From the publisher: January 2016 issue of a+u is a special issue focused on the drawing collection of Swedish architect Sigurd Lewerentz (1885–1975).
Working with the guest editor Wilfried Wang, Professor at the University of Texas at Austin, who conducted an extensive research at the Lewerentz archive of the Swedish Center for Architecture and Design, this 200-page special issue gives a comprehensive view on two of the architect's earlier works: Malmö Eastern Cemetery (1916–1969) and Social Security Institute (1928–1932).
February 2016 issue will feature Lewerentz's later works: Villa Edstrand and St. Petri Church. We hope our readers will enjoy the rich collection of rare drawings by one of the most important architects of 20th century.
Ian Martin is an Emmy award-winning comedy writer who has been part of the architectural writing establishment since, it feels, time immemorial (which, in this case, is 1990). His satirical column in the British weekly Architects' Journal provides a spread that every reader looks forward to and now, after accumulating over a quarter of a century's writing, is crowdfunding to compile a compendium entitled Epic Space.
It's no secret that architects have an affinity for books. Architects' libraries are often filled with a rich collection of architecture classics and inspiration that has been accumulated over the years, starting with their first year of architecture school. Thus, we have decided to expand our yearly gift guide selections to include some of the most impressive, newly published books that any architect could appreciate.
"Dear Architecture," writes Craig L. Wilkins, "I’ve been wondering why you don’t speak to me. Is it because you don’t see me? Are you ignoring me? Maybe it’s because you really don’t care for me; but whatever it is, you sure don’t. Speak, that is. At least, not to me." In his winning entry to 'Dear Architecture', a competition initiated by Blank Space (of Fairytale fame), Wilkins describes misgivings through the lens of a disenfranchised city dweller, illustrating a missed connection felt by one resident towards his surroundings.
Tomorrow the Kickstarter campaign launched by the Real Estate Architecture Laboratory (REAL), which surpassed its funding target earlier this month, will come to an end. The Real Review, an independent bi-monthly magazine led by Jack Self and Shumi Bose which intends to "revive the review as a writing form" to a general readership within the architectural sphere, is slated for launch in early 2016. In an interview with ArchDaily, the editors stated that "the original crowdfunding target of $24,994 (or £15,990) was set at the [basic] cost of print." Having since surpassed their first goal by almost £10,000 to date, every new donation or subscription adds to the financial feasibility and longevity of the project. Following the announcement that Self, Bose and Finn Williams will be curating the British Pavilion at the 2016 Venice Biennale, a new reward was added to their campaign.
"From his first conceptual, colorful phase, Koolhaas has traveled through dirty realism, enlightened deconstructivism and commercial pragmatism, grafting Leonidov on Le Corbusier, hybridizing mambo fifties with dry sixties, and joining programmatic diagrams with sculptural volumes to end in the realm of heritage and history, ecology and sustainability, elements and the discipline." - Luis Fernández-Galiano
The Real Estate Architecture Laboratory (REAL) have today announced a Kickstarter campaign in preparation for the launch of their flagship publication, the Real Review. Produced by an independent team of editors and designers, this bi-monthly magazine intends to "revive the review as a writing form" to a general readership within the architectural sphere and its orbital subjects.
From the publisher. From structural design to interior fit-out: Assessing and improving the environmental impact of buildings
What makes building materials sustainable? How to reduce the amount of embodied energy in building constructions? And how does a Life Cycle Analysis work? These are questions which are becoming increasingly more common in the context of sustainable construction.
From the publisher. Visual spatial effects and communication
Colour in the past, present and future
Colours affect people, induce emotions and often evoke memories, which is why not only artists but also scientists, psychologists, planners, and writers are all preoccupied with colour. Choosing colour is a very demanding task for architects, one that can have an enormous impact if it is carried out professionally.
The monograph is a popular platform for dissemination and debate in the art and design world, yet architectural monographs are often treated with suspicion – viewed more as a self-serving PR exercise. But do monographs actually have a more substantive role within the practice of architecture? This was the backdrop for a discussion entitled ‘Why a Monograph?’ held at Waterstones Piccadilly as part of this year’s London Festival of Architecture. The participants included Jay Merrick, architecture correspondent of The Independent; Simon Henley of Henley Halebrown Rorrison (HHbR); David Grandorge, architectural photographer and Senior Lecturer at London’s CASS; and Ros Diamond of Diamond Architects. The session was chaired by ArchDaily Editor James Taylor-Foster.
It's common to find an architectural monograph (or three) on an architect's bookshelf. Within the pages of these large, heavy, often expensive tomes lie a formalised portfolio of a studio's professional output, interspersed by essays penned by influential writers, thinkers or practitioners. They are sources of both information and inspiration, bringing architecture from around the world into your personal field of vision.
Recent years have seen a vast number of these types of books published on architects and their practices, begging the question: Why a Monograph? Are they simply part and parcel of a studio's creative process, or necessary tools for communication with the wider world? Perhaps more interestingly, what role does the recording of work in this way have for architects in enabling them to take stock and move forward? It will seek to examine how the print monograph has become a staple tool for self-promotion, reflection, and criticism in a world which is leaning towards a gradual digitisation of the discourse.
http://www.archdaily.com/632117/why-has-the-monograph-become-a-default-in-architectural-publishingAD Editorial Team
The Society of Architectural Historians (SAH) have announced the winners of the 2015 Publication Awards in Chicago, as part of their 68th Annual International Conference Awards ceremony. David Brownlee, Keith Morgan, Pauline Saliga, and Stanley Tigerman were also inducted as Fellows of the Society of Architectural Historians for their "lifelong contributions to the field of architectural history."
Awarded annually, the SAH Publication awards honor excellence in "architectural history, landscape history, and historic preservation scholarship," alongside outstanding architectural exhibition catalogs. Eligible publications must have been published in the two years immediately preceding the award, with nominations for the 2016 Publication Awards opening on June 1.
Learn more about the winning publications after the break.
Self-described as "a periodical of architectural stories that [makes] a mess of the built environment and the politics of space," SOILED zine's 5th issue has been released, abounding with tales of the aerial. Entitled Cloudscrapers, the issue is the second in a series of limited-edition, locally produced publications by CARTOGRAM Architecture.
The Avery Review(AR), a new online journal dedicated to thinking about books, buildings and other architectural media, seeks to utilise the potential in the critical essay and repackage it for the digital realm. A project of the Office of Publications at Columbia University's Graduate School of Architecture, Planning and Preservation, the AR's responsive website (designed by Nothing in Common) perfectly matches the exceptional quality of the content. Featuring essays from Owen Hatherley and Amale Andraos, among others, the overarching aim of the review is to "explore the broader implications of a given object of discourse" whether that be "text, film, exhibition, building, project, or urban environment."
Find out more from editors Caitlin Blanchfield and James Graham after the break.
trans magazin, a semi-annual journal published by the Department of Architecture at the Swiss Federal Institute of Technology ETHZ, seeks to address "issues in architecture and urban development from a variety of perspectives." Managed by an independent student editorial team since 1997, the publication studies and discusses humanities, politics, philosophy and the arts. It is "a platform for interdisciplinary discourse" packaged in a beautifully printed, weighty periodical.
The Draftery, a printed platform to "discuss the role of architectural drawing today", brings together a fascinating collection of images and words in a publication on three distinct platforms. Figures, Captions and Archive facilitate a multi-disciplinary conversation about how drawings are made and their role in the built environment. Now approaching their third anniversary, how far have they come and where is the project headed?
January 2013 saw the re-launch of The Draftery and the total reconstruction of the project. Their crisp publications now have a strong editorial thread which compliments the carefully curated collections of architectural drawings. Seeking to "demonstrate that drawing, more than mere representation, is a method of acting in the world", good drawings provide a moment of visual solice in a fast paced profession.
BI is a publication focused on the exchanges between architecture and its wider cultural context; it consists of short extemporaneous texts with longer studied pieces from a multitude of perspectives. The following is an excerpt from its latest (and first print) edition, FREE, written by the editors-in-chief E. Sean Bailey and Erandi de Silva.
There is implicit conflict in the word ‘free’. While culturally we celebrate the infinite opportunities afforded by the ‘freedom to’, the term also alludes to emancipation, a break from a captive state, or a ‘freedom from’. ‘Free’ is, at its core, an architectural concept. Architecture is a discipline directly engaged with shaping enclosure, of erecting and toppling barriers or—more explicitly—of extending and limiting ‘freedoms’.
http://www.archdaily.com/510553/bi-releases-its-first-print-publication-freeE. Sean Bailey and Erandi de Silva