The first tenant has moved into the One World Trade Center, making Monday, November 3, the official opening of the (arguably) tallest building in the Western hemisphere 13 years after the tragedy of 9/11. The “extraordinary moment was passed in the most ordinary of ways,” described the New York Times, as employees of Conde Nast entered into the white marble lobby (taken from the same quarry that produced marble for the original twin towers) and headed straight to the elevators to start their work day.
The relationship between immortality and architecture is ancient one. Writing in The New Yorker, Alexandra Lange discusses the past and future of cemetery design in relation to a new exhibition on display in New York. Featuring a selection of 1300 individual mausoleum designs stored in Columbia University’s archives, Lange notes how “patrons weren’t picky about originality. In the late nineteenth century, memorial companies might just bring back a shipment of angels from Carrara to be distributed among future clients.” These “rural estates in miniature” eventually gave way to more contemporary designs which dabbled in Realism and Cubism. What will the people of today house their remains in? For Lange, “the design we take personal pleasure from everyday is now less likely to be architecture and more likely to be an interface.” Read the article in full here.
On Wednesday, November 5, Diana Balmori will visit the Strand to chat about Drawing and Reinventing Landscape with the MoMA’s architecture curator, Barry Bergdoll. Diana’s book examines digital, analog and hybrid methods of representing landscape and places the contemporary landscape architecture within its fascinating historical context. This exclusive Strand chat will investigate crucial aspects of the design process. Join as these two experts discuss this important design topic at a moment of increasing global environmental change. More information here.
Construction has begun on Santiago Calatrava’s Saint Nicholas National Shrine on the World Trade Center site in New York. A “tiny jewel” for lower Manhattan, as referred by Calatrava, the white Vermont marble shrine will be based around a translucent central Cupola that illuminates from within.
More images and an updated construction image of Calatrava’s neighboring transportation hub, after the break.
Kean University has announced plans to open a new architecture school based on the design philosophy of Michael Graves. Following the footsteps of a man who laments the “loss of drawing,” the new Michael Graves School of Architecture will prioritize hand drawings as a key to design process.
“In our technologically savvy world, to this day, Michael Graves’ philosophy is to draw by hand first so that the students see, ‘feel’ and experience the new building spatially. Then, only after the drawing is complete will the students transfer the design to a computer so that the computer becomes an execution tool, not an ideation tool,” describes acting dean and former student of Graves, David Mohney.
Commissioned by Sonos to create a sound reactive installation in collaboration with the musician Dev Hynes (aka Blood Orange), The Principals created a 16-foot-tall canopy, 8-feet-wide by 36-feet-long covering the performance and grand stand seating area of the private workspace collective Neuehouse. Inspired by the work of Arthur Rimbaud, The Principals chose the name Ancient Chaos, a phrase from his poem Matinée d’Ivresse which speaks to a basic force of wonder within all of us at the hidden patterns of nature. The installation, both a sonic composition and a physical structure, creates sounds that verge on the architectural and architecture that verges on the fluid.
More information and a video of the installation in motion, after the break.
ODA Architecture has shared with us “510 Driggs,” a multi-family residential project that aims to provide residents with the “qualities of a private house” within Brooklyn’s dense urban landscape. Each of the six-story building’s 100 units will be equipped with a large, functional outdoor space and at least two exposures to maximize light and air.
Invited by the Municipal Arts Society (MAS) and the Regional Plan Association (RPA), Woods Bagot has created an alternative design for the future of New York‘s Penn Station which would allow Madison Square Garden to remain in its current location above the station’s entrance. The design, produced as part of MAS and RPA’s report into the future of the station, the design was unveiled yesterday at Penn 2023: Where will the Garden Go?, the first session of the Municipal Arts Society’s 2014 Summit for New York City, which discussed the possible options for the site at the end of Madison Square Garden’s current 10-year permit.
Though the report by MAS and RPA favors the idea of moving Madison Square Garden – identifying Farley Post Office’s Western Annex and the Morgan Postal Facility and Annex as potential new sites – it also says that “there needs to be a Plan B… In the event a deal between the state, city, railroads and Madison Square Garden does not get done in the next eight years, there needs to be a plan for improving Penn Station and the surrounding district with the Garden still in place.” This is where Woods Bagot’s designs come in.
Read on after the break for more on Woods Bagot’s proposal
Judith Edelman, FAIA, an American architect and feminist who hoped to rid architecture of its “gentleman’s club” status, has passed away at 91. Starting her career in an era when hiring “girls” wasn’t the norm, Edelman’s work to elevate women in architecture has paved the way for many of today’s leading architects; She was the first woman ever elected to the executive committee of the AIA’s New York chapter and she helped co-found the Alliance of Women in Architecture in 1972. Edelman’s built work, also highly admired, ranged from affordable housing to schools and health clinics, mostly in the New York City area. You can read Edelman’s obituary here.
Location: West 57th Street, New York, NY, USA
Partners In Charge: Bjarke Ingels, Thomas Christoffersen
Project Leader: Beat Schenk
Project Architect: David Brown
Project Team: Alessandro Ronfini, Sören Grünert, Maya Shopova, Lauren Turner, Tiago Barros, Tyler Polich, Ivy Hume, Yi Li, Daniel Sundlin, Thomas Fagan, Aaron Hales, Hongyi Jin, Mina Rafiee, Tara Hagan, Rakel Karlsdottir, Celine Jeanne, Aleksander Tokarz, Alessio Valmori, Alvaro Garcia Mendive, Felicia Guldberg, Gabrielle Nadeau, Ho Kyung Lee, Julian Liang, Julianne Gola, Lucian Racovitan, Marcella Martinez, Dominyka Mineikyte, Eivor Davidsen, Gul Ertekin, Maria Nikolova, Minjae Kim, Mitesh Dixit, Nicklas Rasch, Riccardo Mariano, Stanley Lung, Steffan Heath, Thilani Rajarathna, Xu Li, Christoffer Gotfredsen
Architect Of Record: SLCE Architects
Landscape Architects: Starr Whitehouse
Photographs: Field Condition
Marc Fornes & THEVERYMANY has constructed a light-weight, ultra-thin self-supported shell structure augmented by artist Jana Winderen’s engineered sounds at the Storefront for Art and Architecture in New York City. Now on view through November 21, the “Situation Room” presents itself, as Storefront describes, “a vibrating sound experiment that that aims to transform architecture into animated sensible form.”
“The overall form is an aggregate of twenty spheres of incremental diameters, combined to create an envelope of experiential tension, a sort of sublime dialogue between the comfort of the known and an uneasy interaction with the unknown,” described Fornes. “The resultant morphology resonates with a series of distributed transducers and lighting sources playing out through streams of porosity derived from structural stress flows across the elements.”
More images and information about the “Situation Room,” after the break.
The New York chapter of the American Institute of Architects (AIA) has awarded its 2014 Community Development Award to the Rebuild by Design competition organized by President Obama’s Hurricane Sandy Rebuilding Task Force. The results of the competition were announced in June this year, with six schemes, including proposals by BIG and OMA awarded a total of $920 million to repair the damage caused by Hurricane Sandy and improve the resilience of the coastline in the region.
More on the award after the break
The Solomon R. Guggenheim Museum is planning to construct a second location in New York City. As reported on the Art Newspaper, the expansion project, known as the “Collection Center,” aims to “consolidate its staff and art storage into one efficient, multi-use building with a dynamic public programming component.” The news broke with the release of a curatorial job position, seeking personnel to assist in the center’s planning and a possible architecture competition that will ensure the “Guggenheim’s reputation for being a visionary architectural patron” is preserved. Meanwhile, the Guggenheim is expected to narrow its selection to six for its new Helsinki location in November.
Herzog & de Meuron has teamed up with British designer John Pawson to design a 28-story tower for Manhattan’s Bowery district. The raw concrete tower, as developer Ian Schrager describes, will be designed as the “ultimate expression of Uptown meets Downtown.” Eleven luxury residences will top a 370-room hotel, all featuring open plans and mullionless floor-to-ceiling windows that frame unobstructed views of the city.