnam.

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Density has long been an essential consideration for architects and urban planners, yet its importance has only increased as the world’s urban population skyrockets and cities become denser and denser. For much of the history of urban planning, this term has been plagued with negative associations: overcrowding, poverty, lack of safety, and so-called ‘slums.’ The garden city movement, initiated by Ebenezer Howard in 1898, sought to remedy these ills by advocating for greenbelts and anti-density planning. Le Corbusier’s Radiant City is one of the most well-known urban plans building from these ideals. Yet in the 1960’s, sociologist Jane Jacobs famously overturned these long influential urban planning concepts: she pointed out that density of buildings was not identical to overcrowding of people; suggested that some highly dense urban areas, like her neighborhood in Greenwich Village, were safer and more attractive than nearby garden city projects; and highlighted how America’s conception of ‘slums’ were often rooted in anti-immigrant and anti-Black ideologies. Density is not inherently bad, she suggested, but it has to be done well. Today, we continue to grapple with the question of how to design for our increasingly dense cities – how do we keep them open, but simultaneously private? Free, but controlled when necessary? In particular, how do we keep them safe – both from crime and, in the age of COVID-19, disease?

This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Communist Culture and Socialist Sports.

With its moveable glass facades, German family-owned company Solarlux is blurring the lines between outside and in – seamlessly merging the outdoors with indoor living spaces.

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Located in the country's northwestern region, the state of Baja California Norte borders California (in the United States), Sonora, and Baja California Sur (in Mexico). Along with Baja California Sur, these are the only two Mexican states flanked by the Pacific Ocean to the west and the Sea of Cortez to the east, harboring some of the most breathtaking landscapes and coastlines in the country.

If we define deconstructivism, it literally translates to the breaking down, or demolishing of a constructed structure, whether it being for structural reasons or just an act of rebellion. It is perhaps for this reason that many misunderstand the Deconstructivist movement.

Deconstructivism is, in fact, not a new architecture style, nor is it an avant-garde movement against architecture or society. It does not follow “rules” or acquire specific aesthetics, nor is it a rebellion against a social dilemma. It is the unleashing of infinite possibilities of playing around with forms and volumes.

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