Compact city refers to the urban model associated with a more densified occupation, with consequent overlapping of its uses (homes, shops and services) and promotion of the movement of pedestrians, cyclists and public transport users. Amsterdam and Copenhagen are known examples of such a model.
The glass-shatter sound effect has been a mainstay of classic comedy routines for a long time. Whenever a lightweight prop object flies off-screen or stage, it inevitably smashes through glass a beat later. Right now, it’s still amusing, if harmlessly ludicrous, but before long, the idea of a rogue schoolchild’s rogue football shattering through a neighbor’s window will be met only with query and disdain.
The term ‘Architect’ can be open to interpretation much like the reverence of an Artist. However, the universally recognized definition of the role is regarded as one who designs and plans buildings, a key member in terms of building construction. Architecture as a profession presents itself as a very diverse occupation. As an Art and Science in every sense, it offers insight into a vast range of subjects that can be applied to a range of different ventures.
Often Architecture students are offered with such a rigid path, constrained with these short-sighted ideas that an Architect must follow a particular direction to flourish in the field. When in fact it is interesting to note the vast opportunities that arise when given opportunity to diversify. Here are the Architects that have branched out and become successful fashion designers …
Canada suffers no shortage of flatiron buildings, with historic examples dotting the provinces from Toronto to Vancouver to Lacombe, Alberta, and beyond. Canada also enjoys its status as a hotbed of mass timber construction with Quebec serving as an epicenter of sorts for the movement. However, these two things—flatiron building design and the use of engineered wood products—have never yet been combined.
PARKROYAL COLLECTION Pickering, designed by WOHA and Tierra Design. Image Courtesy of WOHA
Singapore as of late is continually building its reputation as a City in Nature, with Singaporean design long having a strong consciousness to acknowledge that green spaces matter. Urban planners and architects alike have taken a conscientious decision to weave in nature throughout the city as it continues to uproot new buildings and developments, incorporating the implementation of plant life in any form, whether it be through green roofs, cascading vertical gardens, or verdant walls.
This article will explore the pioneering actions taking place in Singapore to create a more biodiverse city and nation, and how this provides a view of how other major cities can adopt similar initiatives over the next decade to provide a blueprint for the future.
Michael Sorkin used to regard criticism as "a service profession", highlighting the field's ability to shape public opinion and the direction of architecture at large. Intellectually expansive architecture criticism not only evaluates the merits and shortcomings of a project but reveals how buildings are situated in relation to history and theory and how they contribute to current economic, social and environmental dilemmas. The following explores the field of architecture criticism, highlighting some of its key figures while reflecting on how this role has changed with the emergence of digital media.
In a tour of the layout of Buenos Aires, around 500 passages are distributed throughout the city. Regardless of the neighbourhood in which they are located, they represent postcards of contemporary urban architecture with a tinge of improvisation. However, they bear witness to the organisation of Buenos Aires, which aspired to a checkerboard regularity.
On many occasions, it is difficult to tell the difference between the passage, the cut-off and the dead-end street, but they are all part of the urban space, that place of exchange, of encounter, of signs, symbols and words where people live, play and learn at the same time.
There is a group of young Chinese architects that define themselves in their own unique way and inform the public about the "new generation" of architects. They do not adhere to the definition and break the regulations. They think what they think and do in accordance with their beliefs. Besides from just being architects, they are also artists, painters, sculptors, and researchers. Identity is no longer unique among the new generation; the way they work is determined by what they pursue; and remaining on the route they choose will lead them to a new direction and a new life.
Few cultural events bring the world together like the Olympics. Today, athletes from around the world continue to participate in a variety of competitions after the covid-19 pandemic. The Olympic Games are considered the world's foremost sports competition with more than 200 nations participating. In turn, they bring to question the role of architecture and design in each host city's urban evolution.
CYO Metropolitan bathroom. Image Courtesy of Dornbracht
As cities become denser and the pandemic continues to shape living and working patterns, people have become well aware that the space they inhabit greatly influences their physical and mental well-being. As a result, the interior design of homes has focused on promoting sensitivity, comfort and calmness as a way of escaping the uncertain outside world. As a safe space where we practically start and end each day, the modern bathroom has also adapted accordingly, taking on a key role as an environment dedicated to relaxation and self-care. Hence, what used to be a purely functional zone is now perceived as an energizing personal retreat and flexible living space that can even adopt other functions – from a gym to a private spa.
During their university years, architects acquire a wide range of skills apart from learning to design buildings. Some of these include creative problem solving, project management, high attention to detail, coordinating teams and accurately responding to consumer needs. Therefore, a degree often provides the necessary tools to design at any scale – from urban to product design – and to explore other creative fields, such as art, photography, journalism or industrial design. Of the many possibilities that open up, it is especially common for many to make the leap towards furniture design, particularly chair design, instead of following the traditional route.
Metropolitans take pride in their storied cultural venues, the chroniclers of intellectual acumen and architectural achievement. While these icons revel in their ornate design, immersive grandiosity, and dramatic acoustics, the pandemic has introduced numerous challenges to the rules of assembly.
Recognizing changes in the rituals of attending a show—from procession and gathering to engagement—architects and cultural leaders are designing the next generation of performance venues while asking the question: How does architecture solve issues raised by a building’s inherent purpose? Is it possible to maintain the essence of a venue through gentle yet effective changes in people’s habits? The answers seem to rely on updating the auditorium culture (which dates as far back as the Colosseum) with contemporary design solutions rooted in new technologies.
https://www.archdaily.com/976581/what-will-post-pandemic-performance-venues-look-likeOsman Can Yerebakan
Broadly speaking, the performing arts are all those disciplines that take place on a stage, although the main ones are dance, theatre and music. However, parades, religious processions, holiday celebrations and carnivals also have a clear scenic quality. That is why the stage space is so important not only for the presentations of these disciplines but also for carrying out a whole bodily and spatial process that is supported by the architecture.
It is fascinating to think how Scandinavia - such a small geographic region - has had such a strong influence on design, starting in the middle of the 20th century and continuing into the present day, globally. Scandinavian design is known for combining simplicity, craftsmanship, elegant functionality and quality materials. Sophistication is present in its details and its furniture is characterized by well-studied dimensions, economy of materials and the lack of information overload. In fact, there is even a Danish and Swedish term that defines this philosophy: “hygge” refers to the coziness that provides a feeling of well being and contentment. But how can we incorporate some lessons from Scandinavian design so that our interior projects can become more cozy and comfortable?
The elaboration of an architectural project is a complex process that involves different scales, from structure to small refinements, such as the choice of coatings, paint colors, baseboards, metals, ware and, of course, lighting.
In addition to the issues of power and shade of lamps, the design of the luminaires is also essential in the project process. It can contribute to the appreciation of spaces and the comfort of the inhabitants.
Following decades of ongoing socio-cultural and economic crises across the globe, the design community has realized that it is time to “design like they give a damn”. And with that, they embraced a movement that saw architects and designers use their acquired skills to develop design-based solutions to humanitarian crises, ranging from building modular housing and mapping landscapes, to developing mobile applications and documentaries, all from an altruistic standpoint. But since pro bono work is not yet ingrained in the ethos of architecture, how have architects broken out of the traditional model of “corporate” architecture and established a way to ensure ethical responsibility for human welfare?
The TV is one of the main elements that make up the living room, especially in most Brazilian homes, where the living room is the place both for receiving visitors and for enjoying rest and leisure. However, it is not always easy to position this equipment, which varies so much in size and especially to combine it with the rest of the space.
Space partitioning can often be dismissed as a bland, acoustic-only solution. But projects show how space can be artfully divided while adding color, character, and personality.
All aspects of society today are becoming increasingly more digital. Our interconnectedness and speed at which we are able to search and transfer information have made us more accustomed to exploring new ways that technology can impact our lives. Over the last few years, the rise of bitcoin, blockchain, and now the metaverse, has caused architects and designers to reconsider the notion of physical and virtual space. But beyond that, there’s an “in-between” of spaces that will be designed to support the technological escapism that the metaverse and web3 offer. While these virtual worlds are on the frontier of the digitization of everything, architects will play a huge part in designing the real-world physical spaces that can support them.
Many believe that lighting is of little importance beyond its aesthetic function, considering primarily the appearance of light fixtures and ensuring only that they produce at least an adequate amount of light. However, there is a strong consensus among architects that good lighting design can vastly improve the comfort of interior spaces, adding an enormous aesthetic, functional, and environmental value. In addition, the choice of lighting system may contribute to improved efficiency and sustainability within the building as a whole.
As for the needs of children, it is essential to pay attention to the quantity, quality, and type of lamp for every different environment, whether it be a space to sleep, play, or learn. Below, we delineate more specific considerations.
Modernist House - From Aya: Life in Yop City by Marguerite Abouet and Clément Oubrerie, translated by Helge Dasche. Image Courtesy of Drawn & Quarterly
The comic strip, la bande dessinée, the graphic novel. These are all part of a medium with an intrinsic connection to architectural storytelling. It’s a medium that has long been used to fantasise and speculate on possible architectural futures, or in a less spectacular context, used as a device to simply show the perspectival journey through an architectural project. When the comic strip meshes fiction with architectural imagination, however, it’s not only the speculation on future architectural scenarios that takes place. It’s also the recording and the critiquing of the urban conditions of either our contemporary cities or the cities of the past.
The new design for Foster + Partners’ Two World Trade Center tower builds in the footprint of its original design, but has scrapped a fractal diamond crown for staggered volumes and green roofs. The tallest roof will reach about 1,350 feet. . Image Courtesy of Visualhouse
Is the third time truly the charm for Two World Trade Center? New renderings spotted by New York YIMBY on February 1 seem to reveal the long-delayed tower’s new look, a marked departure from what was first unveiled by Foster + Partners back in 2005.
That’s not too much of a surprise. Although Foster + Partners was awarded the project 17 years ago and the foundation was laid in 2013, work has been proceeding at a slow clip and the original team was replaced by BIG in 2015 after developer Silverstein Properties decided to take a more contemporary approach and position the tower as the future home of Rupert Murdoch’s News Corporation and 21st Century Fox.
For many design teams, logging into multiple applications a day to access BIM information is the norm. Yet the information contained in each of these applications tends to be siloed, making it difficult for project teams to make informed decisions, collaborate, and share information.