As Antoine Picon describes in Architecture and the Virtual Towards a new Materiality? : "An architectural project is indeed a virtual object. It is all the more virtual that it anticipates not a single built realization but an entire range of them. …Whereas the architect used to manipulate static forms, he can now play with geometric flows. Surface and volumes topological deformations acquire a kind of evidence that traditional means of representation did not allow.”

This article was originally published on Common Edge.

While Stephen Zacks’ new book, G.H. Hovagimyan: Situationist Funhouse, is ostensibly about the life and work of the artist, there’s an intriguing and seemingly topical subtext looming in the background: the role of art and culture on the development and redevelopment of cities. It’s a complicated and sometimes fraught issue, prone sometimes to simplistic, even binary thinking. Zacks, a friend and former colleague at Metropolis, has always had a more nuanced view of the issue. Last week I reached out to him to talk about the work of Hovagimyan, the historic lessons of 1970s New York, and why “gentrification” needs a new name.

After the first years of launching their architectural practice, Ben van Berkel and Caroline Bos renamed their practice to UNStudio. Short for United Network Studio, the change of name stands symbolic to the knowledge based, networked nature of the firm, which has grown to expand to 6 offices worldwide today.

They say you only really become aware of whether an architect has considered the acoustics of a space when she or he hasn't. Think archly Instagrammable, yet I-can't-hear-my-dining-partner-speak restaurant interiors.

For the longest time, the management of sound was given little, if no, thought in formal architectural training. Things might be changing, but – and luckily for companies like Swiss-based Impact Acoustic – there is still a need for architecturally minded solutions-providers who like nothing better than reducing noise.

Snøhetta was founded on the United Nations 1987 Brundtland Commission’s three main pillars of sustainable development: economic growth, environmental protection, and social equality. Their highly value and purpose-driven operations has since then expanded to 330 employees in 7 studios all over the world, from hometown Oslo to Adelaide, HongKong, Paris and Innsbrück, as well as their sister studios in New York and San Fransisco.

San Diego is a city tied to the ocean. In turn, its architecture responds to a variety of cultural influences and natural conditions. Home to diverse and distinct architectural styles, San Diego has everything from Queen Anne Victorian homes and craftsman bungalows to Spanish colonial revival structures. Besides monumental works like the Salk Institute and Geisel Library, San Diego is also home to a range of contemporary cultural and residential projects.

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Textures can calm us, bring warmth or even guide us. They elicit our sense of touch and also affect us visually. This is because lights and shadows tend to form in relation to the irregularities and shapes that are present in some textures, which can in turn clearly differentiate these types of materials from other surfaces. For many, the idea of a space surrounded with white, smooth walls can be disturbing and monotonous. Embellishments such as paints, the inclusion of natural coatings or other elements can easily transform a space, emphasizing certain parts or creating new and attractive visuals. In interior design projects, textured walls have always been a popular way to add prominence to a space, either via the constructive system of building - such as brick or exposed concrete walls - or through different types of coatings that can be added later on.

The Power of Data is an exhibition created in a virtual building, conceived by three-dimensional geometries based on various artificial intelligence algorithms. The project was created by the OLA (Online Lab of Architecture) team of research architects formed by Jennifer Durand (Peru), Daniel Escobar (Colombia), Claudia Garcia (Spain), Giovanna Pillaca (Peru) and Jose Luis Vintimilla (Ecuador).

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How can Universal Design bridge the divides that have left many Americans stranded in their own communities? In its latest exhibition, Manhattan’s Center for Architecture calls for a “reset.” On view until September 3, Reset: Towards a New Commons, displays projects that “encourage new modes of living collaboratively” and “more holistic approaches to inclusion.”

Sometimes in this business called design, you just need one smart idea to set you off. A light-bulb moment, if you will. A product that does something novel and timely, offering customers something they didn’t know they needed, but most definitely now want. This, however, is just the start of a journey. Once the noise dies down, how does your hit item evolve into a rounded, sustainable business with impact beyond its initial revolution?

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In 2021, CRA-Carlo Ratti Associati’s proposal to create sustainable alternatives for urban heating networks was selected as one of four winners of the global Helsinki Energy Challenge. The project entitled Hot Heart proposed “island-like, floating seawater reservoirs to heat the city of Helsinki in a green way”. Using Twinmotion, Epic Games’ real-time visualization platform for the architecture industry to design the intervention, the large scale infrastructural project needed a digital representation tool to possibly put scale into perspective, offer a real immersive experience to engage the client, and exhibit instant changes related to natural factors such as daylight. Come SpaceForm, a data-driven virtual presentation and design tool. Created to facilitate remote cooperation, the technology allows clients or stakeholders to be more immersed in the story of the design.

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Since the early 2000s, it has been widely reported that the construction industry accounts for nearly 40% of the planet’s CO2 emissions. The role of interiors in that percentage has been historically underestimated, with common statistics suggesting that a project’s furniture, fixtures and equipment are only responsible for about 7 to 10% of its overall carbon footprint. However, new research notably indicates the contrary: in a building’s average life span, the carbon footprint of its interiors will equal – if not exceed – that of the structure and envelope. Interior design, to the surprise of many, has actually been doing great harm.

Architecture uses drawings as a form of communication. Whether to represent ideas, communicate spaces and their ambiences or even technically understand constructive issues, there are many types of drawings and tools used to make them. It is up to the architects to find, within their knowledge, preferences and goals, the best way to communicate. If, on the one hand, the work drawings are more technical, rigid and standardized, so that they can be used for constructive execution, those used to understand the project by the client are usually freer and have greater visual appeal. It is within this aesthetic freedom that we question: how far can we go with these representations without confusing people?

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Storytelling is undoubtedly one of the oldest informative tools; a universal language that has transcended generations and cultures, and has been adapted into different media such as video games, theater, and film. Regardless of how old the narratives are, the success of these adaptations relies heavily on production - the visual and audible elements - and their ability to allow viewers to fully immerse themselves in the storyline. In this article, we explore the magical and captivating world of Marvel Cinematic Universe, and how architecture played an important role in contributing to the movies’ notorious storylines. 

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As the second-largest architecture firm in the world, Perkins&Will, has a responsibility to put people at the center of their design practice as they impact millions of hours of human experience. The focus on sustainability, health and justice are a shared goal for design professionals.  

Let us return to the first architecture class on structures and the classification of structural efforts. In most structures, whether natural or man-made, compression forces are the primary actors. These are efforts undertaken with equal and opposing loads, applied in the interior of the structure, which tend towards the shortening of the piece in one direction - or compressing it, as the name indicates. It is not difficult to find examples of this: for example, a stone wall or a wooden log can resist the weight of a covering through internal compression efforts that are inherent to each material. Tension efforts, on the other hand, tend to lengthen components in the direction of the applied force of action. Steel, for example, is a material with good tensile strength. It is used in reinforced concrete precisely in the parts where the piece is in traction. But it is also possible for a structure to only have tensile parts, as is the case of membrane, tensioned, or tension structures, which consist of surfaces pulled by the action of cables or ropes in which the masts absorb compression efforts.

On March 31st, the Health and Nutrition Day is celebrated in Brazil, factors that are gaining more and more notoriety in the society in which we live. After more than two years living through the ups and downs of the Covid-19 pandemic and facing the evident need for a healthier, more active and community reality, it is important to reflect on how architecture and urbanism can become tools for accessing healthier daily lives.

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The Turba Tol Hol-Hol Tol Pavilion is a collective project led by curator Camila Marambio that proposes an experimental path towards the conservation and visibility of peatlands, a type of wetland considered to be the most efficient natural ecosystem for accumulating carbon in the atmosphere and yet one of the least researched.

Presented by the Ministry of Cultures, Arts and Heritage and the Ministry of Foreign Affairs of the Government of Chile at the 59th International Art Exhibition - La Biennale di Venezia, which will have its official opening on the 23rd of April, was a collaborative work between art, science and traditional knowledge, promoting research and ecological transition from the environmental humanities. In this sense, a diverse multidisciplinary team was brought together: sound artist, Ariel Bustamante; art historian, Carla Macchiavello; filmmaker, Dominga Sotomayor; and architect, Alfredo Thiermann.

In most countries around the world, value is placed on older buildings. There’s something about the history, originality, and charm of an older home that causes their value to sometimes be higher than newly constructed projects. But in Japan, the opposite is almost always the preference. Newly-built homes are the crux of a housing market where homes are almost never sold and the obsession with razing and rebuilding is as much a cultural thing as it is a safety concern, bringing 30-year-old homes to a valueless market.

Virtual reality has given architects alternative ways to work. Paired with real-time visualization software, it offers a robust tool with endless capabilities for your design workflow. It can help develop the design, address needs, and win over clients. Here are four key reasons why you need to implement VR into your design workflow.

Kitchens as we know them today have functionality as their main feature and for that their space was historically organized from an industrial logic. The development of home appliances and the precise definition of the layout guarantee a functional floor plan and the optimization of work in the kitchen. As part of this layout we find the worktops, horizontal half-height surfaces that have multiple uses and, therefore, many possible configurations.

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A new kind of architecture distinguished by unique regional characteristics emerged in the mid-1990s when in China, architects started practicing independently from government-run design institutes. The leading Chinese architects of this time succeeded collectively in producing a unique architectural body of work when so many buildings built around the world were no longer rooted in their place and culture.

In China Dialogues, Vladimir Belogolovsky charts a panorama of Chinese architecture through the words of its main participants, lifting the veil on a prolific new generation of designers, each sharing a highly intellectualized and conceptual understanding of architecture. Following the course of 21 interviews accompanied by over 120 photographs and drawings of beautifully executed projects uprooted throughout the country since the early 2000s, China Dialogues opens up the thinking process of the country's top architects, providing an insight into their ideas, intentions, and visions in unusually revealing and candid ways.

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Recruitment and talent retention is the number one most challenging issue for architecture firms, so in order to attract good talent that doesn't only fit your brand but also elevates it overtime, you have to invest in marketing efforts, sometimes thinking out of the box.

For the past couple of years, the metaverse has been gaining prominence, prompting architects to consider its implications for our relationship with the physical environment and how can architecture contribute to this new virtual space. Architecture in the metaverse is no longer a fringe subject, having been embraced by established firms. "The metaverse is where much of the architectural action and innovation will be happening in the coming period," says Patrick Schumacher. Unbound from restraints such as physics, material properties and construction costs, the metaverse unlocked a new realm of architectural expression. The following looks at some of the various ways the profession engages with the expanding field of digital environments.