Vectorworks Architect is well-known for its BIM capabilities, allowing firms around the world to maintain the integrity of their internal design and documentation strategies with an all-in-one solution. The ability to collaborate between firms and share files with ease lets users shift their focus to their designs and all but forget the stress of document sharing. This was the case for Idle Architecture, a Melbourne-based firm that got into Big BIM completely by accident.
The Corviale housing complex, located in the south-western periphery of Rome, was designed in the 1970s as a solution to the growing number of dormitory districts in the Roman suburbs, caused by the significant population increase between the 1950s and 1970s - when the population grew from approximately 1.6 million to 2.7 million inhabitants - followed by suburban sprawl.
The project, also known as Serpentone because of its huge proportions, was developed by a team of architects under the leadership of Mario Fiorentino between 1972 and 1974. Construction took place between 1973 and 1982, but the original plan to use the fourth floor of the main building for commercial uses, services, and common areas, was dropped because the contractor went bankrupt. The floor was eventually taken over by informal settlements, and this event is considered to be the root of the problems with this emblematic project in the history of housing in Italy.
The Advanced Master[1] “Design by Data” in Computation Design & Robotics for Architecture and Construction was launched in 2016 and is one of the latest programs in innovative professional education at l'École des Ponts ParisTech. The program was designed to meet the increasing need of the professional sectors of architecture and engineering for combining architectural awareness and skills in creative engineering. Design by Data trains professionals to master advanced design tools (coding, generative design, machine learning) as well as digital manufacturing and design processes (robotics, 3D printing, and mechatronics) applied to architectural and construction projects.
The building rises from a rock face jutting up from the ocean at Skutvik in Nordland, Norway. Steni Vision façade panels give the Arctic Salmon Center a unique and notable appearance. “It has been unbelievably exciting to work with such a special building in such a special place. This is a quite extraordinary building, that has been greeted with astonishment by my colleagues,” comments architect Peter W. Söderman at Norconsult AS. “We chose Vision panels from Steni due to the printing possibilities – we could project an exciting and quite subtle print onto a large surface." The client wanted to have an expressive building that reflected their purpose as an experience center for the fishing industry.
Around the world, a new generation of architects are challenging “business-as-usual” and bringing change to populations who had formerly no access to their professional services. This article is the first in a series to introduce this new practice that brings transactional client relations into more profound, trust-based collaborations. We call it Do-It-Together architecture.
Home automation has long been associated with high costs, a burdening assembly time, and a cumbersome process that impelled us to discard the idea of automating projects. However, these days are long gone.
With lower costs and easier assembly, today, developing a new project without home automation seems somewhat absurd. Below, with the help of AVE Chile, we've compiled a series of tips to help you incorporate domotics into your next project.
“There seems to be a public image of any given city which is the overlap of many individual images," American urban planner Kevin Lynch once said. "Or perhaps there is a series of public images, each held by some significant number of citizens,” he added.
Following this remark, in his book "The Image of the City" (1960), Lynch begins an analysis around the elements that constitute what he considers to be the image of the city. While introducing, describing, and illustrating these elements as physical, perceptible objects, Lynch considers that other non-physical factors such as history, function, or even the name of the city also play a significant role in the construction of this imageability.
“Change drives innovation. We must continually evolve into what a successful workplace looks like,” said Nicole Senior, director of workplace experience, Tinder. Change, innovation and human connection were topics of prominence in a December 17 Think Tank, hosted by Rapt Studio, and titled “Looking Back, Looking Forward: Workforce Lessons for 2021.”
Do you feel vulnerable as you walk through public spaces? If you are a woman, the odds of answering yes to this question are certainly greater since men are less likely to choose a longer route only to avoid a dark section of the street, or to ponder on what clothes to wear so that they do not feel exposed in public. In this sense, it seems almost obvious that cities designed by men should be perceived as threatening environments, rather than a place where women feel welcome. So, to imagine egalitarian cities, should we persist in a reflection of a gender-oriented approach?
Geometry is a language and a portal that allows objects to pass between the physical world and the world of drawing, abstraction, and language. How does stepping through this portal leave an imprint on the buildings we design and build? Architects and theorists like Vitruvius, Alberti, and Le Corbusier all believed that geometry was an important key to architecture’s understanding and design. Is that as true today as it was then? The tools of the architect have changed, has their relationship to geometry changed as well? In this video, we explore why and how geometry is so important to architecture as well as some different approaches to the use and expression of its most indelible principles.
You might be surprised by this, but the days of shopping in stores are long from over-, in fact, they’re experiencing a renaissance, and are creating a whole new type of design and experience to bring consumers back through the doors. The rise of e-commerce and the pause caused by the COVID-19 pandemic have served as a perfect catalyst for creating a whole new type of experience through unique design features, technological advancements, and customization that will revitalize physical stores in the future.
This article was originally published on Common Edge.
From the hills behind the City Hall in my adopted hometown of Ventura, California, it’s less than 1,000 yards southward to the Pacific Ocean. This constrained piece of topography creates a small urban gem of a downtown: streetscapes, restaurants, stores, offices, residences, parking garages, and a beachfront promenade, all within eight or so square blocks, creating a lively streetlife that connects a historic downtown to the beach.
.jpg?1611548432 "Santa Fe, Mexico City. Image © Johny Miller")
_22.43.53_(1).jpg?1611548822 "Mexico City During the COVID-19 Pandemic. Image © Santiago Arau")
When looking at the population of the world's metropolises, in this case Mexico City, the reality is that the majority of the people living there have migrated from other regions of the country and, sometimes, from other countries as well. Of course, thanks to the Covid-19 pandemic, companies and schools have gone virtual, and, with their work and studies no longer tied to urban centers, people have left in masse for the coast and other less populated areas in search of space and lower living costs.
Looking at the urban environment, this week’s curated selection of the Best Unbuilt Architecture highlights interventions in public spaces, submitted by the ArchDaily Community. Suitable for this monthly topic, the article underlines worldwide approaches that tackle the challenges of these areas through the introduction of innovative solutions.
Exploring a multitude of methods fitting for different contexts, this feature presents a tactical urban strategy implemented in a neighborhood in Kosovo and micro-mobility measures in Italy. Other projects evoke public approaches in private developments and enhanced historical and cultural connections between parks, buildings, and cities. In addition, this roundup showcases conceptual interventions that tackle social distancing and the challenges of the pandemic, in order to allow people to move freely and safely across space.
In Her, a 2013 film directed by Spike Jonze, a lonely writer develops a love affair with the virtual assistant of an operating system. Brave New World, a book written in 1932 by the English author Aldous Huxley, fabricates a dystopian society whose cult of efficiency and rationality creates a humanity that ignores hardship and pain but also represses love and freedom. In Mary Shelley's 1818 book Frankenstein, considered the first science fiction novel, a life is artificially created, producing a monster with human characteristics: wills, wishes, and fears. Whether describing the fear of artificial intelligence, the uncertainty produced by industrialization, or the limits of science, science fiction works reveal less about the future and much more about the moment in which they were created; they speak of the fears and hopes of their own time.
When we explore urban visions of the past anticipating the future, it is common to find exaggerated and even funny predictions. As for the promises of architecture and, consequently, of our cities, it is not an easy task to predict future developments clearly either. By looking at industry trends and using all of our imaginations, could we tell what cities will be like in tens or hundreds of years? Their materials, their appearance, their way of building and thinking? Will it be a more pristine and minimalist future or a more organic and complex future? How will new technologies and building materials affect the shape, aesthetics, and prosperity of the cities of tomorrow?
The principles of bio-climatic architecture, when applied with an understanding of the surrounding climate and geography, can simultaneously increase a building's efficiency and create a more comfortable living space. Passive measures like solar panels, rainwater and grey water harvesting, openings for natural light, and cross-ventilation are all low-cost, high yield methods of increasing a home's thermal comfort and efficiency and decreasing its carbon footprint.
Are machines capable of design? Though a persistent question, it is one that increasingly accompanies discussions on architecture and the future of artificial intelligence. But what exactly is AI today? As we discover more about machine learning and generative design, we begin to see that these forms of "intelligence" extend beyond repetitive tasks and simulated operations. They've come to encompass cultural production, and in turn, design itself.
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(%C2%A9minorormajor).jpg?1612954566 "Oasis-Playground. Image Courtesy of Studio Minorormajor")
