In a symposium at the AIA New York Chapter, seismologists, earthquake engineers, seismic code experts, emergency response managers, and architects conversant in seismic design will assemble for a conversation on available technologies and testing capabilities that, surprisingly, are located in New York State. They will “clarify the evolving role of design professionals, the building industry, and municipal and federal agencies in safeguarding our local communities”, as well as “educate the audience about the earthquakes, subsurface conditions, and construction approaches.”
With completion in sight (May 2014), Davis Brody Bond has released detailed information on the design of the subterranean 9/11 Memorial Museum in Manhattan. Located beneath the sculptural voids that form the 9/11 Memorial, the new museum has transformed a fixed set of geometric constraints into an emotional journey that gently descends visitors 70 feet below the ground level to the original foundations of the World Trade Center towers.
A vision by Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under), Collective–LOK’s compelling proposal to reimagine MoMA PS1’s triangular courtyard with a billowing “urban mirror” was one of five finalists shortlisted for the annual competition’s 15th edition. Though the Living’s compostable brick tower was ultimately crowned winner, the Collective-LOK’s Mirror Mirror was an intriguing proposal that transcended the boundaries of the site.
Maggie’s Cancer Caring Centres are for anyone affected by cancer. Built on the grounds of cancer hospitals, they are designed to be warm, welcoming places that provide practical, emotional, and social support. Conceived by the late Maggie Keswick Jencks, along with her husband Charles Jencks, as a direct response to her own experience with cancer, the first Maggie’s Centre in Edinburgh opened its doors to the public in 1996. Since then, Maggie’s has grown to 17 centers across the United Kingdom and beyond, with many more to follow.
This exhibition will focus in depth on five centers: Maggie’s Dundee, designed by Frank Gehry; Maggie’s Gartnavel, designed by Rem Koolhaas; Maggie’s Nottingham, designed by Piers Gough with interiors designed by Paul Smith; Maggie’s West London, designed by Richard Rogers; and Maggie’s Barts, designed by Steven Holl (not yet realized). In exploring the unique architectural elements of each center, from the undulating roofs of Gehry’s Dundee to Holl’s musically inspired space at the future Maggie’s Barts, the exhibition illustrates the importance of user-focused design in creating an environment of help and healing. By design, Maggie’s combines aspects of healthcare and treatment that are often separate in to a single hybrid building type; a space that is part-hospital, part-church, part-museum, and part-home.
Title: Exhibition / Maggie’s Centres: A Blueprint for Cancer Care
From: Fri, 07 Mar 2014
Until: Fri, 25 Apr 2014
Venue: NYSID Gallery
Address: 161 East 69th Street, New York, NY 10021, USA
Foster + Partner’s controversial renovation plans for the New York Public Library (NYPL) are currently in a state of limbo while the city decides their course of action. Foster’s proposal for the 20th century Carrère and Hastings “masterpiece” on 5th Avenue is a response to the cultural shift from traditional stacks to online resources, as the library has experienced a 41% decrease in the use of collections over the last 15 years.
“How can a $3.94 billion building be made to look cheap?” A small part of Santiago Calatrava’s World Trade Center Transportation Hub has been opened to the public, and the critics aren’t impressed. According to the New York Times’ article by David Dunlap, the buildings “chunky fixtures” and “rough workmanship” “detract from what is meant to be breathtaking grandeur.” Read more, here.
Tadao Ando has been commissioned to design his first New York City building. Though little information has been released, the residential development firm Sumaida + Khurana has closed a deal with the Japanese architect to design a 32,000 square foot, eight-unit, luxury condominium building at 152 Elizabeth Street in Nolita. Construction is expected to begin later this year and the building will be completed in 2016.
Eyebeam, a non-profit art and technology center currently based in Manhattan, has commissioned WORKac to design its future Brooklyn home. Planned for the corner of Lafayette Avenue and Ashland Place, within a mixed-use development designed by Dattner Architects and Bernheimer Architecture that will include market-rate and subsidized housing as well as a restaurant, the 27,000 square foot cultural facility will accommodate for the organization’s world-renowned artist residency program, diverse public programming and innovative education offerings for adults and teens. According to the developer, Jonathan Rose Companies intends to break ground next year with completion slated for late 2016.
Architects, Sociologists and Environmentalists explore the intersection between design and the social sciences at large by explicating the concept of “city” and “citizen” in parallel.
Cities and Citizenship is a three-day symposium, consisting of a conference series and workshops, that explores how the design of cities can promote a more engaged citizenry.
The event will engage leading designers, architects, landscape architects, planners, urbanists, historians, and scientists. Cities and Citizenship is co-sponsored by the Goethe-Institut New York, Parsons The New School for Design, NYU Gallatin School of Individualized Study and Global Design NYU.
Title: Symposium: Cities and Citizenship
From: Thu, 13 Mar 2014
Until: Sat, 15 Mar 2014
Venue: Goethe-Institut, Wyoming Building / New York University, Gallatin School of Individualized Study
Address: 5 East 3rd Street, New York, NY 10003, USA
Construction is officially underway on 610 Lexington Avenue, a 700-foot ultra-thin condominium tower designed by Foster + Partners in New York City. Designed as a contrast to its neighboring landmark, Mies van der Rohe’s midcentury Seagram Building, the slim 61-story tower will feature 91 luxury units encased within a pure white glass facade.
Among last year’s winners of the International Photography Awards Competition, were some fantastic night photographs of Oscar Niemeyer’s Brasilia taken by architectural photographer Andrew Prokos. The awarded photos, and more photographs taken by Andrew in Brazil, will be exhibited in “Brazil: Night & Day”, at Banco do Brasil, 11 W 42nd St., New York.
Sponsored by Banco do Brasil and the Year of Brazil at Queens College, CUNY, the exhibition will include photographs from Niemeyer’s Brasilia, panoramic cityscapes of Rio de Janeiro at night, landscapes from Rio’s Botanical Gardens, and Rio street scenes. It will be on display from April 3 to April 25.
Almost 400,000 New Yorkers live in floodplains, a number that should double by 2050 due to sea level rising. After Hurricane Sandy, the waterfront neighborhoods in which they live were dramatically re-envisioned, taking into account the heavy downpours and high winds that come with coastal storms. Is it possible to live safely while enjoying life at the water’s edge?
On March 17, the Center for Architecture will host a discussion with architects working on some of New York’s major waterfront residential developments. Lisa Schwert (SHoP Architects), Oliver Schaper (Gensler), and Eran Chen (ODA) will be there discussing their projects.
More information and registration here.
Title: Waterfront Housing in a Post Sandy World
From: Mon, 17 Mar 2014 18:00
Until: Mon, 17 Mar 2014 20:00
Venue: Center for Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
New York’s Park Avenue Armory, originally built in 1861 for the Seventh Regiment of the National Guard and restored by Herzog & de Meuron in 2007, is about to be temporarily taken over by Rafael Viñoly. On April 30th 2014 Artvest Partners will launch Spring Masters New York, “a fair for art produced between antiquity and the 20th century, which corresponds with Christie’s and Sotheby’s signature Impressionism and modern art auctions”. Viñoly’s hexagonal grid of exhibition rooms will fill the 55,000 square foot Drill Hall in an attempt to break with the monotony of the rectangular grid format.
Architects: Todd Schliemann | Ennead Architects
Location: 413 East 69th Street, New York, NY, USA
Architect In Charge: Craig McIlhenny
Project Team: Barrett Brown, Ilya Chistiakov, Margaret Gorman, John Jordan, Zubair Kazi, James Macho, Patricia Salas, Margaret Tyrpa
Area: 480,000 sqft
Photographs: Jeff Goldberg
Building off of the success of their crowdfunded BD Bacatá building in Colombia, the real estate group Prodigy Network has announced a plan to bring this same funding method to New York, with an apartment hotel in Manhattan named 17 John.
The project, a glassy rooftop extension to the existing art deco building at 17 John Street, has much in common with Prodigy Network’s past projects: the same funding method as their skyscraper in Bogotá as well as the same designer, Winka Dubbeldam, head of the New York practice Archi-Techtonics. Dubbeldam also previously helped them to crowdsource ideas for the future development of Bogotá in the “My Ideal City” project.
However, when applied to the USA, this funding paradigm – which is so promising in Colombia – becomes twisted beyond recognition. Upon close inspection, 17 John more resembles the standard developer’s model than anything else – and the claims of ethical superiority begin to melt away.
The elevated railroad, which was designed to penetrate city blocks rather than parallel an avenue, saw its last delivery (of frozen turkeys) in 1980. By 1999, a “very strange landscape had formed, with a whole eco system around it,” says Diller. Advocacy for the site’s preservation began with two local residents, and culminated in its reclamation with the multidisciplinary collaboration of city officials and impassioned designers (namely James Corner Field Operations, Diller Scofidio + Renfro, and planting designer Piet Oudolf). “The High Line project couldn’t have happened without the right people, the right time and the right administration.”
Today, thirty-feet above the hardscape in the canopy of the New York City jungle, the High Line pauses for a meditative mile. “The high line, if it’s about anything, it’s about nothing, about doing nothing. You can walk and sit, but you can’t be productive,” comments Diller.