Budapest-based art program Hello Wood has put out an open call for Project Village, their 2015 workshop and symposium to be held between July 11 and July 19. This year’s event follows the success of Hello Wood’s workshop in the summer of 2014, which saw participation from over 120 architects, artists and designers from 25 countries.
Co-curated by Johanna Muszbek of Diller Scofidio + Renfro, the 2015 event will again use all-timber projects to explore the interplay of art and social commitment. Project Village will examine the typology of the village and the means for its production, proposing new and more efficient methods of masterplanning and construction. Hello Wood is currently accepting applications for workshop leaders, with successful applicants to join a team including Piers Taylor, Katsuya Fukushima of FT Architects, and the founders of 72 Hour Urban Action. Applications close April 15. Learn more about the program and how to participate here.
Largely overlooked in the development of Modernism, timber architecture is making a comeback in the 21st century with the success of designers such as last year’s Pritzker Prize winner Shigeru Ban, and the push toward timber towers from large influential firms such as SOM. In the following extract, author Joseph Mayo introduces his new book, “Solid Wood: Case Studies in Mass Timber Architecture, Technology and Design,” which examines the rise of mass timber design through historical analysis and contemporary case studies.
Few books have addressed the use of wood in large, non-residential buildings. While light frame construction and residential resources are common, little has been written about the use of wood in taller, urban, commercial and institutional buildings. Solid Wood presents a survey of new timber architecture around the world to reveal this construction type’s unique appeal and potential. Not surprisingly, enthusiasm for solid wood architecture (also known as mass timber architecture) and engineering is now growing rapidly among a new generation of architects and designers.
Among the changes in material technology that are constantly altering the architectural landscape, one of the most popular – and most dramatic – is the idea of the timber skyscraper. And with vocal advocates like Benton Johnson of SOM and Michael Green leading the discussion with projects like the Timber Tower Research Project, the wooden highrise is on the verge of becoming a mainstream approach.
To further the conversation in the USA, the US Department of Agriculture, working in partnership with Softwood Lumber Board (SLB) and Binational Softwood Lumber Council (BSLC), has recently launched the Tall Wood Building Prize Competition, an ideas competition with a $2 million prize. To find out more about tall wood buildings, we caught up with Oscar Faoro, Project Manager of the competition. Read on after the Break for our interview and more details on how to enter.
UPDATE: Submissions are now closed. We will contact the winner in the week.
Next month, the annual Greenbuild International Conference and Expo is coming to the Big Easy for three days of speakers and educational workshops that discuss sustainable architecture. If you haven’t booked your ticket already, here is a chance to attend the event free of charge!
reThink Wood is offering a full pre-paid pass to Greenbuild this year ($700 value) to one lucky ArchDaily reader. The winner will also be able to meet with architects on-site that are passionate about the green movement and reducing the environmental impact of buildings through innovative design with wood.
To win, just answer the following question in the comments section before September 26 12:00PM EST: ”Which architecture firm(s) are doing the most innovative green designs with wood today?”
Wood. The United States is the largest producer of the natural resource in the world. But yet we rarely see it in commercial, high-rise construction. So we asked a wood expert – Rebecca Holt at Perkins+Will, an analyst for reThink Wood‘s recent Tall Wood Survey – to tell us about its potential benefits.
AD: Why is wood a material architects should use in taller buildings?
There are lots of reasons to consider wood – first it has a lower environmental impact than other traditional choices like concrete and steel. Wood is the only major building material that is made the by sun and is completely renewable.
UPDATE: Submissions are now closed. We will contact the winner in the week.
Next month, the AIA National Convention is coming to Chicago – bringing together the best and brightest building professionals to network, and learn about growing trends in the architecture industry. If you haven’t booked your ticket already, here is a chance to attend the event free of charge!
reThink Wood is offering a full pre-paid pass to the AIA National Convention ($945 value) to one lucky ArchDaily reader. The winner will also be able to meet with architects on site that are passionate about innovative design with wood in mid-rise, and even high-rise projects.
To win, just answer the following question in the comments section before May 21 12:00PM EST: What architect(s) are doing the most interesting work with wood today?
More on reThink Wood at the AIA, after the break.
While interest in tall timber buildings continues to grow, there still remains one obvious concern: combustibility. So how safe are timber structures really? Arup Connect spoke with Robert Gerard, a fire engineer in Arup’s San Francisco office, to find out how high-rise wood buildings take fire safety into account.
New Zealand has appointed Auckland architect David Mitchell to serve as creative director and lead the country’s first participation at the 2014 Venice Biennale. Bridging from Rem Koolhaas’ theme, “Fundamentals”, Mitchell plans to exhibit New Zealand’s tradition of pacific-style architecture and light timber construction through a series of models.
“We’re going to show off some of the most unsung architecture in the world, our Pacific architecture,” described Mitchell. “It’s an architecture made out of poles, beams and panels and not out of heaps of rocks, bricks and tiles.”
Although known for their iconic skyscrapers of glass and steel, SOM has begun to redefine our idea of the high-rise by pushing for wood as an alternative material for tall buildings. Not only could it help solve the worldwide problem of housing for those who are or will live in cities, but wooden skyscrapers could also address climate change by reducing a building’s carbon footprint. Click here to read about the structural system that SOM has come up with and don’t check out our previous coverage on the equally fascinating Timber Tower Research Project!
The US Green Building Council’s federally adopted LEED certification system has come under legislative siege with lobbyists from the timber, plastics and chemical industries crying out, “monopoly!” Mississippi, Georgia and Alabama have lead efforts to ban LEED, claiming the USGBC’s closed-door approach and narrow-minded material interests have shut out stakeholders in various industries that could otherwise aid in the sustainable construction of environmentally-sensitive buildings.
Most recently, Senator Roger Wicker of Mississippi, slipped in a last minute amendment to both the Housing and Urban Development and Department of Transportation appropriation bills stating no tax money may be used to require implementation of any green building certification system other than a system that:
SOM has come up with a structural system for skyscrapers that uses mass timber as the main structural material and minimizes the embodied carbon footprint of the building. The firm believes that their proposal is technically feasible from the standpoint of structural engineering, architecture, interior layouts, and building services and would revolutionize the traditional skyscraper as we know it.
Read on to learn more about The Timber Tower Research Project.
Have you ever wanted to create delicate, complex shapes from plywood, but can’t because it’s too stiff and unforgiving? Well all that might soon change, thanks to Milan-based design studio MammaFotogramma. They have created a type of flexible, ‘Woodskin‘ triangular tiles of Russian plywood.
Read more about Woodskin after the break…
Designed by the Kubala Washatko Architects of Cedarburg, Wisconsin, the Iron Horse Hotel is an upscale boutique hotel that caters to motorcycle enthusiasts and travelers. The 100,000sf project was completed in 2008 as a refurbishment to an existing factory — more images and architect description after the break.
Architects: Sarah Wigglesworth Architects
Locaiton: Wakefield, England
Planning Supervisor: Nps North East
Main Contractor: Allenbuild North East
Structural Engineer: Techniker
Client: Wakefield Metropolitan District Council and NPS North East
Project Year: 2010
Project Area: 1,740 sqm
Photographs: Mark Hadden Photography