Providing digital solutions to basically “simplify” the work of architects, Monograph is a management software company that helps professionals of the AEC industry (architecture, engineering, and construction) oversee their projects in an integrated and user-friendly way. Founded and designed “by architects, for architects”, the San Francisco practice operations platform is an evolving building digital toolkit for projects of all scales.
Created by architects, who had previously faced the challenges and limitations of the field, Monograph is a solution tailored to the needs of architectural businesses. Named one of last year’s ArchDaily’s Best Young Practices, it is a clear example of how architects can expand the reach of their activity. In fact, the technology company was founded in 2019 by Robert Yuen, Alex Dixon, and Moe Amaya, three architectural designers who took the leap and ventured into the digital realm. This week, Monograph has introduced its new official web address, Monograph.com.
With the inauguration of the 17th Venice Architecture Biennale, 60 nations from across the world showcased unique solutions to the question of “How will we live together”. Neither the pandemic nor its repercussions got in the way of the curators' creative process. Instead, they took it as a factor to explore how the notion of 'living together' has changed over the past year, and how they can reimagine better built environments. ArchDaily had the opportunity to meet with architect Wael Al Awar, one of the co-curators of the UAE Pavilion, to discuss how the pavilion's innovative material came to be and what it means for the future of architecture.
Climate change remains a foremost concern in global politics, economics, and scientific research, particularly as it pertains to the architecture and construction industries. This heightened culpability for the field of architecture stems from the fact that the construction industry contributes to 40% of global emissions, and the demand in the building sector is only projected to increase by 70% by 2050. Renewable energy is part of a 21st-century sustainability paradigm that responds to climate change and environmental degradation, strengthening the momentum for global energy transformation. Renewable energy production strategies are necessary to mitigate future energy security issues as traditional sources of fuel become increasingly scarce, and an indispensable part of designing for sustainability in architecture.
https://www.archdaily.com/961422/integrating-solar-technology-into-facades-skylights-roofing-and-other-building-elementsLilly Cao
Ancient builders had deep knowledge about environmental conditions and the physical needs of humans in their search for shelter. Regardless of technological advances and the evolution of our perception of the world around us, this kind of knowledge and relationship with our surroundings can still be applied today and adapted to our current context. Natural stone, when used in architecture shows just that, as we explore its many different styles and applications.
Despite the emergence of collective and interdisciplinary practices, architectural entrepreneurship remains a vague discipline. As academic institutes focus on cultivating students' hard skills during their undergraduate years, their soft skills are often overlooked, left to be acquired or strengthened during their work experience. Stepping into the "real world", fresh graduates who decide to venture into their professional journey as freelancers or in start-ups, often find themselves overwhelmed with questions; 'How do I convince the client? Am I communicating my concept properly to the contractors? Am I charging the client enough? Why is the project not being executed like I designed it? Why is this project taking a lot more time than I intended it to? How can I run a successful business if I've never taken a business course in architecture school?'
Broadacre City by Frank Lloyd Wright. Image Courtesy of Juan Miró
Juan Miró, co-founder of Miró Rivera Architects reflects in an opinion piece on the value of American cities. Stating that "when we idealize cities like Copenhagen, we risk losing focus of the fundamental historical differences between the urban trajectories of European and American cities", the architect and educator draws a timeline of events and urban transformations, in order to explain why it would be more relevant to look on the inside when planning U.S cities, rather than taking examples from the outside.
Cities are so deeply rooted in the history of mankind that we hardly ask ourselves why we live in them or what the reason is for us to group together in urban settlements. Ciro Pirondi, Brazilian architect, points out that we live in cities because we like to have someone to talk to, while Paulo Mendes da Rocha classifies the city as “the supreme work of architecture.” The city is the world that man builds for himself. These are immense collective constructions, palimpsests, and collages of stories, achievements, and losses.
Earth has been mostly urban since 2007. By 2050, the percentage of people living in cities should reach 70%. In the coming years, megacities with more than 10 million inhabitants are expected to multiply, mainly in Asia and Africa, and often in still-developing countries. Such a projection raises questions about sustainability and climate change that cities inevitably catalyze. It also raises questions about how cities can provide an adequate quality of life for its inhabitants, and how they can prosper and develop in contexts that are often not ideal. How can urban spaces benefit their population and vice versa? While old centers will require transformations and updates, city peripheries will require new homes and public facilities, in addition to adequate infrastructure. How can this process help urban centers become more intelligent, using the technology already available to benefit their inhabitants in a creative and efficient way?
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Special selection: Ceramic District is a brand of the Steuler Tile Group and explicitly aimed at architects and designers. Image Courtesy of Ceramic District
Tile brand Ceramic District’s premium-quality, German-made products explicitly address the needs of architects and interior designers, empowering the creation of first-class ceramic architecture.
Few things irritate us more than exposure to excessive noise or inability to hear what we need to hear. Whether it's a nearby construction site, highway traffic, air conditioning, or a neighbor learning saxophone, research shows that noise can contribute to cardiovascular disease, high blood pressure, headaches, hormonal changes, sleep disturbance, reduced physical and mental performance, and the reduction of well-being. On the other hand, in an acoustically "comfortable" environment, in addition to listening to what we want, we focus better and feel calmer.
The concern about creating acoustically comfortable environments is often relegated to cinemas, concert halls and recording studios. But it is particularly important in learning environments, such as classrooms, as it directly influences the teaching-learning relationship. Acoustic discomfort can harm the process of knowledge acquisition, interfering with attention and worsening student-teacher communication.
The ability to detach dividing walls from fixed structural frameworks has been one of the most notable contributions of modern architecture. The moment came when Le Corbusier's conceived the Dom-ino system, in 1914, and was brought to life in the Villa Savoye, where the structural lattice of pillars contrasted with an independent and even organic distribution of the interior partitions. The so-called open plan has been used and reinvented by architects since then for multiple scales and programs, with a flexibility that allows for the creation of large spaces with or without partitions. But one important nuisance that plagues the open plan it that is often difficult to create closed spaces when necessary, which can improve acoustic qualities and the possibility of natural light. Operable partitions serve this purpose through various mechanisms, such as sliding, folding, or wheeled panels, but they do not always facilitate the necessary conditions. Directly addressing these issues, Skyfold has developed the solution: operable walls that fold vertically and remain hidden when retracted.
Sonora is a state located in the northwestern region of Mexico geographically bordering the states of Arizona in the United States, Chihuahua, Sinaloa and facing the Sea of Cortez. It has 179,503 km² of surface being the second least extensive state in the country. Its capital and most populated city is Hermosillo. However, other important localities are Ciudad Obregón, Guaymas, Nogales, Agua Prieta and Navojoa.
Within an increasingly specialized environment, architecture is becoming a collective endeavour at every stage of the design process, and social sciences have acquired an important role. As architecture has become more aware of its social outcome, decisions formerly resulted from the speculative thinking of the architect are now backed up by professional expertise. The following discusses the increasing role of humanist professions such as anthropology, psychology, or futurology within architecture.
Based on a survey of 32,000 people, Steelcase’s latest study – the ‘Work Better Report’ – discovers what workers expect and require from their post-pandemic working environment...
A project of relevant scale is rarely a single Man’s work. From the village barn raising events done in the 18th and 19th century to the standard taskforce that a project developer engages nowadays, a build structure requires many hands on-board, bringing forth different inputs and expertise to shape and execute it.
Shenzhen Bay Culture Park. Image Courtesy of Proloog
Shenzhen, as the modern metropolis in southeastern China that links Hong Kong to China’s mainland, has undergone rapid real estate development and intensive construction bidding in recent years.
“Shenzhen Ten Cultural Facilities of New Era” serves as a significant international design competition that has attracted much attention and investment from many high-level active architects worldwide.
What if we could visit any building, regardless of whether it was ever built? Or, even after it has been demolished? This video and link below focus on a single house — the One Half House — designed by John Hejduk, to resurrect and explore. It uses the program Enscape to walk through the building in order to preserve and distribute the experience of architecture that does not exist in built form. The video offers a timeline to contextualize the role of the house in John Hejduk’s career and work, an analysis of the building, and initial reactions to walking through the building for the first time. In particular, the One Half House was pivotal for thinking about how architectural volumes might relate in space without the ordering device of a grid or a wall. What magic and other lessons are lurking in the design, hidden until we could experience it?
The 17th Venice Architecture Biennale debuted last week, showcasing a diverse and inspiring array of possible answers to the question “How will we live together”. Despite the many hurdles inflicted by the pandemic, this year’s edition of the event broadens the scope and reach of the Biennale, restating its role as a platform for inquiry, exploration, and disruptive thinking in architecture. Archdaily had the opportunity to meet in Venice with one of the co-curators of the US Pavilion, architect, author, and University of Illinois professor Paul Andersen, to discuss the idea behind the Pavilion and how it reflects the overarching theme of the Biennale.
A vault is a constructive technique that is achieved by compressing the materials forming it together. While this technique has existed since the time of the ancient Romans, certain types of vaulted ceilings, such as the Catalan or Valencian timbral vault, only reached popularity in some areas of the world at the start of the 19th century thanks to their lost cost and ready availability. With the ability to span over 30 meters and add substantial height to structures, vaulted ceilings became a go-to for the construction of industrial spaces such as workshops, factories, and warehouses.
Martin Pederson interviewed this week Antonis Antoniou and Steven Heller, author of Decoding Manhattan, a new book that compiles over 250 architectural maps, diagrams, and graphics of the island of Manhattan in New York City, talking about the origin story of the book, the process of research, and the collaboration.
India is rethinking the future of housing through new typologies. Defined by historical and cultural influences, the country's contemporary architecture centers on discussions of how best to modernize. Built over millennia, India's housing projects are made to address diverse scales, programs and functions. Exploring a revitalized urban landscape, these modern housing projects have begun to set a new tone for the future.
The terms space and place are often used interchangeably, but they can mean different things depending on the context in which they are used. Placemaking shows that the creation of places transcends the material dimension and involves aspects such as sociability, uses, activities, access, connections, comfort, and image, to create bonds between people and a sense of place.
The massive new hub for lab research, by Behnisch Architekten, marks a new chapter of sustainable construction and campus planning. James McCown explores in his article originally published on Metropolis, Harvard's latest addition in the Boston campus, the new Science and Engineering Complex (SEC) designed by German-based firm Behnisch Architekten and centered on sustainability and well-being.
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CTO Lighting’s striking new family of lights, Pendulum, combines hand-blown glass, brass and marble. The collection is its first collaboration with the Paris-based designer Dan Yeffet. Image Courtesy of CTO Lighting
For its new Pendulum collection, CTO Lighting has teamed up with AD100 designer Dan Yeffet, for an Anglo-French collaboration that celebrates ‘a shared vision of materiality and pure form.’
After being shut down for more than a year, museums across the world are beginning to show signs of reopening. Most architecture and design events that were scheduled for 2020 have been pushed a year or two, depending on the severity of the pandemic in their respective regions. But while museums are open to the public once again, administrators have installed numerous precaution measures to ensure the safety of visitors and curators, and to avoid potential re-closures.
As international travels have been revived by government officials, and tourism is expected to recover gradually, read on to discover 18 museums and exhibitions that have begun welcoming visitors into their exhibition spaces as of May 2021, and the procedures required from the attendees before and during visitations.