Exactly a year ago, on August 4, 2020, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of Beirut, ripping through the port and the eastern part of the capital. One of the biggest urban tragedies of modern times, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over 80,000 commercial, residential and public spaces. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around US$15 billion in property damage, in times of Covid, political and social unrest, and economic collapse.
One year later, so little has changed. One year later, it only became harder for the people of Beirut. One year later, everything in the city still reminds them of that day. Major questions remained unanswered, no rescue or action plans have been taken by governmental institutions, instead, civil society rose to take into their own hands, reconstruction efforts, in the total absence of the state.
"I felt like I was Nino Rota and Oscar Niemeyer was Fellini, it was like I was creating an important piece of music in that work of art." Renowned visual artist Athos Bulcão uses this comparison between the Italian composer and the film director to refer to the relationship between his work with ceramic tiles and architecture. This fusion between art and architecture marked an important period in the history of Brazil, shedding light on issues such as national identity, the massification of art, and architectural techniques aimed at the tropical climate.
Often, when people think of buildings, they default to imagining rectangular structures—or at the very least, structures with orthogonal floor plans and hard angles, certainly not buildings with circular plans. The rarity of the circular plan comes in part from the fact that poor design choices can lead to wasted space and awkward interior arrangements, especially if furniture and appliances are rectangular in shape. However, strongly designed circular planes can have a dramatic effect, generating extraordinary spatial configurations that meet a variety of aesthetic and functional needs, while challenging the material specification process. Below, we list 18 buildings with circular plans, considering their varying strategies of design.
https://www.archdaily.com/966202/how-to-properly-design-circular-plansLilly Cao
People have fundamental needs that must be met in order to survive, which include: oxygen, water, food, sleep, and shelter. They also have secondary requirements, one of which is daylight. When thinking about how buildings can keep people healthy, it is important to remember that daylighting is essential to wellness, in fact, human circadian rhythms are dependent on it.
International School. Image Courtesy of CUBE Consultants
This week’s curated selection of Best Unbuilt Architecture highlights educational architecture submitted by the ArchDaily community. From preschools to higher education institutes, this article explores how architects shifted towards fostering individual creativity, critical thinking, and exploration, and presents projects submitted to us from all over the world.
Featuring a secluded kindergarten in the Icelandic mountains, a vibrantly-colored playschool in the industrial city of Shenzhen, and a Florentine high school with a flow of natural sunlight, this round-up explores how architects prioritize student well being and comfort in spaces that promote productivity, learning, and creativity. The selection also includes preschools, high schools, and academies in France, United States, Egypt, Kazakhstan, and Israel.
In May, aec+tech hosted an event on Clubhouse discussing how architects are using generative design in architecture firms today and towards the future. Five guest speakers from reputable architecture and tech start-ups —Zaha Hadid Architects, BIG, Outer Labs, 7fold, and RK Architects— joined the session to share their experiences and insights.
Four emerging architecture studio profiles from Switzerland, Germany, and Spain have been chosen by New Generations, a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 500 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video interviews, workshops, and experimental formats.
Rumor had it that behind the walls of historic subway station Cal y Canto in Santiago de Chile, a hidden ghost station would eventually link to Line 3—a planned route that was part of the original Metro master plan designed in the 60s. Its construction would have been shelved after the magnitude-7.8 1985 earthquake that forced public resources to be redirected for the reconstruction of the Chilean central valley.
34 years later, the Cal y Canto Metro station finally opened its connection with Line 3, the most recent addition to the rapid transit system, thus becoming the seventh line of Santiago after lines 1, 2, 4, 4A, 5, and 6.
Recent extreme weather events and the acceleration of climate change, paired with decarbonization efforts that are not on track, make climate-related disruption unavoidable for urban environments, raising the issue of climate-risk adaptation. Moving past what can be done to prevent climate change, there is a strong imperative to develop strategies to prepare urban environments to cope with inevitable challenges such as sea-level rise, floods, water scarcity or extreme heat. The following discusses how cities can build resilience and adapt to undergoing and expected future climate threats.
The Hilda L. Solis Care First Village (HSCFV), a large-scale interim housing project providing a wide range of amenities for both the unhoused and those in transition, recently opened in Downtown Los Angeles.
When we think of migration, we think of movement. We think of the movement of people simply looking for greener pastures – a better life for themselves. But we also think of war, of conflict, of an unstable situation in a specific place forcing the hand of a location’s residents to seek safety elsewhere. Historically and into present day, war has been the reason for the increased presence of refugees. Instability in places such as Syria, Iraq, or the Central African Republic have caused millions to flee their homes. Lurking amongst this migration due to conflict, however, is the migration of people at mercy of the changing environmental conditions of the Earth – climate migration.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina discuss the different reasons for hiring an architect and establishing a good client-architect relationship: The pros and cons of hiring an interior designer or contractor instead of an architect, design-build services, the difference between drafting and designing, whether or not a licensed architect is needed for certain projects, common fee structures, finding the right architect and what to look for in an architect, why the client and architect relationship is important to the project, and common problems that occur when the right architect is not hired and tips for avoiding them.
https://www.archdaily.com/965936/the-second-studio-podcast-on-why-hire-an-architectThe Second Studio Podcast
The Resor House was a hugely pivotal project for Mies van der Rohe, in both his life, and his career. It was his first commission in the United States and prior to landing in Chicago, he lived for two months on the site of the house near Jackson Hole, Wyoming. Its design was unique for Mies in its rural landscape setting and material choices, mainly its wood-clad exterior and interior. While it was never constructed due to cost overruns, the design documents and working models were collected by MoMA in NY, where the client, Helen Resor was on the Board of Directors. This video traces a digital reconstruction of the house — using those archival documents — to serve as the subject of an in-depth tour and analysis. What sorts of discoveries are to be found inside this unbuilt masterpiece?
Architecture is perhaps the most expressive forms of culture, representing the zeitgeist of a particular location, and telling the story of how it evolved over time. It allows visitors to transport themselves back in history to understand the influences that shaped the world we once lived in. Baroque architecture, in particular, was one of the most ornamental and decorative architectural styles. Translating to “curious or strange” in French, it was once used as a derogatory word, meaning noisy, eccentric, and excessive- and Baroque architecture was truly just that.
Plan B Guatemala / DEOC Arquitectos. Image Cortesía de DEOC Arquitectos
"Here in the tropics, it's the shade not the stove that refreshes and brings people together," says Bruno Stagno about tropical architecture.
Guatemala ha estado construyendo su sombra a lo largo de los años. Nos encontramos con 3 ejemplos que proponen interesantes respuestas a este clima. Proyectos que materializan tanto grandes cubiertas con pendientes para dar sombra y evacuar el agua de lluvia con rapidez, como fachadas perforadas que permiten el ingreso de la brisa y la ventilación interior.
Jeffry Burchard explores in his essay the "opportunity found by extending the life and purpose of viable existing buildings", that have shaped our cities. Arguing that "we have an abundant supply of buildings", the author proposes four essential steps to transform existing buildings.
How materials move shapes both architecture and how we design. While architects often consider both material sourcing and manufacturing, the physical products and assemblies themselves also move and adapt as they cross geographic and national lines. How materials migrate, and in turn design ideas themselves, tells a story of architecture that transcends construction and climate, as well as borders both real and imagined.
By defining sexuality as one of several sexual technologies, Michel Foucault has expanded our understanding of sex. This way, the relationship between architecture and the body is shaped not only by the built object, with its various spatial mechanisms for the production of bodies, but also by thinking, in the form of academic discourse. And vice versa, since gender and sexuality also impact architectural theory. One way or another, these relationships are very rich and capable of expanding our knowledge about architecture and the creation of generic sexed bodies.
